Fitrat Buxoro ko`rinishini inqilob davridek tasvirlaydi. Uy qamog’ida saqlab va 1920 yilda qatl etilgan Amir Olimxonni personajini Abulfayzxon obrazi orqali tasvirlaydi. Muallif ushbu fikrlarini quyidagi satrlarda keltirgan; Abulfayzkhon functions not only at the empirical level of historical drama but re-historicizes and re-realifies by interacting with the "audience's awareness that it is witnessing the enactment of its own past and by assimilating that public knowledge of the past and present in the text. The scene of Bukhara, forever, oppressed by competing oriental despots, a land of intrigue, conspiracy, cruelty and corruption, persists in continuous time, always encompassing the present. Similarly, Amir Said Alimkhon, a victim of the domestic conspiracies of native reformers and the Bolshevik invasion, would be dethroned, separated from his family and forcibly exiled in 1920. Bulardan tashqari Lions amirning yon atrofidagi insonlar ya`ni obrazlarga ham parallellarni topadi. Uning fikriga ko`ra Nodirshoxga sotilgan insonlar vazifasini Xon atrofidagi Bolsheviklar tomonga og’ib ketgan zadogonlar deb hisoblagan Foydalanilgan adabiyotlar 1.G'aniev. Fitratning tragediya yaratish mahorati. T., 1994. 2..Milliy uyg'onish va o'zbek filologiyasi masalalari. T.: Universitet, 1993. 3. Begali Qosimov, Inson Fojialari, Ozbekiston Adabiyoti va Sanati 6 April 4. Sh. Rizaev. Jadid dramasi. Toshkent – 1997 5. Magistrlik dissertatsiyasi – “Fitrat adabiy merosini xorijda o’rganilishi va badiiy talqin masalalari ”-Namangan-2014
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