Interpretation of literary

IMPLICITNESS OF THE TEXT

Language has two levels of expressing thoughts: explicit and implicit. The explicit is a superficial, obvious line of expressing a thought, the implicit is a concealed, secondary line.
Implicitness of the text is a concept of structural-semantic cha- racter, the implicit level has its own structural unit —an implicate. Among the most wide-spread types of implicates in belles-lettres text we distinguish the following:

1. 
   an implicit title. It expresses in a concentrated form the main idea or theme of a literary production and requires for its realization the macrocontext of the whole work.
   
2. 
   implication of precedence. It denotes such compositional structure of a literary text which gives the reader an impression that he is a witness of some continued story and the preceding events, facts and personages are supposed to be familiar. Implication of precedence is realized with the help of such implicates as the initial definite article opening the text, initial usage of personal and demonstrative pronouns and other synsemantic elements, producing the impression of "beginning from the middle", increasing the dynamism of narration and deep-hidden tension.
   
3. 
   an implicit detail. This term unites a multitude of implicates, which mark the external characteristics of a phenomenon, in-intimating its deep—lying meaning.
   

WHOLENESS OF THE LITERARY TEXT. (COHESION)

The text wholeness, the organic hitching of its parts is inherent both to separate spans of the text and to the entire speech production. Separate spans into which the text is fractioned are joined together preserving the unity, totality of the literary work, ensuring consecutiveness (continuum) of the related events, facts,
actions,
The category of cohesion deals with grammatic, lexical, logical stylistic composition—structural and associative means of connection which join separate parts of the text into total unity.