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Cf. another example: If two people were found with a great bodily resemblance, the experiment would succeed. →
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For the experiment to succeed, it is necessary to find two people with a great bodily resemblance.
In keeping with its functional meaning, this kind of consequence may be named a "consequence of necessity".
A consequence dependent on a "concessive" condition shown above has another implication. Two semantic varieties of clauses of consequence should be pointed out as connected with the said concessive condition and featuring the subjunctive mood. The first variety presents a would-be effected action in consequence of a would-be overcome unfavourable condition as a sort of challenge. E.g.: I know Sam. Even if they had tried to cajole him into acceptance, he would have flatly refused to cooperate.
The second variety of concessive-conditional consequence featuring the subjunctive, as different from the "consequence of challenge", expresses neglect of a hypothetical situation. Cf.: Even though weather-conditions were altogether forbidding, the reconnaissance flight would start as scheduled.
Apart from complex sentences, the past posterior form of the subjunctive can be used in independent sentences. It is easy to see, though, that these sentences are based on the presupposition of some condition, the consequence of which they express. It means that from the point of view of the analysed functions they practically do not differ from the constructions of consequence shown above. Cf: He would be here by now: he may have missed his train. → He may have missed his train, otherwise (i.e. if he hadn't missed it) he would be here by now.
As we see, the subjunctive form-type in question in the bulk of its uses essentially expresses an unreal consequential action dependent on an unreal stipulating action. In grammars which accept the idea of this form being a variety of the verbal mood of unreality, it is commonly called "conditional". However, the cited material tends to show that the term in this use is evidently inadequate and misleading. In keeping with the demonstrated functional nature of the analysed verbal form it would be appropriate, relying on the Latin etymology, to name it "consective". "Consective" in function, "past posterior" in structure — the two names will go together similar to the previously advanced pair "stipulative" — "past unposterior" for the related form of the subjunctive.
Thus, the functions of the two past form-types of the subjunctive are really different from each other on the semantic
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lines. On the other hand, this difference is of such a kind that the forms complement each other within one embedding syntactic construction, at the same time being manifestations of the basic integral mood of unreality. This allows us to unite both analysed form-types under one heading, opposed not only structurally, but also functionally to the heading of the spective mood. And the appropriate term for this united system of the past-tense subjunctive will be "conditional". Indeed, the name had to be rejected as the designation of the consequential (consective) form of the subjunctive taken separately, but it will be very helpful in showing the actual unity of the forms not only on the ground of their structure (i.e. the past tense order), but also from the point of view of their semantico-syntactic destination.
The conditional system of the subjunctive having received its characterisation in functional terms, the simplified "numbering" terminology may also be of use for practical teaching purposes. Since the purely formal name for the stipulative mood-form, now in more or less common use, is "subjunctive two", it would stand to reason to introduce the term "subjunctive three" for the consective form of the subjunctive. "Subjunctive three" will then finish the set of numbering names for the three pure forms of the mood of unreality, the "modal spective" being left out of the set due to its non-pure and heterogeneous character.
§ 6. We have surveyed the structure of the category of mood, trying to expose the correlation of its formal and semantic features, and also attempting to choose the appropriate terms of linguistic denotation for this correlation. The system is not a simple one, though its basic scheme is not so cumbersome as it would appear in the estimation of certain academic opinion. The dynamic scheme of the category has been much clarified of late in the diverse researches carried out by Soviet and foreign linguists.
One of the drawbacks of the descriptions of the category of mood in the existing manuals is the confusion of the functional (semantic) terms of analysis with the formal (categorial) terms of analysis.
To begin with, hardly convenient in this respect would appear the shifted nomination of the "oblique" tenses broadly used in grammars, i.e. the renaming of the past imperfect into the "present" and the past perfect into the simple "past". By this shift in terms the authors, naturally, meant to
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indicate the tense-shift of the "oblique moods", i.e. the functional difference of the tenses in the subjunctive mood from their counterparts in the indicative mood. But the term "tense" is clearly a categorial name which ought to be consistent with the formal structure of the category common for the whole of the verb. As a result of the terminological shift, the tense-structure of the verb receives a hindering reflection, the confusion being aggravated by the additional difficulty of contrasting the "present" tense of one system of the oblique moods (which is formally past) against the "present" tense of another system of the oblique moods (which is formally present).
Hardly consistent with adequacy would appear the division of the general mood system into several moods on the upper level of presentation. "Imperative", "subjunctive one", "subjunctive two", "conditional", "suppositional" — these are in fact shown in separate contrasts to the indicative, which hinders the observation of the common basis underlying the analysed category.
The notions "synthetical" moods and "analytical" moods, being formal, hardly meet the requirements of clarity in correlation, since, on the one hand, the "synthetical" formation in the English subjunctive is of a purely negative nature (no inflexion), and, on the other hand, the "analytical" oblique formations ("conditional", "suppositional") and the "synthetical" oblique formations ("subjunctive one", "subjunctive two") are asymmetrically related to the analytical and synthetical features of the temporal-aspective forms of the verb ("subjunctive one" plus part of "subjunctive two" against the "analytical moods" plus the other part of "subjunctive two").
Apparently inconsistent with the function of the referent form is the accepted name "conditional" by which the form-type of consequence is designated in contrast to the actual form-type of condition ("subjunctive two").
The attempted survey of the system of the English mood based on the recent extensive study of it (undertaken, first of all, by Soviet scholars) and featuring oppositional interpretations, has been aimed at bringing in appropriate correlation the formal and the functional presentations of its structure.
We have emphasised that, underlying the unity of the whole system, is the one integral form of the subjunctive standing in opposition to the one integral form of the
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indicative. The formal mark of the opposition is the tense-retrospect shift in the subjunctive, the latter being the strong member of the opposition. The shift consists in the perfect aspect being opposed to the imperfect aspect, both turned into the relative substitutes for the absolutive past and present tenses of the indicative. The shift has been brought about historically, as has been rightly demonstrated by scholars, due to the semantic nature of the subjunctive, since, from the point of view of semantics, it is rather a mood of meditation and imagination.
The term "subjunctive" itself cannot be called a very lucky one: its actual motivation by the referent phenomena has long been lost so that at present it is neither formal, nor functional. The mood system of unreality designated by the name "subjunctive" might as well be called "conjunctive", another meaningless term, but stressing the unity of English with other Germanic languages. We have chosen the name "subjunctive", though, as a tribute to the purely English grammatical tradition. As for its unmotivated character, with a name of the most general order it might be considered as its asset, after all.
The subjunctive, the integral mood of unreality, presents the two sets of forms according to the structural division of verbal tenses into the present and the past. These form-sets constitute the two corresponding functional subsystems of the subjunctive, namely, the spective, the mood of attitudes, and the conditional, the mood of appraising causal-conditional relations of processes. Each of these, in its turn, falls into two systemic sub-sets, so that on the immediately working level of presentation we have the four subjunctive form-types identified on the basis of the strict correlation between their structure and their function: the pure spective, the modal spective, the stipulative conditional, the consective conditional.
For the sake of simplifying the working terminology and bearing in mind the existing practice, the non-modal forms of the subjunctive can be called, respectively, subjunctive one (spective), subjunctive two (stipulative), subjunctive three (consective); against this background, the modal spective can simply be referred to as the modal subjunctive, which will exactly correspond to its functional nature in distinction to the three "pure" subjunctive forms.
The described system is not finished in terms of the historical development of language; on the contrary, it is in the