Clients‟ experience of counselling within a narrative framework
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Beauty and the Beast ( PDFDrive )
uncontained-unfree. Leaving (line 6)
seems to draw out fears of not feeling her own existence, a stranded place where she feels sick as if being sick takes her to an uncomfortable/familiar place of merger where she has no sense of her own boundaries unless she is supported, like a baby by another. Feeling the safety offered by the counselling (lines 1-6) seems to enable the participant to get in touch with how she really feels. Her desire to contain and feel her own affect appears to be brought about by feeling the safety within the setting, as if she has no Beast with which to protect herself. When she accesses her own feeling she is in a frightening place (line 7) where she hardly seems to exist, like Beauty, with no voice of her own. It seems that feeling safe enables internal movement. The fact that the participant seems to access her own feelings could also suggest a move „towards containment-freedom‟ which seems to demonstrate how all the categories may be present in a counselling session. This shows the importance of being able to 105 look at the interrelationships between categories, how one leads to another and may even incorporate the other. In this sense this whole section could also be put into the category of towards containment-freedom but then the movement of the participant may not be so apparent. Defining categories is complicated, but looking from different perspectives does seem to demonstrate movement. It seems possible that the way the participants were asked to write did encourage a condensing of thoughts and feelings which perhaps makes movement more obvious. 4.3.2. Overcontained-overfree Just as I experienced anxiety and confusion following trauma and expressed these feelings in my writing which displayed opposition, so expressions in the participants‟ journals were found that suggested opposition. These expressions were often related to way participants felt that others (internal and external others) had expectations of them as if like Beauty they had to follow others‟ expectations rather than having their own. Sometimes there were derogatory thoughts about themselves which seemed to come from the past and from how others had viewed them. The participants felt that these internal voices did not really belong to them yet felt that they had to be listened to, but they also wanted to have their own thoughts and feelings. The words in this category are very varied but tend to suggest repetitive movement of some kind which reflects the felt confusion: 106 Table ii. To show words that suggest anxiety and confusion Stomach churning Palpitations Uncertainty Confusion Frustrated Second best Shaken foundations Rocked Anxiety What if I got it wrong Falling and flailing Over and over and over Panic Sick Agitated Coming apart Shattering Jumbled Rushing Rambling Surge Impatient Overwhelmed Stupid Tap that will not turn off Nervous Where to settle Pin me down Mixed up Selfish Felt used Others push me back Stirs within A few of the words like confusion, anxiety and frustration appear in more than one journal. While other phrases may only appear in one journal like „falling and flailing‟, meanings may be seen as similar. For example „stomach churning‟ may be seen as similar to „over and over and over‟ in that both describe a repetitive movement. Also phrases like „where to settle‟ and „pin me down‟ both seem to describe an inability to keep still in the internal world. It is as if their internal splits keep them moving around. 107 Extract 3. Journal entry to show the category overcontained-overfree 1. Pouring out, emptying, of 2. emotions, jumbled and confused. 3. cloudiness of feelings like 4. a muddy glass of water, 5. shaken and mixed up. Gradually 6. a pulling together a way 7. of clearing the mist, a 8. sense of putting each part 9. of the confusion 10. in its place. 11. A cooler calmness coming 12. over me. After a three week break from sessions the client returns and seems to be full of confusion - overcontained-overfree - and cannot see clearly - imaged in the muddy glass of water (line 4). She seems shaken up by the break as if she has not been able to contain her feelings over that time. But perhaps what she fights is her anger with the counsellor as she empties (line 1) herself over the counsellor. Perhaps the real confusion is that she fights the containment of her own feelings and projects them out over the counsellor. When she has done this she seems to see more clearly (line7) as if she has been blinded by anger. The „cooler calmness‟ is perhaps the counsellor whose presence enables the client to begin to move towards the containment of her own feelings. The participant appeared aware of emptying her emotions out in the session. Perhaps she was not aware of her anger towards the counsellor. This seems to be confirmed by the image of the „muddy glass of water‟ (the break from counselling) that was not fit to drink. The words the participant uses both hide and display her internal world. Her anger is hidden in that it is never actually mentioned and yet it becomes visible through interaction with the text. The process that seems to be demonstrated here is that the client‟s fight to both free and contain her own feelings happens consciously and unconsciously. Consciously she is aware of pouring out feelings and of the „good‟ counsellor who enables her to do this. Unconsciously she throws her anger at the „bad‟ counsellor who takes breaks, but who perhaps enables the transformation into the „cooler 108 calmness‟ that comes over the client. It feels like seeing Bion‟s maternal reverie (1962; 1970) in process, as if the client‟s anger is returned transformed in a more acceptable form. Or perhaps the Beast is unconsciously acknowledged by the „calmer‟ Beauty. Download 1.47 Mb. Do'stlaringiz bilan baham: |
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