Table of contents chapter I introduction
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Comparative Study Analysis The Painted V
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- 1.3 FILM THEORY
Positive Tone Words: affectionate, casual, celebratory, cheerful, comforting,
compassionate, confident, contented, and delightful. Negative Tone Words: angry, annoyed, anxious, pessimistic, threatening, unfriendly, unsympathetic, antagonistic, pathetic, embarrassed, forceful, sarcastic, scornful, tense, upset, demanding, depressed, gloomy, enraged, cold, desolate, disappointed, disliking, and disrespectful.
Cinema studies or film theory is defined as an academic discipline. It aims to explore the essence of the film. It also provides some conceptual frameworks in order to get better understanding about film‟s relationship to reality, individual audiences, society and other arts in larger scope. But it should not be confused with general film criticism or even film history.
There are several film theories that can be used to identify one film to another. Some theories, such as Apparatus theory, Auteur theory, Feminist film theory, Formalist film theory, Genre studies, Marxist film theory, Philosophy of language film analysis, Psychoanalytical film theory, Screen theory, and Structuralist film theory. Since film theory borrows the disciplines of philosophy, art, social science and so on, it is then best to analyze this film using feminist criticism. Although film is considered as a new medium of literary work, the probability for this work analyzed using certain literary criticism is available.
Under the umbrella of feminist film theory, feminist theory reinforces or undermines the political, economic, social and psychological oppression towards women, which are displayed partially either it is from actual events or not through film and any other literary works. It also deals with the social and cultural aspects in literary works, especially for works which reveal the role, influence and position of women. As Tyson (1998: 83) states, “Broadly defined, feminist criticism examines the ways in which literature (and other cultural production) reinforces or undermines the economic, political, social, and psychological oppression of women.” With the umbrella, feminism, there are a lot of movements which fight for the equality between male and female. It was all started since the development of 17
more complex conceptions of gender and subjectivity as well as the third-wave feminism. Feminist literary criticism has taken a variety of new routes. The feminist literary criticism as it has been known until today is indeed the direct product of the „women‟s movement‟ of the 1960s. This was literary movement since the beginning, in the sense that it realized the significance of the images of women promulgated by literature, and saw it as vital in order to combat them as well as question their authority and coherence.
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