Navaiy state pedagogical institute the faculty the english language and literature the department of the english language and literature

THE MINISTRY OF HIGHER EDUCATION, SCIENCE AND INNOVATION OF UZBEKISTAN
NAVAIY STATE PEDAGOGICAL INSTITUTE
THE FACULTY THE ENGLISH LANGUAGE AND LITERATURE
THE DEPARTMENT OF THE ENGLISH LANGUAGE AND LITERATURE

Course paper

THEME: AESTHETIC VIEWS OF V.HUGO AND THEIR IMPLEMENTATION IN THE NOVEL “NOTRE DAME CATHEDRAL”.
SUBJECT: THE HISTORY OF ENGLISH LITERATURE
RESEARCHER: Shavkieva J. _____ (signature)
SCIENTIFIC ADVISER:_____ ____
The work is defended on “__”___(date)
And is assessed at “__” score
Navai – 2023

CONTENTS
INTRODUCTION………………………….3
CHAPTER I. Aesthetic views of V.Hugo and details which were caused of creating his novels.

1. 
   V.Hugo's writing styles and aesthetic views………………….5
   
2. 
   Romanticism and his success about it……………..12
   

CHAPTER ll. One of the most Hugo's well-known novels “ Notre Dame cathedral ”.
2.1. Using gothic architectural elements of this structure…………………15
2.2. The central characteristics defined physical monstrosity……………………..22
CONCLUSION……………………..33
REFERENCES……………………….35
INTRODUCTION
Victor Hugo was born in 1802 in the French town of Besançon. At the age of eleven, Hugo returned to live with his mother in Paris, where he became infatuated with books and literature. By the time he was fifteen, he had already submitted one poem to a contest sponsored by the prestigious French Academy.
Hugo remains one of the most popular and respected authors in French literature. His writings were cultural fixtures throughout the nineteenth century, and he quickly emerged as one of the leaders of the Romantic movement in literature. Hugo also developed his own brand of imaginative realism, a literary style that combines realistic elements with exaggerated symbolism.
The Hunchback of Notre-Dame (French: Notre-Dame de Paris, lit. 'Our lady of Paris', originally titled Notre-Dame de Paris. 1482) is a French Gothic novel by Victor Hugo.
The novel has been described as a key text in French literature¹ and has been adapted for film over a dozen times, in addition to numerous television and stage adaptations, such as a 1923 silent film with Lon Chaney, a 1939 sound film with Charles Laughton, and a 1996 Disney animated film with Tom Hulce.