Case: Senegal

Symbolic [manipulating images and meanings, distributing nonmaterial rewards and values]
Davlat ramzlari quidagilardan iborat:
Senegal Respublikasi bayrog'i 1960 yil 20 avgustda qabul qilingan.
Bayrog'i da Bir xil kenglikdagi uchta vertikal chiziq: yashil, olov rang va qizil.
Oltin chiziqdagi bayroq markazidagi yashil besh qirrali yulduz. Musulmonlar uchun yashil rang Payg'ambarning rangidir, nasroniylar uchun bu Umidning ramzi, animistlar uchun bu unumdorlikning ramzi. Oltin rang-boylik belgisi, madaniyat darajasini oshirishga qaratilgan iqtisodiy muammolarni hal qilishga ustuvor ahamiyat berib, xalq uchun mehnat samarasini anglatadi. Oltin sariq rangga, san'at va yozuv rangiga, aql rangiga mos keladi. Qizil rang qonning rangini, hayot rangini, butun Senegal millati tomonidan qilingan qurbonliklarning xotirasini, shuningdek, uning har bir o'g'lini rivojlanmaganlikka qarshi kurashda ilhomlantiradigan ulkan intilish va harakat kuchini eslatadi.
Yulduzning beshta nurlari beshta qit'ada Senegal haqidagi bilimlarni anglatadi. Yulduz osmonni va yuksak ma'naviy intilishlarni anglatadi, ayniqsa guruch va nondan ko'proq yashaydigan odamlar orasida. Yulduzning yashil rangi umidni anglatadi va Senegal Respublikasining yosh mustaqilligini ifodalaydi.
Senegal gerbi qalqondan tashkil topgan geraldik tasvir bo'lib, uning chap yarmida sher , o'ng tomonida palma novdalari bilan o'ralgan va tepasida besh qirrali yashil yulduz bilan qoplangan baobab tasvirlangan. Senegal mustaqillikka erishganidan besh yil o'tgach qabul qilingan, bu 1965 yildan beri Senegal Respublikasining gerbi hisoblanadi. Qalqondagi ikkala belgi ham ilgari Senegal gerblarida paydo bo'lgan.
Davlat madhiyasi (FR. Pincez Tous vos Koras, Frappez les Balafons, shuningdek, qizil sher, FR. Le Lion rouge) - Senegalning davlat madhiyasi, 1960 yilda mustaqillik bilan bastakor Erber Pepper (shuningdek, Markaziy Afrika Respublikasi madhiyasini yozgan) tomonidan mamlakatning birinchi prezidenti Leopold Sidar Senghorning so'zlari bilan yozilgan.
Manba: Verfassungsgerichtsbarkeit und Demokratisierung im frankophonen Westafrika Länderstudie Senegal… Franz von Liszt Institute Working Paper 2014/03 Chadidscha Schoepffe
https://www.uni-giessen.de/en/faculties/01/facultydep/liszt/research/working-papers-1/senegal
2.
Choose any actor from the list and provide relevant data/examples/cases to actor’s each use of power coinciding with given types.
[Excerpted from Arts Bas. Working Paper. Non-state actors in global governance: Three faces of power // Preprints aus der Max-Planck-Projektgruppe Recht der Gemeinschaftsgüter, No. 2003/4]

POWER (of actors)

• dispositional power [in terms of ‘having resources’ (money, knowledge, personnel, weapons, reputation, etc.)]
• episodic power [in terms of achieving outcomes in social relations (e.g. influence on a certain decision)]
• capabilities/power in organizational terms (organizations, resources, rules, bargaining)
• capabilities/power in discursive terms (knowledge, story lines, discourses, deliberation)
• transitive power [conflict-oriented zero-sum games (‘A achieves something at the cost of B’)]
• intransitive power [social integration and collective outcomes (‘A and B achieving something together’)]
• situate power at the level of the acting agent (‘the swimming fish’)
• situate capabilities/power at the level of structures (‘the water putting pressure on the fish’)

Actors of IR: states, groups of interest in IR, international intergovernmental organizations, international non-governmental organizations, transnational corporations, international funds, cities (mega), territories / regions, social movements and activists, universities, international terrorist and extremist groups, global media (international media agencies), Diaspora, «network communities», state, sub-state, non-state and supranational actors.

[XM ishtirokchilari: davlatlar, (umumiy) manfaat (doirasida birlashgan) guruhlari, xalqaro hukumatlararo tashkilotlar, xalqaro nohukumat tashkilotlar, transmilliy korporatsiyalar, xalqaro fondlar, shaharlar (mega), hududlar/mintaqalar, ijtimoiy harakatlar va faollar, universitetlar, xalqaro terroristik va ekstremistik guruhlar, global ommaviy axborot vositalari (xalqaro media agentliklari), diasporalar, "tarmoqli hamjamiyatlar", davlat, sub-davlat, nodavlat va davlat-usti aktorlar.]