Methods for modely subtext in a word of art

Innuendo

Similar to subtext because of its hidden meaning, insinuation is precisely the subliminal insinuation that implies that something else, often derogatory, is true Although subtexts can be used for a variety of reasons, they usually stay below the surface On the other hand, allusions often have clear meanings that can be easily understood at first glance. Here is an example of innuendo and subtext:

Innuendo:

She’s been gaining more weight than usual, if you know what I mean.
This phrase, paired with “if you know what I mean” serves to imply that a woman has become pregnant as in “gaining more weight than usual.” This is a thinly veiled innuendo.

Subtext:

Miranda couldn’t understand why she had become so lightheaded and nauseous that morning. She hadn’t eaten anything strange the night before. Getting dressed, she struggled to pull on her jeans, which had become just a little tighter than usual.
In these examples, pregnancy is not directly stated but clued at through innuendo and subtext. Whereas the innuendo is more overt and obvious, the subtext is purposefully below the surface.
Doublespeak
Doublespeak is specifically used when the meaning of words is purposefully distorted or disguised. While the subtext floats beneath the surface and between the words, doublespeak uses words to mislead or mislead the reader Here is an example of doublespeak and subtext:

Doublespeak:

We’ve had to downsize.
“Downsizing” is doublespeak for “firing people.”

Subtext:The boss said bonuses are going to be a little late this year, as he still has some business to attend to.

The boss has said he “has business to attend to.” The subtext of this could mean that he has something difficult he must do, such as fire certain workers to balance the budget. Subtexts allow writers, filmmakers, and speech makers to insert hidden messages about politics, real life, and controversies. They allow characters to say one thing but mean another and for authors to insert themes and ideas without overtly calling attention to them. Subtexts provide books with depth and meaning for readers who are willing to read between the lines. Finding the meaning of the subtext .How often do people say exactly what they mean? Probably not often because of the obstacles that stand in the way. Social conventions, other people in the room, and/or a fear of rejection are common reasons that people and characters do not speak literally. So, understanding a character’s objective and obstacles is the first step to finding their subtext.After reading a script, take a moment to think about the objective of the character i.e. what do they want? Then, consider the different obstacles that they face. Characters adopt different strategies to try and conquer their obstacles, and these changes of tactic are often motivated by subtext. When reading through the script, mark places where the character is communicating something great than what they say. This may be a feeling, an opinion, or a desire that is hidden within the words they say. Once the subtext is identified and assigned a meaning, experiment with ways to clearly play the scene so the subtext shines through.