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F R O M   I M A G I N E   E N T E R T A I N M E N T
A N D   S E I N E   P I C T U R E S
A boy with nothing changed everything.
For international sales please contact:
EXCLUSIVE MEDIA
63 La Croisette, 1st Floor, 06400 Cannes, France
Ofﬁce: +33 (0) 4 93 46 40 22
CANNES
M AY   1 5 ,   2 0 1 3
DAILY
№
1
THR.COM/CANNES
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THE HOLLYWOOD REPORTER
1
Christian Bale and Natalie Portman in Terrence Malick’s Knight of Cups, now in postproduction. Glen Basner’s FilmNation will be showing footage of the ﬁlm
— whose tightly guarded plot is said to be about celebrity and excess — for the ﬁrst time to international buyers who invested in Malick’s latest endeavor.
CAN YOU SAVE
CALAMITY
JANE? OUI!
By Pamela McClintock & Stuart Kemp
A
year ago, when the
Natalie Portman Western
Jane Got a Gun first was
coming together at Cannes, no
one could have predicted that
one of last year’s hottest scripts
would unravel so spectacularly.
The number of stars bolting have
left all sides reeling — and that’s
on top of the departure of direc-
tor Lynne Ramsay.
Jane finally has corralled
its second leading man, Ewan
McGregor, after losing Michael
Fassbender, Jude Law and Bradley
Cooper. The film is weeks from
wrapping production in New
Mexico. But the danger isn’t over
as Exclusive Media reintroduces
the movie, with a dramatically
different cast, to foreign buyers.
While most buyers have stuck
with the project on a wait-and-see
H
ollywood and Cannes on
Tuesday were buzzing
about Angelina Jolie’s
revelation that she underwent a
preventative double mastectomy
after doctors found her to have a
high risk of breast cancer. “I hope
that other women can benefit
from my experience,” she wrote in
a New York Times op-ed.
The news that the 37-year-old
Cannes Reacts
to Jolie News
By Stuart Kemp
New Twist: Star Shillers
M
artin Scorsese, Jennifer
Lawrence, Justin Timber-
lake, Tim Burton, Jackie
Chan, Fan Bingbing, Metallica’s Lars
Ulrich and Pele all will be in Cannes
this year — but not just to stroll the
red carpet at the Palais.
They’re here to promote projects
at the script stage — except for
Lawrence — that are being shopped
at the Marche du Film. The unprec-
edented star wattage for market
titles indicates a whole new level of
ambition in selling titles to foreign
distributors and underscores the
increasing difficulty of breaking
through the noise. In previous years,
there have been one-off events, but
CONTINUED ON PAGE 2
CONTINUED ON PAGE 2
CONTINUED ON PAGE 2
A-listers increasingly are landing on the Croisette to reassure buyers
about long-gestating projects
By Stuart Kemp & Pamela McClintock
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MAY 15, 2013
THR.COM/CANNES
CANNES
№1
CANNES
WEATHER
AND HIGH
TEMPS
TODAY
TOMORROW
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66°  F
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Lawrence
never on this scale. “Increasingly in
the international and independent
works, we have
to set up projects as events,” says
IM Global’s Stuart Ford, who is
shopping Scorsese’s next film Silence
to buyers.
Today, Scorsese will meet with a
large crowd of acquisitions execu-
tives during a Q&A with Ford ask-
ing the questions. Starring Andrew
Garﬁeld and Ken Watanabe, the
movie is a longtime passion project
for the director and is set in 17th
century Japan.
Later tonight, Timberlake will
rock one of the beachside party
Exclusive

First Look
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THE HOLLYWOOD REPORTER
2
one of the most coveted tickets
in town. Freshly crowned Oscar-
winner Jennifer Lawrence is sure
to attract crowds in and outside
of the party. All of the Hunger
Games fi lms were sold indepen-
dently internationally and Satur-
day’s soiree is a nod to those who
have supported the franchise.
Sellers say it’s important to
instill confi dence in buyers by
keeping them involved through-
out the process. Ron Howard has
met with foreign distributors
throughout the fi nancing and
making of Exclusive Media’s For-
mula One drama Rush, including
showing the fi lm during the Euro-
pean Film Market in February.
Harvey Weinstein will host a buy-
ers’ brunch with Burton, in town
to push Big Eyes. Pele, the world’s
most famous soccer player, is in
Cannes to boost the profi le of the
Imagine Entertainment-backed
eponymous biopic that Interna-
tional Film Trust is selling.
the
REPORT
KNOW YOUR DEALMAKER
SAMUEL L. JACKSON
POTUS with the most-us! The proliﬁ c actor
again grabs early ﬁ lm market headlines:
He’s set to star in new actioner Big Game
as the president of the United States.
ANANT SINGH
Talk about worlds colliding: Singh,
the producer considered the Harvey
Weinstein of South Africa, just sold rights
to Kite to The Weinstein Co.
JULIANNE MOORE
Awkward: Moore was attached to
Imagine with Al Pacino, which is being
shopped in Cannes, but her role recently
went to Annette Bening.
HEAT INDEX
Zygi Kamasa
Lionsgate U.K. CEO
“We’re looking for three distinct types
of movies broadly speaking. The
ﬁ rst kind is British movies. Then we are
looking for non-British projects which fall
into two kinds: We look to buy
smaller character- and director-led
movies that are nicely packaged. We are
also looking to buy what we call the
bigger movies, the ones like The Hunger
Games or Ender’s Game, which have a
strong recognizable cast.
venues at a bash he’ll co-host with
Mark Damon’s Foresight Unlim-
ited, Laurence Mark and Timothy
Scott Bogart in support of the
Neil Bogart biopic announced on
the eve of Cannes. Timberlake
will play the legendary record
executive, with RCA Records
partnering on the project, now at
script stage.
The party will be the second
act for the performer, who will
also be on hand to press the fl esh
with buyers at an exclusive,
invitation-only brunch. Tim-
berlake also is in Cannes for the
world premiere of the Coen broth-
ers’ Inside Llewyn Davis, which
is playing in competition at
the festival.
But the splashiest event of
all is likely to be Lionsgate’s
Saturday night party for The
Hunger Games: Catching Fire,
Stars
CONTINUED FROM PAGE 1
underwent three months of
procedures drew a heartfelt
response from Cannes festival
director Thierry Fremaux. “When
I go up the steps to open the 66th
Cannes Film Festival, I will be
thinking in partic-
ular about Ange-
lina Jolie,” he tells
THR. Adds Graham
King, producer of
In the Land of Blood
and Honey and The
Tourist: “Angelina’s bravery con-
sistently shines through in every
aspect of her life — not only in her
career choices but in her personal
life. I am so proud she has coura-
geously shared her story.”
Meanwhile, Fruitvale Station’s
Octavia Spencer tweeted: “Huge
prayers for Angelina Jolie and
her family as she convalesces and
bravo for raising awareness.”
Jolie
CONTINUED FROM PAGE 1
basis, some have opted out — notably, Sony Picture
Worldwide Acquisitions, which nabbed a multiter-
ritory deal in Berlin for Latin America, Australia,
New Zealand, Eastern Europe and Scandinavia.
Back in February, Exclusive Media president of
sales Alex Walton was signing deals left  and right
with foreign distributors clamoring to get a piece of
Jane because of its script and dazzling cast. But days
aft er Berlin wrapped, Fassbender, whose deal hadn’t
been fi nalized, exited. By the end of March, on
the eve of the fi rst day of shooting in New Mexico,
Ramsay walked off  aft er a three-day standoff  with
producer Scott Steindorﬀ  over fi nal cut. Law — who’d
taken over Fassbender’s role — also high-tailed it,
since he had come aboard to work with Ramsay, who
was quickly replaced by director Gavin O’Connor.
When Cooper signed on, Walton and the produc-
ers breathed a sigh of relief since he is one of only a
handful of actors viewed as an international box of-
fi ce star. But then suddenly Cooper was out because
Jane
CONTINUED FROM PAGE 1
Production Delays
Have Buyers Grousing
By Scott Roxborough
Buyers heading into this year’s Cannes
market are griping that production delays
on several big titles are making it harder to
commit to new ﬁ lms being shopped around.
Films such as Robert Rodriguez’s hotly
anticipated sequels Machete Kills and
Sin City 2 were originally pre-sold as 2012
releases but are still in post. Ron Howard’s
Jolie
of a scheduling confl ict (he’s still shooting David O.
Russell’s American Hustle, which was interrupted by
the Boston Marathon bombing). Finally, McGregor
replaced Cooper to play the villain, a role previously
belonging to Joel Edgerton, part of the original cast,
who now is playing Portman’s love interest.
The budget of the fi lm is $15 million, and the
producers — including Portman — had hoped to take
a loan against foreign pre-sales to cover some of the
budget. But banks oft en won’t release funds aft er key
castmembers exit a production since international
distributors can opt out of their contracts. Those
foreign distributors who stuck by Jane Got a Gun say
they are biding their time until they see a cut of the
fi lm. “It still has Portman, and there is no pressure
on me as a buyer to do anything until it gets done
and they have something to show,” one says.
During Cannes, Walton, who remains high on the
fi lm, will show footage to pump up foreign distribu-
tors, as well as sell rights in the remaining available
markets. And, in a fi nal twist, Exclusive’s Cannes of-
fi ce is down the street from the festival headquarters,
where Ramsay is now a jury member.
racing movie Rush, starring Chris Hems-
worth, sold out worldwide at AFM in 2011,
but reshoots pushed its release from 2012
to the fall of this year. Two of the hottest
titles at the last Cannes market, Kenny
Ortega’s Dirty Dancing remake and Adam
Hashemi’s comedy actioner Agent: Century
21 featuring Cameron Diaz, both have yet
to begin shooting.
“There are a lot of great ﬁ lms at the
market this year, from all over, but we have
to hold back a bit,” says Alexander van
Duelmen of A Company, which pre-bought
Machete Kills and Sin City 2 for Russia. “We
can only really plan for movies for 2015.”
Alex Watson, president of sales at Exclu-
sive Media, which is selling Agent: Century
21 worldwide, admits that production delays
“are frustrating on all sides” and says sell-
ers have to move quickly to manage the
situation when a project gets pushed back.
“These movies are really tentpoles for our
buyers and they have to be able to plan their
spending, their cash ﬂ ow,” Watson says. “So
if there is a delay, you have to communicate
that immediately.”
day1_news1-2E.indd 1
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Meet us in Cannes: Red Bull Media House, Lérins S 13
SALES CONTACTS: Sophokles Tasioulis, Head of Cinema and International Theatrical Sales.
+43-664-88684822, sophokles.tasioulis@at.redbullmediahouse.com
Berend Dreier, International Sales. +43-664-88684857, berend.dreier@at.redbullmediahouse.com
Rick van den Heuvel, Sales Consultant. +31-6-54768797, rick@magusent.com
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THE HOLLYWOOD REPORTER
4
G
race of Monaco, starring Nicole
Kidman, wasn’t finished in time for
Cannes, but images of Kidman as
Hollywood starlet-turned-princess Grace
Kelly whet the appetite for Olivier Dahan’s
historical drama. The shots suggest Dahan
is not taking a lookalike approach for the
film, something Kidman, speaking to THR
in fall 2012 when Grace still was shoot-
ing, confirmed. “I’m not trying to re-create
Grace, just capture her essence. Like
[Dahan’s Edith Piaf drama] La Vie en Rose,
this is more of an art movie than a strict
biopic.” The Weinstein Co. will bow Grace
of Monaco in an awards-season qualifying
run stateside Dec. 27.
Breslin will
play a teenager
ﬁghting a
mysterious virus.
the
REPORT
Clark (Cloverfield), is scheduled
to begin production in Septem-
ber, IM Global’s CEO Stuart Ford
announced. Peste is based on
Barbara Marshall’s screenplay,
which appeared on the Black
List, the Blood List and the Hit
List in 2012.
Breslin, 17, a supporting actress
Oscar nominee for 2006’s Little
Miss Sunshine, will play a teenager
confronting a virus that turns
friends and neighbors into vicious
monsters. Quarantined with her
family, she believes they are out
Abigail Breslin is set to star in
Peste — a thriller about a conta-
gious virus sweeping through a
small town — which Octane, IM
Global’s genre label, is financ-
ing and shopping at Cannes.
The film, to be directed by Mark
Ponderai (House at the End of the
Street) and produced by Sheryll
Abigail Breslin
to Star in the
Thriller ‘Peste’
By Gregg Kilday
of harm’s way until the contagion
infiltrates their home.
Breslin is repped by ICM and
Lichter, Grossman, Nichols, Adler
& Feldman. She next will be seen
in Summit/Oddlot’s Ender’s Game
and The Weinstein Co.’s August:
Osage County.
Says Ford: “Abigail is one of
the outstanding talents of her
generation. Her recent standout
performances in genre hits like
Zombieland, The Call and the
forthcoming Ender’s Game make
her a perfect fit for Peste.”
Sneak Peek:
Kidman as
Grace Kelly
By Scott Roxborough
Exclusive

First Look
Kidman wears a
re-creation of one of Kelly’s
iconic tiaras: this one
with cabochon rubies
and diamonds. It also
converted into brooches.
Kelly was one of the ﬁrst
celebs to embrace the
head scarf wrapped over
cat eyes look. “I had a lot
of fun with the fashions
of the times in this
movie,” Kidman told THR.
The real Kelly met Prince Rainier III of Monaco
after she attended the Cannes ﬁlm festival.
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THE HOLLYWOOD REPORTER
6
1982). Today, Timberlake and
Foresight will co-host a brunch
for foreign buyers to plug the ﬁ lm,
followed later in the evening by a
music-laced party.
Timothy Scott Bogart, Neil
Bogart’s son, wrote the script and
is producing alongside Laurence
Mark, Gary A. Randall, Timberlake
and Damon.
The ﬁ lm is set to start shooting
early next year, although a director
hasn’t yet been announced. RCA
Records also will partner on the
project and will release the movie’s
soundtrack. CAA is representing
domestic rights.
Spinning is described as a rags-to-riches story chroni-
cling the life of a poor kid from Brooklyn who went on to
deﬁ ne the pop-music culture of his time. In his day, Bogart,
was credited with discovering and launching the careers of
superstars like Curtis Mayﬁ eld, KISS, Parliament, Donna
Summer and The Village People.
The deal was negotiated by Foresight president Tamara
Birkemoe and Jenna Sanz-Agero on behalf of Foresight,
and Michael Helfand, executive vp of business aﬀ airs, Joe
Matukewicz, senior vp of acquisitions, and Jon Freedberg,
vp of business development, on behalf of SPWA.
CANNES
DEALS
the
REPORT
Pacino Boards Gordon
Green’s Manglehorn
Al Pacino will star in David
Gordon Green’s drama Mangle-
horn, which Worldview Entertain-
ment will fi nance and produce.
Pacino will play the title charac-
ter, A. J. Manglehorn, an eccen-
tric man coming to terms with a
past crime that cost him the love
of his life, in the screenplay by
Paul Logan, based on an original
story by Green and Logan. Chris-
topher Woodrow, Worldview
CEO, and the company’s COO,
Molly Conners, will produce
alongside Lisa Muskat and
Green. London-based WestEnd
Films is handling international
sales and will introduce the fi lm
to buyers in Cannes, while CAA,
which arranged the fi nancing, is
repping domestic rights.
managing director, Nelleke
Driessen, and Bruce Weiss, who
produced Hartley’s early picture,
Trust, and who will co-produce
Ned Rifl e along with Hartley and
Matthew Myers.
Hong Kong’s Donnie Yen
Unveils Special Identity
First-look footage of Hong Kong
action-star Donnie Yen’s martial-
arts thriller Special Identity will
make its market debut at Cannes
this week, according to the fi lm’s
sales rep Easternlight. Directed
by Clarence Fok, the fi lm fea-
tures Yen as a policeman increas-
ingly alienated and imperiled
when he goes undercover with a
criminal gang whose paranoid
leader begins purging his clan of
possible moles. Yen also directed
the fi lm’s action and served as
joint executive producer of the
fi lm alongside Peter Pau, the
Oscar-winning cinematographer
of Ang Lee’s Crouching Tiger,
Hidden Dragon.
Russian Animators Team
for Sheep and Wolves
Two of Russia’s most successful
animation producers are team-
ing up to make a new $7 million
animated fi lm. Wizart Anima-
tion, the Voronezh-based studio
behind The Snow Queen — which
is still rolling out internationally
and has grossed $12.4 million
in Russia, Ukraine, the Baltics
and other territories — is joining
St. Petersburg’s STV to produce
Sheep and Wolves, a 3D cartoon
caper involving a young wolf
who wakes up one day to fi nd he
has turned into a sheep. Both
fi lms will also be produced in
2D versions.
Sony Grabs Timberlake’s Spinning Gold
By Pamela McClintock
KA-CHING!
WHO’S INKING
ON THE DOTTED LINE
AT THE FESTIVAL
Al Pacino will
play the eccentric
A.J. Manglehorn
in David Gordon
Green’s latest.
John Woo
Gemma Arterton
Bogart
Timberlake
about a real-life steamer ship that
sank in 1949 while on its way from
Shanghai to Kaohsiung, bringing
more than 900 passengers down
with it. Digital Domain, the VFX
house which Beijing Galloping
Horse acquired alongside India’s
Reliance Mediaworks last year, will
handle the fi lm’s special eff ects.

Fortissimo Takes Sales
Rights to Hartley’s Rifl e
The third and fi nal chapter of
Hal Hartley’s tragicomic tril-
ogy (begun with Henry Fool in
1998), Ned Rifl e will star Gemma
Arterton (Clash of the Titans,
Hansel & Gretel: Witch Hunters),
Parker Posey, Thomas Jay Ryan
and Liam Aiken. Shooting is
expected to begin in the fall, with
a wrap date in early 2014. The
deal was handled by Fortissimo’s
Woo’s Crossing
to Become Two-Parter
John Woo will expand his latest
project, the historical epic The
Crossing, into two parts, accord-
ing to the fi lms’ fi nancier Beijing
Galloping Horse. Beijing Gallop-
ing Horse’s head of international
sales, Ronan Wong, says Woo
will start shooting the fi lms next
month. Budgeted at $30 million,
The Crossing is produced by the
Beijing-based company and Lion
Rock Productions — owned by
Woo and his producer partner
Terence Chang — as well as
China Film Group and Zhejiang
Huace Film & TV. Starring
Zhang Ziyi and Song Hye-kyo,
the project launched in Cannes
in 2008 as 1949 and subsequently
was given the tentative title of
The Pacifi c. The fi lm is said to be
On the eve of the Cannes Film Market, Sony Pictures
Worldwide Acquisitions has struck a multiterritory deal for
Foresight Unlimited’s Neil Bogart biopic Spinning Gold,
headlining Justin Timberlake as the infamous record
executive who was closely aligned with the rise of disco.
The initial pact is for Latin America, Scandinavia and East-
ern Europe, including Russia, the Czech Republic, Hungary
and Poland. Sony Worldwide is expected to acquire rights
for additional major territories in the coming days.
Mark Damon’s Foresight is ﬁ nancing and producing
Spinning (Damon knew Bogart, who died at the age of 39 in
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Boll_ad:Layout 1 03.05.2013 12:26 Seite 1
Event Films D1 051513.indd 1
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CANNES OFFICE   Grand Hotel Cannes, bâtiment le Goeland (ground ﬂoor), right hand side to the Grand Hotel entrance, +33 (0)4 9399 5580 HEAD OFFICE Gruenwalder Weg 28d / D-82041 Oberhaching / Phone +49 89 673469 - 828 / beta@betacinema.com / www.betacinema.com
BETA CINEMA

AT
CANNES 2013
LINEUP
OH BOY
„OH BOY inescapably brings to mind vintage Woody Allen.“
(THE HOLLYWOOD REPORTER)
DIRECTOR
Jan Ole Gerster
CAST
Tom Schilling (THE BAADER MEINHOF COMPLEX),

Friederieke Kempter, Marc Hosemann, Katharina Schüttler,

Justus von Dohnányi (DOWNFALL), Michael Gwisdek

(GOOD BYE LENIN!)
CHILD’S POSE
“Admirably handled, with wicked moments of humor
balancing out a truly dramatic ﬁnale”.
(THE HOLLYWOOD REPORTER)
DIRECTOR
Calin Peter Netzer
CAST
Luminita Gheorghiu, Bogdan Dumitrache, Natasa Raab,

Ilinca Goia, Florin Zamﬁrescu, Vlad Ivanov
TWO LIVES
Starring Academy Award-nominee Liv Ullmann and
Juliane Köhler (NOWHERE IN AFRICA).
DIRECTOR
Georg Maas
CAST
Juliane Köhler (NOWHERE IN AFRICA), Liv Ullmann,

Ken Duken (INGLOURIOUS BASTERDS), Rainer Bock

(THE WHITE RIBBON)
THE GIRL WITH NINE WIGS
“A real masterpiece” (ﬁlmstarts .de)
“A smart, moving and very entertaining comedy that
celebrates life” (DIE ZEIT)
DIRECTOR
Marc Rothemund (SOPHIE SCHOLL: THE FINAL DAYS)
CAST
Lisa Tomaschewsky, Karoline Teska, David Rott,

Maike Bollow, Peter Prager, Alice Dwyer
THE FAMOUS FIVE 2
Based on Enid Blyton‘s beloved book series, 100mio.
times sold worldwide.
DIRECTOR
Mike Marzuk
CAST
Valeria Eisenbart, Quirin Oettl, Justus Schlingensiepen,

Neele Marie Nickel, Kristo Ferkic, Peter Lohmeyer,

Oliver Korittke, Heio von Stetten
SCREENINGS
TOMORROW | May 16th | 12:00 p.m.
Palais I
Tuesday | May 21st | 10:00 a.m.
Palais G
SCREENINGS
Saturday | May 18th | 11:30 a.m.
Arcades 3
Tuesday | May 21st | 4:00 p.m.
Olympia 6
SCREENINGS
Saturday | May 18th | 6:00 p.m.
Palais I
Monday | May 20th | 11:30 a.m.
Arcades 3
SCREENINGS
Sunday | May 19th | 1:30 p.m.
Riviera 2
Monday | May 20th | 6:00 p.m.
Olympia 4
SCREENINGS
TOMORROW | May 16th | 9:45 a.m.
Palais I
Sunday | May 19th | 3:30 p.m.
Riviera 2
PROMO SCREENINGS
TOMORR
OW
| May 16th
| 6:00 p.m.
| Olympia 4

Satur
day
| May 18th
| 10:00 a.m.
| P
alais K
THE DEVIL’S VIOLINIST
A mystery biopic about Paganini’s life full of dramatic love,
art and excess.
DIRECTOR
Bernard Rose (IMMORTAL BELOVED, MR. NICE, BOXING DAY)
CAST
David Garrett, Jared Harris (SHERLOCK HOLMES: A GAME

OF SHADOWS), Joely Richardson (THE GIRL WITH THE

DRAGON TATTOO)
THE PHYSICIAN
Based on Noah Gordon’s best-selling novel sold over 21
million times worldwide.
DIRECTOR
Philipp Stoelzl (NORTH FACE, YOUNG GOETHE IN LOVE)
CAST
Tom Payne (HBO’s LUCK), Sir Ben Kingsley (HUGO),

Stellan Skarsgård (MAMMA MIA), Olivier Martinez

(UNFAITHFUL, S.W.A.T), Emma Rigby
LE GRAND CAHIER
Based on Agota Kristof’s famous novel.
DIRECTOR
János Szász (WOYZECK)
CAST
Piroska Molnár, László Gyémánt, András Gyémánt,

Ulrich Thomsen (THE CELEBRATION), Ulrich Matthes

(DOWNFALL), Orsolya Tóth (WOMEN WITHOUT MEN)
THE TASTE OF APPLE SEEDS
Based on the major bestselling novel sold to 25 countries
including France, Great Britain, Italy, Netherlands and
Spain.
DIRECTOR
Vivian Naefe
CAST
Hannah Herzsprung (FOUR MINUTES), Paula Beer

(THE POLL DIARIES), Meret Becker (MUNICH),

Marie Bäumer (THE COUNTERFEITERS), Florian Stetter
QUALITY TIME (WT)
From the producers of VINCENT WANTS TO SEA and
CHERRY BLOSSOMS - HANAMI.
DIRECTOR
Holger Haase
CAST
Florian David Fitz (VINCENT WANTS TO SEA), Henry

Hübchen (GO FOR ZUCKER), Leslie Malton, Marius Haas,

Thekla Reuten (THE AMERICAN)
FIRST PROMO
FIRST PROMO
FIRST PROMO
NEW PROMO
FIRST OFFICIAL TRAILER
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THE HOLLYWOOD REPORTER
10
the
REPORT
Nicole Kidman: The Star
It looks like 2013 will be a busy year for Kidman, 45,
with Oscar-bait performances playing Grace Kelly in Olivier Dahan’s Grace of Monaco
and alongside Colin Firth in WWII drama The Railway Man.
Lynne Ramsay: The Elusive Indie Queen
Scottish ﬁ lmmaker Ramsay’s
2011 competition title, We Need to Talk About Kevin, made several best-of lists. But
Ramsay, 43, quit planned follow-up Jane Got a Gun on the eve of principal photography.
Cristian Mungiu: The Conscience
An uncompromising ﬁ lmmaker who
favors realism with a social message, Mungiu, 45, launched Romania’s much-lauded
new wave with his Palme d’Or-winning debut, 4 Months, 3 Weeks and 2 Days, in 2007.
Christoph Waltz: The Returning Hero
Since winning best actor in
Cannes for Inglourious Basterds in 2009, for which he went on to win the ﬁ rst of
his two Oscars, Waltz, 56, has smartly chosen roles that have kept him on the A-list
with critics and fans.
— S.R.
Daniel Auteuil: The Grand Acteur
With Gerard Depardieu now oﬃ  cially a
Russian citizen, the position of 63-year-old Auteuil as the French industry’s go-to actor
of a certain age (he’s sometimes called the Gallic Robert De Niro) is uncontested.
Vidya Balan: The Bollywood Heroine
After acclaimed turns in fea-
tures such as The Dirty Picture — she gained 26 pounds to play ’80s erotic actress
Silk Smitha — Balan, 35, secured her position as a power player with her marriage in
December to top Indian producer Siddharth Roy Kapur.
Ang Lee: The Golden Boy
Taiwanese-American Lee, 58, with a directing Oscar
under his belt for Life of Pi not to mention a $600 million-plus global gross, also is a
poster boy for “grown-up” 3D — the format for this year’s opener, The Great Gatsby.
Naomi Kawase: The Art-House Auteur
Japanese director Kawase, 43,
a 2007 Grand Prix winner for The Mourning Forest, brings art house cred. Her ﬁ lms are
near-documentary examinations of uncomfortable subjects such as aging and death.
SPIELBERG PLUS 8:
A STAR-STUDDED PANEL
Blow-out
Sure, it’s a chain, but
Lorenzo Cosi’s hairdressers can take
last-minute appointments, and all shops
are English-friendly. Owner
Sergio also will solve style
emergencies with a blow-
out or updo at your hotel.
A blow-out and style starts at €60 ($78);
an in-room hotel visit is €200 ($262).
11 rue des Etats-Unis, 04.92.59.08.33
Dry Cleaning

Pressing Moliere
will pick up and has same-day service
available. Prices range from €6 ($8) for a
shirt to €20 ($26) for a gown, plus 30 per-
cent for same-day service. Otherwise,
the item will be ready by noon the next
day. 8 rue Moliere, 04.93.99.08.68
Florist

For an elegant thank-you for
a helpful publicist, a single orchid from
Black Card Fleuriste will
run you about €30 ($40);
bouquets start around
€40 ($52), with a €5 ($7)
delivery fee to hotels. 10 rue Jean de
Riouﬀ e, 04.93.39.27.22
Tailoring

Line (pronounced
Lee-na, the savvy seamstress’ name)
Couture will arrange pickup and delivery
and can handle next-morning or late-
night emergencies. It’s open every day,
Everything a high-maintenance Hollywood-type needs for the marathon fest but doesn’t know how to ask for en francais
From Blow-out to Takeout: A Cannes Survival Guide
FESTIVAL INSIDER
but prices are higher on Sundays and
vary depending on scope of alteration. 17
boulevard de la Croisette, 04.93.68.93.77
Tech Support

Fnac, an electron-
ics chain throughout France owned by
Kering (its CEO is Francois-Henri Pinault
— that’s Mr. Salma Hayek to you), can
help with Mac or PC emergencies. While
you await your device’s diagnosis, hang
out in the store’s cafe, which will have
an exhibit on Steven Spielberg’s Lincoln
throughout the festival and Cesar-
winning composer Eric Serra in-house
May 22. Open Monday to Saturday,
10 a.m.- 7:30 p.m.; Sunday, 11 a.m.- 7 p.m.
83 rue d’Antibes, 08.25.02.00.20
Takeout

You can get sushi or pizza
delivered by motorbike, but anything
better can be hard to come by. For a
late-night Big Mac jones, call Couby’s
Cafe. Open until midnight, it will pack
up American-style burgers (and fries)
for takeout. 3 boulevard de Lorraine,
04.93.30.03.37
American Coffee

While
Starbucks has invaded Paris and even
opened in nearby Nice, Cannes remains
free of Seattle’s siren. For a homey caf-
feine ﬁ x, either head to the American
Pavilion or try the American-inspired
Coﬀ ee & Cookies, which oﬀ ers
Frappuccino-style blended coﬀ ee
drinks, smoothies, muﬃ  ns and “not-too-
bad-for-France” bagels. Drinks starting
at Starbucks prices, about €4 ($5).
2 square Merimee, 04.92.28.06.63
Yoga

Need a chakra boost before
your 9:30 sales meet or a Zen detox to
restore your will to live? The Vinyasa
Yoga Studio oﬀ ers a full program of
classes from power morning sessions
to meditation relaxation designed to
eliminate jet lag. One-hour
private lessons are avail-
able at the studio between
3 and 5 p.m. daily for €80
($105), or an instructor will come to your
hotel room for €100 ($130) an hour. Call
Cathy at least 24 hours in advance to
arrange private sessions. Open Monday
to Saturday, 9 a.m.-7:30 p.m. 14 rue
Buttura, 04.93.38.68.74
Gifts

Looking for the perfect cadeaux
to take home? Famed macaron maker
and longtime goody-bag favorite during
fashion week — even models love the
colorful bite-sized cookies — Laduree
opened an outpost in Cannes in the fall.
Boxes start at €20 ($26), and you can
pick your favorite ﬂ avors from the daily
options. 79 rue d’Antibes, 04.93.38.05.06
Doctor

Revel in the old-fashioned
house call, still de rigueur across France:
A GP comes to your door within an hour.
Prices depend on diagnosis, but be
prepared to pay about
€75 ($98). Your medecin
will give you a receipt to
submit to your U.S.-based
insurance. Cannes has a special area
number: SOS Medecins Cannes Grasse
et Region, 08.25.00.50.04
Quick Getaway
It’s a snap
to escape from the players and the
wanna bes, the Blackberrys, the deals,
the 15-minute meetings and all the
hustle and ﬂ ow. Just hop a ferry for
the 20-minute ride to St. Honorat
Island (€14 round-trip; the ﬁ rst boat
leaves at 8 a.m., the last one back is
6 p.m.) and experience the spiritual
bliss the Cistercian monks have enjoyed
here since AD 410. Pre-book for a
weeklong post-festival retreat at the
monastery itself or just go to spend a
day decompressing — as long as your
idea of decompressing doesn’t include
nudism (forbidden) or loud noises
(discouraged). St. Honorat is just under
a mile long and a quarter mile wide so
it’s easy to get around on foot.
— RHONDA RICHFORD AND
SCOTT ROXBOROUGH
Auteuil
Balan
Lee
Kidman
Ramsay
Mungiu
Waltz
Kawase
Fresh oﬀ  the Oscar-nominated Lincoln, Steven Spielberg returns to
Cannes as the president of the competition jury, joined by this esteemed
octet in anointing this year’s Palme d’Or winner
Pick up a copy of THR weekly’s Cannes preview at The Hollywood
Reporter Terrace at the JW Marriott, 50 boulevard de la Croisette
and visit thr.com/newsletters to sign up for breaking-news alerts.
AU
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THE HOLLYWOOD REPORTER
14
the
REPORT
THE 2013 CANNES POSTER AWARDS
EDITORIAL DIRECTOR
Janice Min

|

janice.min@thr.com
DEPUTY EDITORIAL DIRECTOR
Mark Miller

|

mark.miller@thr.com
PHOTO & VIDEO DIRECTOR
Jennifer Laski

|

jennifer.laski@thr.com
ART DIRECTOR
Peter Cury

|

peter.cury@thr.com
NEWS
Kevin Cassidy
kevin.cassidy@thr.com

|

+1 213 840 1896
Gregg Kilday
gregg.kilday@thr.com

|

+1 310 528 3395
Gary Baum
gary.baum@thr.com

|

+1 213 840 1661
Patrick Brzeski
patrick.brzeski@thr.com

|

+33 6 24 74 04 98
Merle Ginsberg
merle.ginsberg@thr.com

|

+1 917 862 4453
Stuart Kemp
stuart.kemp@thr.com

|

+44 79 7712 5676
Pamela McClintock
pamela.mcclintock@thr.com

|

+1 323 627 0670
Rhonda Richford
rhonda.richford@gmail.com

|

+33 6 52 23 93 34
Scott Roxborough
scott.roxborough@thr.com

|

+49 173 260 3692
Georg Szalai
georg.szalai@thr.com

|

+44 777 137 0103
REVIEWERS
Todd McCarthy
|

todd.mccarthy@thr.com
Deborah Young
|

dyoung@mclink.it
David Rooney
|

drooney@nyc.rr.com
Neil Young
|

neil@jigsawlounge.co.uk
Stephen Dalton
|

wetlabrador@yahoo.com
Jordan Mintzer
|

jpmintzer@mac.com
THR.COM
Rebecca Ford
|

rebecca.ford@thr.com
PHOTO & VIDEO
Stephanie Fischette
stephanie.ﬁ schette@thr.com
Moira Haney
|

moira.haney@thr.com
ART & PRODUCTION
Amélie Cherlin
|

amelie.cherlin@thr.com
Emily Johnson
|

emily.johnson@thr.com
Kelly Jones
|

kelly.jones@thr.com

|

+1 818 359 9747
PUBLISHER
Lynne Segall
|

lynne.segall@thr.com
SALES & MARKETING
Alison Smith
alison.smith@thr.com

|

+44 7788 591 781
Jonathon Aubry
jonathon.aubry@thr.com

|

+1 323-397-3725
Tyler DelVento
tyler.delvento@thr.com

|

+1 646 369 6818
Debra Fink
debra.ﬁ nk@thr.com

|

+1 213 448-5157
Tommaso Campione
tommaso.campione@thr.com

|

+44 7793 090 683
Ivy Lam
ivy.lam@thr.com

|

+852 617 692 72
Anna Magzanyan
anna.magzanyan@thr.com

|

+1 818 261-0815
LEAST KNOWLEDGE OF MOVIE HISTORY
A Talking Cat!?!
(USA)
The punctuation suggests the ﬁ lmmakers never
heard of a little franchise called Garﬁ eld. Or Puss
in Boots, for that matter. Word is the ﬁ lmmakers
have a few more projects in the works: “Toys That
Come Alive!?!” and “An Ogre Who’s Really Nice!?!”
MOST INSULTING TO CANINE PRIDE
An Easter Bunny Puppy
(USA)
Any dog down on her luck can turn rabid,
but it takes true desperation to turn rabbit instead.
This starving canine starlet will cross-dress for
kibbles, but she won’t visit the Playboy Mansion.
Hef would only make her his bitch.
BEST MASHUP
Disco Valley
(India)
So the Mayans were right: The world did end in 2012!
But before it did, two dudes, a gal, Babe and the
ghost of Herve Villechaize got together for the party
of a lifetime. But aren’t we all a little tired of the
disco-pig-beach-apocalypse-movie genre by now?
BIGGEST HEAD SCRATCHER
Ghost Dog
(Australia)
“Never sleep, never grow old” — these are
just two of the cool things about being a ghost dog.
The others, apparently, are: “Look nothing like
a ghost” and “Be a pirate for some reason.”
— MICHAEL RUBINER
THR pays tribute to the most, um, distinctive posters at the market
Pets
Edition
THR at Cannes
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THE HOLLYWOOD REPORTER
16
▲
Ross arrived in ﬂ oral style
at the 1973 festival.

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