Teaching the stylistic peculiarities of
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TEACHING THE STYLISTIC PECULIARITIES OF O’HENRY’S SHORT STORIES
The illustrators
Despite several noteworthy exceptions, the scarcity or lack of skilled illustrators raises problems for many developing countries in obtaining highquality textbook illustrations. Several reasons, some of which are linked, explain this fact: - lack of the means to train these specialists; - lack of coherent planning of textbook production which accords insufficient importance and financial resources for illustrations; - lack of recognition of the need for good quality illustrations for the educational effectiveness of school books; - low remuneration offered to skilled illustrators; 25 - under-employment of full-time illustrators whose level of skill is not always very high and who have to do other jobs as well. Despite all this, it is often possible to improve the quality of illustrations with a relatively small increase in expenditure, on the one hand to remunerate qualified illustrators (even, if necessary, calling upon personnel living in other countries), and on the other, with the use of colours. In fact, if such expenditure is shared over a large number of printed books, then it represents only a modest proportion of textbook production costs. Whereas, print-runs of school textbooks, especially those for primary education are often in excess of a hundred thousand and subsequent re-prints considerably increase this figure. What mainly raises the price of production for many countries is that they have to import most or nearly all of the material elements: paper, cardboard, equipment and supplies for publishing and printing, spare parts and maintenance. But, even if books are to be distributed free of charge or sold at prices falling under the real production costs, the quality of illustrations still remains an essential element. Should then the quantity perhaps be limited in order to safeguard quality? The qualifications of illustrators The qualities required of a good school textbook illustrator are not necessarily those of a well-known artist, draughtsman or painter. The abovementioned characteristics and conditions of a good illustration clearly distinguish the purely artistic drawing or image from illustrations for school books. The illustrator must certainly be gifted for drawing and have training in the arts, but he must also, through training courses and intensive practice, acquire the professional experience which will turn him into a skilled textbook illustrator. It is sometimes necessary to attend such courses and work abroad, but not necessarily in the highly developed countries. There are countries in each region of the world where talented illustrators work, where workshops for the illustration of school books have already been set up, and where it is possible to gain professional experience. Over and above artistic skill and experience of techniques in illustrating school books, an illustrator should: 26 - know something about the content for which the illustrations are prepared, without necessarily being a specialist in a specific discipline; - use a technique and style of drawing which corresponds to the content (scenes, people, situations, maps, technical drawing, scientific diagrammes, etc) and the text of the book; - have a good understanding of the educational objectives of the textbook. Illustrators cannot, at one and the same time, be good designers, specialists in a discipline and teachers. So, there must be close collaboration between illustrators and the author of the manuscript, the latter giving precise details on the type and characteristics of illustrations required in his textbook. In addition, the illustrator should take into consideration the requirements of those who will typeset and lay out the pages of the textbook, so far as dimensions and presentation of illustrations is concerned. 7 Download 439.52 Kb. Do'stlaringiz bilan baham: |
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