Pokonferencyjna

particular the characters of the Byron 
poems, which do not reflect the spectral 
mood of a certain romantic age. They are 
very close to the main characters of the 
works of the people, and not for their own 
personal interests, but for the masses of 
the masses “[2, 283].
Academician Izzat Sultan describes 
how romanticism in the art of Oriental 
literature shows that poetry is romantic 
poetry when we take on the classics of 
Hofiz and Navoi, Nizami and Rustaveli. 
[7.370] A.Hayitmetov correctly defines 
the creative method of Navoi, “It is 
absolutely impossible to understand 
Navoi’s creativity within the framework of 
a creative method. In his work, we can see 
the realistic image as well as the Sufi 
characters and the features of epic 
heroicism. “[1,84]
3. Realistic image marks. In Navoi’s 
creativity, realistic manifestations appear 
in his lyrical works, especially in poetry 
poetry, continental and chaise, as well as 
satirical works. The scientific evidence 
suggests that “realistic stories and stories 
are closely interconnected with the poet’s 
didactic teachings and ideas,” while the 
realistic images are symbolic-figurative, 
and the conditional image can not be the 
essential sign of realism. For example, the 
destruction of Bakhrom in the “Sakha 
Sayyor” is not a real picture, but a symbolic 
poet’s conception of his ideology. “The 
realities of the East, which is reflected in 
the thought of the mind, the 
enlightenment, the people, and the love of 
the Homeland, are different from realism, 
which moves the imagination of European 
writers” [8.13].
Hayitmetov learns creative 
methodology not only with the notion of 
romance and realism, but also with 
aesthetic ideals, conditionality principles, 
and methodological issues. It is impossible 
to imagine the artist’s artistic method 
without it. The scientist initially 
commented on the artistic method and 
style of the Navoi Lyricist on the analysis 
of Navoi’s lyric poetry, and in his book 
“The Art of Navoi Creative Style” and 
“From the Oriental Literature Methods 
History”, this problem was studied as a 
single object of research. It is possible to 
draw conclusions from the research on 
Hayitmetov’s creative method:

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PHILOLOGY,  SOCIOLOGY AND CULTUROLOGY №14
1. In the process of studying the 
creative methodology and determining its 
historical foundations, the works of the 
great artists such as Nizami, Omar 
Khayyam, Saadi, Hafiz Sherozi, Lutfi, 
Abdurahman Jomi, Alisher Navoi, with 
their period of literature, literary-aesthetic 
views and literary methods closely related 
scientifically.
  2. Hayitmetov tries to check the 
ancient methodology of Oriental literature 
in Navoi as compared to Navoi: identical 
and distinctive aspects. The artistic 
method of Navoi is an ongoing 
continuation of the existing method, and 
it concludes that it is traditionally based;
3. Examines the method of Navoi›s 
creativity on the example of the poet›s 
epic works and scientifically substantiates 
romantic characters: «From the methodo-
logical point of view, all the main features 
of his epic creativity belong to the lyrical 
creativity.»
In the example of Navoi lyric, he em-
phasizes that the traditional methods of 
the poet›s inspiration, as well as the tradi-
tions of his poetry, are more prominent, 
as well as the artists who created the art of 
discoveries, renewing existing traditions 
in Navoi.
5. The presence of realistic moments 
and elements, along with the romantic im-
ages in the poem of Navoi, explains the 
realistic appearance of the poet›s creativity.