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THE PLOT AND ARTISTIC SKILL IN THE STORY OF CHINGIZ


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THE PLOT AND ARTISTIC SKILL IN THE STORY OF CHINGIZ 
AYTMATOV
Xakimova Farida Ilhom qizi
The student of Termez state university
Paygamova Aziza
The student of Samarkand state institute of foreign languages
Ro’ziboyeva Dilfuza
The student of Termez Medical college
Keywords: “Face to face”, refugee, his mother`s and wife`s fortune, war, main and 
assistant plot in the story “Face to face”, culmination point.
Abstract: the plot of story and the composition analysis, the interpretation of esthetic 
skill of writer and subject of war and refugee.
Аннотация: сюжет и композиционный анализ, интерпретация эстетического 
мастерства писателя и субъекта войны и беженца.


130 
MONOGRAFIA POKONFERENCYJNA
writer introduced the period of war to 
reader.One of the protagonists described 
Saida`s action before the war however, he 
or she described her happy life. After that 
knot (that is event or problem) started. It 
is clear for us knot is a thing to reason 
beginning of events and it is the place that 
existed the conflect of the work. Knot was 
compassed when Saida was sleeping Is-
moil knocked the gate, that is to clear his 
avoiding from the war.
The events of plot were developed step 
by step.As we look the growth of work 
events we testify that it is paid attention 
two things in it: these things are difficul-
ties in the families because of war, de-
scribing the cruafixions in people and 
Saida`s life in the threat.
It is important the culmination point 
in every work. Culmination point in the 
story “Face to face” influenced people`s 
feelings, reader was believed to hate Is-
moil, it is possible war to change the per-
son, namely, it believed that it is possible 
to wrack the feeling which are named 
mankind as worm.It was caught the read-
er below following idea: “it should be 
dream”. But all of them were true. Ismoil 
shaped as animal which did not think 
anything except food.
Totioy fed three children barely, and 
she said that “ if spring comes my cow 
cubs, there is some milk and also my chil-
dren eat a lot”. But Ismoil stole her cow. It 
was not the portion of three orphans, cow 
was one deliverance not to be hungry, 
anymore also it was lost. It was evinced 
the culmination point when Saida knew 
that her husband has stollen the cow and 
has brought the meat of this cow.
It was seething two opposite feelings 
in Saida`s heart: love and justice. Lastly, 
love lostthe justice, thereafter, Saida dis-
covered her husband. It was difficult for 
her and she knew that her children be-
came orphan but even though she did not 
vouchsafe her child to conscience and 
creed father.
Ismoil`s mother passed away in the 
story and Ismoil did not go her ceremony. 
Why, exactly mother image doomed pass-
ing away and only her child was staring 
not pursuing his mother at the end loca-
tion. Because mother is one of the most 
honorable person in the world. Our 
mother is only one gender who is not 
changed other person in our life. Her love 
enters to our heart with mother milk and 
it is with us until we pass away. Because of 
this writer chose Ismoil`s mother for 
death not his wife. In this position he was 
going to describe that Ismoil became 
heartless. He indicated to realize this to 
reader. It is impossible to read this story 
which is a picture of a mother who left the 
world without looking freedom at her 
children giving her love and becoming 
pale her hair, working hard. Writer did 
not describe Ismoil as mankurt (not to 
remember anything). He had the feelings 
of love. Other wise when his mother was 
being buried he would not be staring this 
event “bitting his lip until going out 
blood”.
Ismoil went to his mother`s tomp after 
people had left the cemetery and no one 
had stayed. He crawled with lost memory 
leaning trembling hands,ashe was em-
bracing new sail he growled with fuggy 
sound and he panted from gloom, anger, 


  131 
PHILOLOGY,  SOCIOLOGY AND CULTUROLOGY №14
wrath, distress. It was difficult to guess 
what he shouted as wolf and to curse 
somebody and something. So he started 
to shout with loud voice as vinous person: 
“my mother, mother, sorry! Sorry! Curse 
me! Curse me at hereafter! Curse the war! 
Curse the war”. It was denominated Chin-
giz Aytmatov`s artistic intent and aim in 
this position. It is writer`s real skill that 
describing the war through the image of 
refugee, to hate oxbow in the war. These 
words which were disgorging from his 
heart, actually, belong to whole human-
kind. Ismoil was not a person who hated 
the war, also everybody hated the one. 
Ismoil would have lived with his family. It 
was appeared good idea which aimed at 
Ismoil in this story. It was bad event that 
he had stolen Totioy`s cow. So everybody 
hated him. Because of this Saida discov-
ered her husband to soldiers.This caused 
for naming the story “Face to face”.
Namely, Ismoil confronted with Saida. 
Saida became other person, she carried her 
child, she became pale. But she seemed 
beautiful. Story ended accordingly.
USED LITERATURE
1.  Chingiz Aytmatov. Chosen works: Stories. 
T..”Sharq”, 2016.
2.  Karimov S. In the perfect composition// 
Tongue language and literature.-1991.-
N:6.-B54-58
3.  Kuronov D. Yuldoshev N. The theory of 
literature. Methodical manual. Termiz, 
2017. 



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