- Liceo Laura Bassi
- 4° formers – scienze umane
The plays of William Shakespeare were grouped into: - Comedies
- Histories
- Tragedies
- Shakespeare’s 17 comedies are the most difficult to classify because they overlap in style with other genres. Critics often describe some plays as tragi-comedies because they mix equal measures of tragedy and comedy (see Much Ado about Nothing).
- All's Well That Ends Well
- As You Like It
- The Comedy of Errors (is believed to be Shakespeare’s earliest comedy, written around 1592)
- Cymbeline
- Love's Labour's Lost
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Pericles Prince of Tyre
- Taming of the Shrew
- The Tempest
- Twelfth Night
- The Two Gentlemen of Verona
- The Winter's Tale
Legacy - Because of his humanist education, Shakespeare was familiar with classical (Greek and Latin) comedy
- The Latin comedies of Terence and another Roman poet, Plautus (ca. 258?-184 B.C.), were studied in Elizabethan schools
Structure - From Terence and Plautus, Shakespeare learned how to
- organize a plot in a way modern editors may represent as a
- five-act structure:
- 1- A situation with tensions or implicit conflict (Exposition)
- 2- Implicit conflict is developed (Rising Action)
- 3- Conflict reaches height; frequently an impasse (Turning Point)
- 4- Things begin to clear up (Falling Action)
- 5- Problem is resolved, knots untied (Conclusion)
. Structure - conflict
- obstacles obstacles
- solution of conflict
Characters - From the works of Plautus and Terence, Shakespeare learned to use certain stock characters such as
- - the prodigal youth and his female love interest; - "blocking figures" who provide the obstacle to be overcome (ex.the senex), a parent or guardian of the hero or heroine
- - the shrewish wife, the pedant, the braggart soldier (the miles gloriosus), the parasite, clowns, outlaws, clever servants, female confidantes.
Comedy: - Is often set in an imaginary country (ex.Illyria)
- Is similar to a fairy-tale
- Characters are true to life
- In Shakespeare’s comedies female heroines are usually more important than male heroes
- But in Shakespearian
- time men played all the
- roles even female ones
- In characters we can
- see many mistakes
- and faults
-
The two most important motives in comedy: - Right of an individual to free choice of love
- Contrast between the appearance and reality
- Shakespeare’s comedies are accompanied by music and sometimes actors play music instruments by themselves
- Songs are often sung by a jester or a fool; parallel the events of the plot.
The main themes in Shakespeare’s comedies are: - A struggle of old haters to overcome difficulty, often presented by young people
- Separation and re-unification
- Mistaken identities
- A clever servant
- Heightened tensions, often within a couple
- Complex, intertwining plot
- Use of puns
Twelfth Night - Twelfth Night is a wonderful romantic comedy which was named after the Twelfth Night Christmas holiday.
- First performed between 1599 and 1601
- It contains basic themes like: divided twins, mistaken identity, true love conquering, gender-crossing and love madness.
- Orsino is a strong nobleman who lives in the country of Illyria. He is madly in love with the gorgeous lady Olivia.
- Viola is a young upper-class woman and the main character of the play. She represents herself as a man ‘Cesario’ and goes to work for Orsino
- and falls in love with him.
- Olivia is a good looking,
- wealthy and noble
- woman who lived in
- Illyria . Orsino was in
- love with her.
The Taming of the Shrew - http://www.youtube.com/watch?v=DY5GVqLKm5Q
HAPPY END - Thank you for your attention!
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