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INNOVATION IN THE MODERN EDUCATION SYSTEM
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projects of Lobar Muzaffarova, Dilorom Mirortikova, Regina Yusupova, 
which demonstrated both design and technological skills; forms of 
nature and architecture, the use of music as a creative source - NIAD 
students Mohinur Kayumkhodjaeva, Madina Pulatova, Farida 
Pulatova, Gulsanam Sotivoldieva, in the creative projects of students 
and teachers of the Republican Design College; appeals to the 
culture of different nations - in the clothing collections of Sevda 
Boltaeva, Adelyam Busakova, Shoira Otaboeva; work with different 
materials and contradictory textures - in the project "Charms" by 
Dilfuza Khudoiberdieva; the direction of deconstructivism is expressed 
in Aziza Saidiganieva's project "Infinity". 
In our opinion, the show ―Fashion Laboratory" inspires someone to 
think, inspire someone to create, provoke someone to debate and 
leave no one indifferent, clearly showed the originality of the work of 
young designers. 
Nowadays, traditional and national costumes serve as a source 
of endless creativity for young designers. In particular, knowledge of 
tailoring methods, constructive originality, artistic and compositional 
structure of the dress, coloristic (color) and decorative (ornaments) 
solutions, methods and means of creating a costume form serve as a 
basis for creating new shapes and proportional solutions. When 
creating a collection of dresses, designers often refer to the national 
aesthetic laws of a particular historical period. Sometimes, these 
models generate certain figurative associations that are clearly 
recognizable images, and sometimes stylized and interpreted. 
It is worthwhile for young Uzbek designers to use the following 
elements that make up the artistic structure of traditional clothing in 
the design process of clothing: The use of traditional materials and 
color gamut and traditional sewing methods in the collections of 
Sadokat Abbaskhanova "Oypopuk", Dilnoza Erkinova‘s "Marvarid" - 
"Pearl".
In the use of a combination of traditional materials and color 
gamut, as well as modern tailoring methods, silhouettes, technologies 
in the collections of Sitora Azamova's "Pomegranate", Mavjuda 
Askarova's "Tumor", Nafisa Rasulova's "Nafosat", Sarvar Rasulov's (EL 

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