Introduction youth and childhood

Tone: the writer’s or speaker’s attitude toward a subject.

Ultimate paralysis describes an individual or group process when overanalyzing or overthinking a situation can cause forward motion or decision-making to become "paralyzed", meaning that no solution or course of action is decided upon within a natural time frame.

Understatement: a type of verbal IRONY in which something is purposely represented as being far less important than it actually is; also called meiosis.



REFERENCES

1. 
   Aldington, R., 1919. Images of War: a book of poems. London: Beaumont Press, Page (30)
   
2. 
   Anderson, Judith H. The Growth of a Personal Voice. New Haven and London: Yale University Press, 1976.
   
3. 
   Beasley, R., 2007. Theorists of Modernist Poetry: T.S. Eliot, T. E. Hulme, Ezra Pound. London and New York: Routledge, Page (39).
   
4. 
   Brinkman, B., 2009. Making Modern ‘Poetry’: Format, Genre and the Invention of Imagism(e). Journal of Modern Literature, 32 (2), pp. 20–40.
   
5. 
   Childs, P. and Fowler, R., 2006. The Routledge Dictionary of Literary Terms. London and New York: Routledge, Page (118).
   
6. 
   Cullen, Patrick. Infernal Triad. Princeton University Press, 1974. Crampton, Davis, Walter R., and Richard A. Lanham. Sidney's Arcadia. Yale Studies in English, Vol. 158. Haven: Yale University Press, 1965.
   
7. 
   Dodge, R. E. Neil, ed. The Complete Poetical Works Spenser. The Cambridge Edltion of the Poets. Boston: Houghton Mifflin Company, 1936.
   
8. 
   Fowler, Alastair. Edmund Spenser. Harlow: Longman Group Ltd., 1977.
   
9. 
   Georgia R. The Condition of Creatures. New Haven and London: Yale University Press, 1974.
   
10. 
    Gross, Kenneth. Spenserian Poetics- Idolatry, Iconoclasm and Magic. Ithaca: Cornell University Press, 1985. 42
    
11. 
    Kermode, Frank. Shakespeare, Spenser, Donne- The Renaissance Essays. London: Routledge and Kegan Paul, 1971.
    
12. 
    Kermode, Frank. The Faerie Queene, I and V. Ed. Kermode, Frank. Shakespeare, Spenser, Donne- Renaissance Essays. London: Routledge and Kegan Paul, 1971.
    
13. 
    King, Andrew. The Faerie Queene and Middle English Romance. Oxford: Oxford University Press, 2002.
    
14. 
    Korg, J., 2003. ‘Imagism’, in: Roberts, N. (ed.) A Companion to Twentieth-Century Poetry. Malden, MA, USA: Blackwell Publishing Ltd, Page (129).
    
15. 
    Lewis, C.S. Spenser´s Images of Life. Cambridge: Cambridge University Press, 1967. 66.
    
16. 
    Lewis, C.S. Spenser´s Images of Life. Cambridge: Cambridge University Press, 1967. Waters Bennett, Josephine. The Evolution of The Faerie Queene. Chicago: University of Chicago Press,1942.
    
17. 
    Lowell, A., 1917. Tendencies in Modern American Poetry. New York: The Macmillan Company, Pages (236, 240, 244).
    
18. 
    Macgowan, C., 2004. Twentieth-Century American Poetry. Malden, MA, USA: Blackwell Publishing, Page (176).
    
19. 
    Mikics, D., 2007. A New Handbook of Literary Terms. New Haven and London: Yale University Press, Page (140). Milne, I. M., 2000.
    
20. 
    Persoon, J. and Watson, R. R., 2009. British Poetry, 1900 to the Present. New York: Facts On File, Inc., Pages (6, 235).
    
21. 
    Poetry for Students. Volume 9. New York: Gale Group, Page (257).
    
22. 
    Rose, Mark. Spenser´s Art. Cambridge: Harvard University Press, 1975.
    
23. 
    Snodgrass, M. E., 2000. American Poets of the 20th century. Lincoln, Nebraska: Cliffs Notes, Inc., Pages (32, 60)
    
24. 
    Spens, Janet. Spenser's Faerie Queene: An Interpretation. 1934; rpt. New York: Russell and Russell, 1967.
    
25. 
    Spenser, Edmund. The Faerie Queene, Book One. London: The MacMillan Company, 1903. I.vii.9. All subsequent quotations are from this edition
    

1^ Cullen, Patrick. Infernal Triad. Princeton University Press, 1974. Crampton, Davis, Walter R., and Richard A. Lanham. Sidney's Arcadia. Yale Studies in English, Vol. 158. Haven: Yale University Press, 1965.

2^ Dodge, R. E. Neil, ed. The Complete Poetical Works Spenser. The Cambridge Edltion of the Poets. Boston: Houghton Mifflin Company, 1936.

3^ Fowler, Alastair. Edmund Spenser. Harlow: Longman Group Ltd., 1977.

4^ Georgia R. The Condition of Creatures. New Haven and London: Yale University Press, 1974.

5^ Gross, Kenneth. Spenserian Poetics- Idolatry, Iconoclasm and Magic. Ithaca: Cornell University Press, 1985. 42

6^ Kermode, Frank. Shakespeare, Spenser, Donne- The Renaissance Essays. London: Routledge and Kegan Paul, 1971.

7^ Kermode, Frank. The Faerie Queene, I and V. Ed. Kermode, Frank. Shakespeare, Spenser, Donne- Renaissance Essays. London: Routledge and Kegan Paul, 1971.

8^ Lewis, C.S. Spenser´s Images of Life. Cambridge: Cambridge University Press, 1967. 66.

9^ Lewis, C.S. Spenser´s Images of Life. Cambridge: Cambridge University Press, 1967. Waters Bennett, Josephine. The Evolution of The Faerie Queene. Chicago: University of Chicago Press,1942.

10^ Lowell, A., 1917. Tendencies in Modern American Poetry. New York: The Macmillan Company, Pages (236, 240, 244).

11^ Poetry for Students. Volume 9. New York: Gale Group, Page (257).

12^ Macgowan, C., 2004. Twentieth-Century American Poetry. Malden, MA, USA: Blackwell Publishing, Page (176).

13^ Rose, Mark. Spenser´s Art. Cambridge: Harvard University Press, 1975.

14^Snodgrass, M. E., 2000. American Poets of the 20th century. Lincoln, Nebraska: Cliffs Notes, Inc., Pages (32, 60)

15^ Spens, Janet. Spenser's Faerie Queene: An Interpretation. 1934; rpt. New York: Russell and Russell, 1967.

16^ Spenser, Edmund. The Faerie Queene, Book One. London: The MacMillan Company, 1903. I.vii.9. All subsequent quotations are from this edition.