Guruh talabasi: mirzakarimova gulmira

20.14-group student MAXMUDOVA UMIDA

MUHAMMAD YUSUF LIFE

Muhammad Yusuf, who left an indelible mark on Uzbek literature with his international poetry, seems to have seen and felt the aspirations of the heart, the signs of endless feelings, expressed in the form of "unspoken" forms. . The "creative discovery", which does not exist in the vernacular, gives a new meaning to a word as a speech phenomenon, and its skillful use of the subtleties of meaning testifies to the artist's high skill.

Muhammad Yusuf, the beloved son of the Uzbek people, was born on April 26, 1954 in the village of Qovunchi, Marhamat district, Andijan region. After graduating from high school in 1971, he studied at the Republican Institute of Russian Language and Literature.

Muhammad Yusuf, the beloved son of the Uzbek people, was born on April 26, 1954 in the village of Qovunchi, Marhamat district, Andijan region. After graduating from high school in 1971, he studied at the Republican Institute of Russian Language and Literature.

Muhammad Yusuf, the beloved son of the Uzbek people, was born on April 26, 1954 in the village of Qovunchi, Marhamat district, Andijan region. After graduating from high school in 1971, he studied at the Republican Institute of Russian Language and Literature.

He is an honest poet, with an honest and pure heart. Whether he sings about love, sings a song about an unfaithful partner, or writes the pages of our history and destiny, they always feel a touch of life and truth. His poems, with their fluency and simplicity, are in harmony with the folklore.

The creator evaluates the side of the object or event that he describes from a certain point of view. In doing so, the creator makes effective use of the quality tool. An epithet means a commentator, that is, a poetic commentator. It is one of the other constant determinants:

- creation of expressiveness;

- is used in a figurative sense. An object is a word used to describe a figurative, figurative expression.

In the works of the artist, we find many bright examples of epithets that do not repeat each other, express unique, vivid images: an iron heart, a stone pillow, a poem without salt.

Muhammad Yusuf in his poem "Letter to my sister":

Qo’ygil meni deyman, ey shirin azob

Quyoshga termulay,

Yerga bosay bag’ir

Qo’shiqlar kuylashga boshqa odam top!..1

In the combination of sweet pain in this verse, the creator skillfully used the adjective. It is well known that the word "suffering" is not surrounded by a sign of "sweetness", but is dominated by the product of "bitterness". That is, the creator refers to the "moments of inspiration" that fall on the heart of the creature and describes it as a "sweet torment." Such combinations can be found in many creative works: Sweet pain, sweet sorrow, sweet soul.

Yana qaysar ruhim

Jonimni cho’qir

Yoz deydi, singiljon

Qo’rqay nimadan?..2

In the above verses, the creator's moments of inspiration are described as sweet torment, while in the following verses, that sweet torment captures his stubborn soul and suffocates his soul. The phrase "stubborn spirit" in this verse is also a form of adjective. Perseverance is inherent in human nature and becomes "stubborn man", but we see that the creator has transferred this sign of stubbornness to the human spirit.

“Forgetting” is also a peculiar form of the epithet, in which the artist acquires expressiveness by transferring the sign of “fake” to the smile. In fact, a smile is an expression of a person's feelings when he is genuinely happy. However, the falsity of the artist is a sign of compulsion.

“Forgetting” is also a peculiar form of the epithet, in which the artist acquires expressiveness by transferring the sign of “fake” to the smile. In fact, a smile is an expression of a person's feelings when he is genuinely happy. However, the falsity of the artist is a sign of compulsion.