Literature of Uzbekistan doc

Zukhra" by Sayyodi, "Bakhrom and Gulandom" by Saykali, and others).
In the 18-19 centuries the Ferghana Valley, Khorezm and 
Bukhara
became the largest literary' centers of the region. Poems by Nishaty 
Khorazmy came on the scene, influenced enormously by works of Navoi 
and Fuzily. Nodira and Uvaisy wrote about traditional theme of love. In 
early 19th century satirical pamphlets by Gulkhany, Makhmur and 
Agakhy were popular. Works by Munis, his historical "Heavenly garden 
of joy", finished later on by Agakhy, the author of the vast "Talisman of 
those in love", became a masterpiece of the Uzbek classic literature.
There were progressive poets of the period such as Mukumy, Furkat, 
Avaz Otar, Zavky, Khamza Khakimzoda Niyozy, Sadriddin Ainy, and 
Anbar Otin. In 1915 Khamza set up a theatrical group and wrote plays on 
local themes. In early 20th century new poets and writers emerged in 
Uzbek literature, such as A. Kocliry, A. Chulpon, A. Fitrat, Oybek, G. 
Gulom, A, Kakhkhor, Kh. Olimjon, Uyghun, and K. Yashin. New genres 
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like political satire, feuilleton, and pamphlet came on the scene. In 1923 
satirical magazine "Mushtum" began to be published.
In 20 and 30s of the last century, the poetry prevailed in Uzbek literature. 
In 5O-6Os various stories and novels by authors such as I. Rakhim, 
Oybek, Shukhrat, S. Akhmad came on the scene. Oybek, Abdulla 
Kakhkhor, and Ibrakhim Rakhim wrote about the countryside life. Also, 
the historical theme saw its rise. However, spiritual shape of the 
contemporary person remained as the main topic in literature. Among 
such works there are novels by P. Kodirov, A. Yokubov, and 
Murmukhsin. In early 60s, stories and memoirs were further developed. 
One could observe a delicate mastery in the diversity of genres in the 
poetry by Shukrullo, E.Vokhidov, T. Tula, A. Oripov, Zulfiya, and 
others.
Historic and biographic themes in the works by Uighun, Izzat Sulton, and 
others occupy a significant place in the playwriting, as well. The Uzbek 
literature during the period of independence is a not just another historical 
stage in the development of the national literature, but it is a display of 
the new art - aesthetic phenomenon, with its new creative features.
It became independent of ruling communist regime and ceased to be a 
state literature. Respectively, the state stopped rewarding for "services" 
and punishing for "disobedience". Now the modern Uzbek literature cares 
of spiritual enrichment of each individual, and perfection of social 
structures and industrial attitudes are no longer main topics for it 
anymore. It wishes to understand the person deeper - in all of its variety 
of interpersonal relations. A person has become its main subject, but not a 
typical hero given some typical circumstances.
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The modern Uzbek literature delivers itself of primitivism, becomes 
diverse, more courageous in the choice of a form and style. However with 
freedom of creativity and plurality of opinions, there is a danger of dull 
works to come on the scene. The Uzbek poetry, continuing a centuries-
long tradition, remains as the leading genre of the national literature.
The attitude and poetic realization of the world saw a new stage in the 
poems by Omon Matchon, Barat Boykobulov, Sirojiddin Sayyid, 
Normurod Narzullaev, Shavkat Rakhmon, Chulpon Ergash, Azim Suyun, 
Usmon Azim, Ikrom Otamurod, Abduvali Kutbiddin, Aziz Said, 
Bakhrom Ruzimuhammad, Muhammad Yusuf, Iqbol Mirzo, and others. 
Contemporary poetry pays a great deal of attention towards not only 
circumstances and enthusiasm, but also reflection of complex spiritual 
state and strive for realization of the sacred feelings of an individual, 
study of his rich and diverse soul.
"Ancestors" ("Turkiylar"), "Acknowledgment" ("Iqror") by Sh. 
Rakhmon, "Confession" ("Istighfor"), "The white and black" ("Oq va 
qora") by Azim Suyun,"Non-axplanatory dictionary" ("Izohsiz lughat") 
by Abduvali Kutbidin, "Dream" ("Tush"), "Way" ("Yo'l") by A. Said are 
typical examples of the modern poetry. For this period variety of the 
forms and styles, and wish to combine leading traditions of poetry of the 
East and West are common.
Sourses: 
http.//www.google.uz 
http.//www.ziyo-net.uz 
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