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Феллер, М. 1981. Структура произведения. Москва: Книга. Sultonov, X. 1983. Bir oqshom ertagi. Тошкент. Malik, T. 1989. Alvido...bolalik. Тошкент: Yosh gvardiya. A’zam, E. 2002. Kechikayotgan odam. Тошкент: Sharq. Norqobil, Q. 2004. Kulib tur, azizim. Тошкент: Sharq. Aminov, N. 1983. Yolg‘onchi farishtalar. Тошкент: G‘afur G‘ulom nomidagi adabi- yot va san’at nashriyoti. Hamdam, U. 2010. Uzoqdagi Dilnura. Тошкент: Akademnashr. Hoshimov, O‘. 2011. Saylanma. Тошкент: Sharq. Karimov, B. 2014. Abdulla Qodiriy va germenevtik tafakkur. Тошкент. Poetics title in a work of fiction (art) Umida Rasulova 1 Abstract The article discusses the importance of the title in the structure of a work of art.The title of the work emphasizes the manifestation of the au- thor’s ideological and aesthetic views. The integrity of the semantic points 1Umida Rasulova - Doctor of science in philology (DsC) Tashkent State University of uzbek language and literatute named after Alisher Navo'i. E-pochta: rasulovaumida12@gmail.com ORCID ID: 0000-9762-4407 For citation: Rasulova Umida. 2022. Poetics title in a work of fiction (art). Uzbekistan Language and Culture 1(2): 92-99. Umida RASULOVA Badiiy asarda sarlavha poetikasi 99 allows you to clearly express the essence, increases the aesthetic power of the work. The integrity of the semantic points allows you to clearly express the essence, increases the aesthetic power of the work. With the name of the element in nature, the simbolizm in the title increases. An artist enter- ing into an artistic dialogue must not only convey certain information and novelty to the reader, but also encourage him to a creative approach. The first semiotic center in the content is the title, which contains the author's idea, concept. The title is a preface to the first impression, the dialogue between the author and the reader. Assessing the essence, talent, and creative intent of artists begins at this point. Stories such as "Let's go to the mountains", "Rocks also cry", "The coast of Happiness" are strength- ened by the name of the place. The image of the place not only gives aes- thetic pleasure, but also points to the main event, the key related to this place. The first sentence is the beginning of the dialogue, the unseen meet- ing of the character and the reader, an important sign of the composition- al level. The next situation and condition is the prelude to dialogues and monologues. The subject, the first impression of the conflicts are the pro- cess of moving to the next level, the acceleration of activity. In the story, the epigraph is important to generalize the poetic content, to read the ar- tistic intention. The author increases the ideological, emotional weight by inserting the necessary extract (such as a poem, a saying, proverb, hadith) on the subject covered. It draws attention by the fact that it has the main meaning in itself, justifies the state of the character. Download 291.98 Kb. Do'stlaringiz bilan baham: |
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