Charlotte Bronte and her novel “Jane Eyre”. Group: Written by: Supervisor: Tashkent 2022

Conclusion.
The Professor, Charlotte's first book, which was released after her death in 1857, depicts her somber response to the pleasures of her adolescence. It is based on Charlotte's experiences there and is told in the first person by an English tutor in Brussels, with the sexes and positions reversed. Although there is plenty of satire and dry, direct language in Jane Eyre, its success was the fiery conviction with which it presented a thinking, feeling woman who craved love but was capable of renunciating it at the call of impassioned self-respect and moral conviction. The necessity of her genius, reinforced by reading her sister Emily's Wuthering Heights, modified this restrictive self-discipline. The main character and narrator of the story is an orphan named Jane Eyre who works as a governess for a mysterious and Byronic man named Mr. Rochester, with whom she eventually falls in love. Although she receives his love in return, it is discovered the morning of the wedding that Rochester is already married and has been living in the mansion's attics with his crazed and ruthless wife. After separating from him and going through difficulties, Jane finally secures a position as a local schoolteacher. But after discovering that Rochester had been injured and rendered blind while trying in vain to save his wife from the blazing house that she had set afire, Jane goes looking for Rochester and marries him. Although the novel has theatrical naivetés and Charlotte's lofty rhetorical passages do not particularly appeal to modern taste, she manages to keep the reader's attention. Though written in the first person, the book's purported autobiography is not Charlotte's—aside from Jane Eyre's recollections of Lowood. The Cinderella motif may have originated from Samuel Richardson's work Pamela, and personal experience is blended with ideas from a variety of dissimilar sources. The motivation for the action is deliberate, and seemingly episodic sections—like Jane's return to Gateshead Hall—are considered as essential to the development of her character and the tripartite moral subject of love, independence, and forgiveness. In her book, Shirley. Charlotte enlarged her perspective and avoided commotion and coincidences. Shirley is the first regional English novel, surpassing national novelists Maria Edgeworth and Sir Walter Scott. It is jam-packed with deftly presented regional material, such as characters from Yorkshire, churches and chapels, the early male fabric workers and machine breakers of her father, as well as a powerful but rather cynical feminism. The first-person narration and the Brussels setting were abandoned in Shirley, but Charlotte brought them back in Villette; the scenarios and characters are mainly versions of the people who live at the Pension Héger and their manner of life. She compared the woman's blissful contentment in love with the fiery heart's purposelessness in that context. Charlotte's books had a much more immediate impact than Wuthering Heights. For a century, Charlotte's caustic realism and romanticism combination characterized the writing of practically all female novelists. Her innovative concepts included the telling of a tale from the viewpoint of a little girl or kid, her lyricism, and the female perspective on love.