O’ZBEK MAQOMLARINING NAZARIY ASOSLARINI O’RGANISH
Jur’atbek Shuxratovich Sherimmatov Sherimmatov 17 @gmail .com
UrDU
Annotatsiya: Mazkur maqola o’zbek maqomlarining nazariy asoslarini o’rganishga bag’ishlanib, o’zbek musiqasining nazariy
asoslarini yuzaga kelishi, ularning sharq mutafakkirlari ijodida o’z aksini topishi haqida fikr yuritiladi. O’zbek maqomlarining nazariyasi nimalardan iborat va maqomlar tahlilida aynan nazariyaning qaysi jihatlariga e’tibor berish kerakligi aytiladi. Shuningdek, maqom kompozitsiyasining tarkib topishidagi
musiqiy ifoda vositalari, lad va shaklning o’zaro munosabati, tarkibiy tuzilmalarning xususiyatlari ko’rib chiqiladi.
Kalit so’zlar: o’zbek
musiqasi, maqom san’ati, maqom nazariyasi,
shashmaqom, lad, sharq mutafakkirlari,
musiqashunoslik, maqomshunoslik,
musiqa nazariyasi, musiqa shakllari, iyqo’.
STUDY OF THE THEORETICAL FUNDAMENTALS OF UZBEK MAQOMS
Juratbek Shukhratovich Sherimmatov Sherimmatov 17 @gmail .com
UrSU
Abstract: This article is devoted to the study of the theoretical foundations of Uzbek maqoms, the emergence of the theoretical
foundations of Uzbek music, their reflection in the works of oriental thinkers. What the theory of Uzbek maqoms is and what aspects of the theory should be considered in the analysis of maqoms, as well as the means of musical
expression in the composition , the relationship of mood and form, the characteristics of the details are considered there.