Contents: Introduction Frame analysis in a fictional text

The aim of the course paper. Framing theory and frame analysis is a broad theoretical approach that has been used in communication studies, news (Johnson-Cartee, 1995), politics, and social movements among other applications. "Framing is the process by which a communication source, such as a news organization, defines and constructs a political issue or public controversy" (Nelson, Oxley, & Clawson, 1997, p. 221). It is related to the concept of agenda-setting. Framing influences how people interpret or process information. This can set an agenda. However, frame analysis goes beyond agenda-setting by examining the issues rather than the topics.
Frame analysis is usually done in regard to news media. However, framing is inevitable, as everyone does it. It can speed up the process of interpretation as well as writing and presenting the news. People just may not realize they are using frames. When people are aware that they are using framing, there are several techniques that can be used. These may include: metaphor, stories, tradition, slogan, jargon, catchphrase, artifact, contrast or spin.
Someone is always speaking in a novel – whether it is a narrator who is not a character within the fiction, or a character within the narrative. Consequently both the particular ideas, attitudes, feelings, perspectives of that speaker, and the concerns and attitudes of the novel as a whole, will be presented through the prose The analytical reader needs to understand what information is conveyed and how it is conveyed.
The practical value of the course paper. The article deals with the problems of frame semantics, the notion of frame as a complex knowledge structure represented at the conceptual level and encoded in language. The article considers the possibility of applying frame analysis in cognitive interpretation of words, grammatical categories and forms, and literary text. It is emphasized that frame analysis being applied in fictional text analysis helps to decode implicit conceptual meanings represented in the text by certain frame. Because the language of the theater has become deeply em­bedded in the sociology from which this study derives, there is value in attempting from the start to address the matter of the stage. There is value, too, because all kinds of embarrassments are to be found. All the word is like a stage, we do strut and fret our hour on it, and that is all the time we have. But what's the stage like, and what are those figures that people it?