Санъатшунослик институти ҳузуридаги илмий даражалар берувчи dsc

A.A.Hakimov 
Chairman of the scientific council 
on awarding of scientific degrees, 
Doctor of art history, professor 
S.Sh. Alieva 
Academic secretary of the scientific council 
on awarding of scientific degrees, 
I. A. Mukhtarov 
Chairman of the scientific seminar under the 
Scientific council on awarding scientific degrees, 
Doctor of art history, professor 

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INTRODUCTION (abstract of the thesis of the DSc) 

The object of the research work is the process of historical development of 
gaming cinema of Uzbekistan over the past one and a half centuries - from the 
moment of its appearance in Turkestan as an element of spectacular culture and 
commercial enterprise to the present, when one can speak about the established 
school of national cinema and the developing film industry. 
The aim of the research. The purpose of the study is a comprehensive study 
of the development paths of cinema of Uzbekistan in the context of socio-cultural 
transformations. 
Scientific novelty of the research consists of the following: 
for the first time, archival materials were introduced into the scientific 
circulation, reflecting the history of the development of the game cinema of 
Uzbekistan; 
the exact periodization of the main stages of the formation, formation and 
development of the national cinema has been determined; 
The conclusion that Uzbekistan, thanks to its historical mission as a 
crossroads of cultural interaction between the East and the West and the region 
with a developed urban structure, was naturally the birthplace of cinema in Central 
Asia, was fully substantiated and entered into scientific circulation; 
scientific analysis of the processes of formation and development of the game 
cinema of Uzbekistan is considered as a resource base for the development of 
programs to promote the current creative trends in the film industry; 
revealed the main typological models of national filmmaking, professional 
filmmaking, film screenings; 
a historical-comparative analysis and a critical assessment of the ideological 
and aesthetic qualities of the most significant and fundamental from the point of 
view of innovative film searches were carried out; 
investigated the most significant professional problems facing the national 
screen art at different stages of its development; 
scientifically substantiated the diversity of relations of individual parties of 
cinema with socio-historical phenomena, the search for patterns of these relations 
and the reasons for the popularity or rejection of individual movie models in 
specific historical situations; 
made recommendations and proposals for the preservation of national film 
heritage and the development of cinema.