Incomplete rhymes: 1) vowel rhymes: flesh-fresh-press 2) and consonant rhymes: worth—forth; tale—tool— Treble—trouble; flung - long.
Compound or broken rhymes: upon her honour—won her; bottom—forgot’em—shot him.
Eye-rhyme: love—prove, flood-brood, have—grave.
Rhymes within the stanza: 1. couplets - when the last words of two successive lines are rhymed. This is commonly marked aa.
2. triple rhymes—aaa
3. cross rhymes—abab-
4. framing or ring rhymes—abba
4) Rhythm: necessarily demands oppositions that alternate: long, short; stressed, unstressed; high, low; and other contrasting segments of speech.
Rhythm is to be a stylistic category, one thing is required - the simultaneous perception of two contrasting phenomena, a kind of dichotomy. Rhythm in verse as an SD is defined as a combination of the ideal metrical scheme and the variations of it, variations which are governed by the standard.
2. Lexical expressive means and stylistic devices
The interaction of different types of a word’s meanings: dictionary, contextual, derivative, nominal, and emotive.
A. Means based on the interplay of dictionary and contextual meanings: metaphor: Dear Nature is the kindest Mother still. (Byron).
‘Speed!” he shouted. And pushed it up to one hundred and five miles an hour and tore the breath out of his mouth (R.D. Bradbury).
… but hearing only the scream of the car(R.D. Bradbury).
The thunder faded (R.D. Bradbury).
metonymy: The camp, the pulpit and the law For rich man’s sons are free. (Shelly)
irony: It must be delightful to find oneself in a foreign country without a penny in one’s pocket.
…Well, c’est la vie, as Eric so originally says. (V. Nabokov. Pnin).
B. Means based on the interaction of primary and derivative meanings:
Do'stlaringiz bilan baham: |
