Chapter I this line indicates that there is no help from God

Contents.

Introduction.

Chapter I This line indicates that there is no help from God.
1.1 This line indicates that there is no help from God.
1.2 Best remembered for his Civil War narrative.
Chapter II. The Red Badge of Courage
2.1 The Red Badge of Courage
Conclusion.
References.
Introduction.
The generation of writers that observed William Dean Howells broke with their past, as did the Realists when they rejected Romanticism as a literary style. Frank Norris, Stephen Crane, Jack London, Theodore Dreiser, Harold Frederic, Hamlin Garland, Ellen Glasgow and Kate Chopin, to name a few, rejected the obstacles of Realism in terms of concern matter. While they all, to some extent, embraced the Realist style of writing with its interest to element and authenticity, they rejected Realism’s tendency not to offend the sensibilities of readers in the genteel classes. The new writers have been not afraid of provocative concern things and wrote about the human situation in starker, grimmer contexts. They all, to some extent, were influenced with the aid of no longer solely scientific ideas of the day, consisting of Charles Darwin’s views on evolution, but also European writers experimenting with this new style: Naturalism. Émile Zola, a distinguished French novelist, had articulated a idea of Naturalism in Le Roman Expérimental (1880). Zola had argued for a form of severe Realism, one that did now not seem away from any components of life, consisting of the base, dirty, or ugly. Also influenced by using Darwin, Zola noticed the human in animal terms, and he argued that a novel written about the human animal should be set up as a type of scientific experiment, where, as soon as the elements have been added, the story would unfold with scientific accuracy. He used to be particularly fascinated in how hereditary qualities underneath the affect of a precise social environment may determine how a human behaves. The American writers Norris, Crane, and London, in a similar way symbolize human beings as section of the evolutionary landscape, as beings influenced and even decided with the aid of forces of heredity and surroundings beyond their perception or control.