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highlighting individuals’ power in relation to oppressive political and economic structures, Danquah’s 

narrative off ers a powerful antidote to despair. 

In order apprehend the signifi cance of Willow Weep for Me, a critical method that can account 

for intersections of multiple forms of oppression is crucial. “I am black; I am female; I am an immi-

grant,” Danquah writes. “Every one of these labels plays an equally signifi cant part in my perception 

of myself and the world around me” (225).

3

 Unfortunately, disability studies has been slow to theorize 



such intersectionality, particularly when it comes to race. While works like Bonnie G. Smith and Beth 

Hutchinson’s 2004 anthology, Gendering Disability, testify to a growing interest in exploring connec-

tions between gender and disability, many of the most foundational works in disability studies have 

analyzed race and disability, not in tandem, but in opposition to each other.

4

 In their eff orts to stake out 



a claim for disability as worthy of intellectual and political attention, disability scholars oft en represent 

the relationship between people with disabilities and other political minorities in hierarchical terms.

5

 

In a more subtle way, the frequent use of “like race” analogies in disability scholarship may also have 



the eff ect of opposing the interests of disabled people and people of color. When Rosemarie Garland-

Th

  omson characterizes disability as a “form of ethnicity,” or when Lennard J. Davis compares “the 



disabled fi gure” to “the body marked as diff erently pigmented,” it’s clear that neither intends to place 

race or ethnicity in opposition to disability; rather, they each seek to establish a likeness between two 

categories, and thus to gain recognition of disabled people as members of a political minority (Th

 omson, 


6; Davis, EN, 80). But as Trina Grillo and Stephanie M. Wildman have argued, “like race” analogies 

oft en have the eff ect of “obscuring the importance of race,” enabling the group making the analogy 

to take “center stage from people of color” (621). Moreover, such analogies assume a false separation 

between the forms of oppression being compared. As Grillo and Wildman point out in their discussion 

of analogies between race and gender, “[a]nalogizing sex discrimination to race discrimination makes 

it seem that all the women are white and all the men are African-American”; thus, they observe, “the 

experience of women of color . . . is rendered invisible” (623). Th

  e dangers of “like race” analogies in 

disability studies are similar: if race and disability are conceived of as discrete categories to be com-

pared, contrasted, or arranged in order of priority, it becomes impossible to think through complex 

intersections of racism and ableism in the lives of disabled people of color.

6

 Th



  is is not, of course, to 

deny that analogies can be useful; I share Ellen Samuel’s sense that rather than attempting “somehow 

to escape from analogy,” we might “seek to employ it more critically than in the past” (4).

Th

  ese intersections must be understood in ways that are more than merely additive, as Angela P. 



Harris argues in her critique of “gender essentialism—the notion that a unitary, ‘essential’ women’s 

experience can be isolated and described independently of race, class, sexual orientation, and other 

realities of experience” (585). According to an additive model of multiple oppressions, Harris argues, 

“black women will never be anything more than a crossroads between two kinds of domination, or at 

the bottom of a hierarchy of oppressions” (589).

7

 I would therefore suggest that, in examining inter-



sections of forms of oppression, we guard against the dangers of a “disability essentialism,” in which 

the experiences, needs, desires, and aims of all disabled people are assumed to be the same and those 

with “diff erent” experiences are accommodated only if they do not make claims that undermine the 

movement’s foundational arguments. Many of these arguments have been developed primarily with 

physical disability in mind. Cognitive and psychiatric impairments, although they are gaining more 

attention, nonetheless remain marginalized, both within disability studies and in the broader culture. 

I was recently reminded of the extent of this marginalization when I mentioned to a colleague that 

I was writing an essay on Black women and depression; she responded by asking, “Does depression 

count as a disability?” Her question is crucial. “Th

  e short answer,” I told my colleague, “is ‘yes’.” Th

 e 

longer answer would have involved a discussion of the ways in which truly “counting” the experiences 



of people with mental illness might necessitate revising some of disability studies’ most frequently 

cited claims.

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While the necessity of such revisions becomes particularly evident when the politics of race, gender, 

and mental illness are analyzed together, the arguments that follow should not be taken as part of an 

unitary account of such intersections: I wish to be clear that I am not suggesting any intrinsic relation-

ship among Blackness, femininity, and mental illness; nor do I propose to read Danquah’s memoir as 

representative of a monolithic “Black women’s perspective on depression.”

8

 I do hope to show, however, 



that examining the converging eff ects of multiple forms of oppression can have profound implications 

for disability studies. Reading Willow Weep for Me with such eff ects in mind will require the rethinking 

of some of the fi eld’s most central tenets: its reluctance to understand disability in terms of sickness or 

suff ering, its tendency to defi ne disability in visual terms, and its resistance to stories of overcoming. 

If we avoid this critical reevaluation, we risk misreading as naïve or politically disengaged the work 

of Danquah and others whose perspectives diverge from disability studies’ entrenched ideas. 

Going on Prozac

Among people with depression, the politics of mental illness are complex and highly contested. In 

particular, much controversy surrounds questions about whether people who experience emotional 

distress are sick. Th

  roughout her memoir, Danquah emphasizes that her depression is an “illness”; 

by doing so, she adopts a strategy that diverges from that of the psychiatric survivor movement (18). 

Members of this movement defi ne themselves as “survivors,” not of mental illness, but rather of in-

stitutionalization in psychiatric hospitals.

9

 Indeed, they oft en reject the very category of “mental ill-



ness,” which they view as a largely meaningless invention of modern psychiatry that serves to enforce 

conformity to social norms and to derive money and power for mental health “experts.” Protesting 

doctors’ excessive control over the lives of people we diagnose as “mentally ill,” psychiatric survivors 

describe incarceration in mental institutions that are oft en run like prisons, as well as nonconsensual 

administration of “therapies” that resemble punishments or even torture.

10

 Moreover, they note that 



psychiatrists themselves are unable to defi ne mental illness; that no biological or genetic cause of any 

putative mental disorder has ever been demonstrated; and that the most common treatments—psy-

choactive medications, electroconvulsive therapy (ECT), seclusion, and physical restraints—have no 

proven benefi ts and cause debilitating side eff ects, including brain damage.

11

 Survivors’ testimonies 



demonstrate the appalling extent to which the label of “mental illness” has been used to deprive people 

of autonomy, respect, and human rights.

12

What, then, do we make of Danquah’s defi nition of her depression as a “mental illness” (20)? In 



what context do we understand her emphasis upon the necessity of taking antidepressant medica-

tion? “I have tried to deny my need for medication and stopped taking it,” Danquah explains. “Each 

time, at the slightest provocation, I have fallen, fast and hard, deeper into the depression” (220; 258). 

However, Danquah does not regard depression as purely a medical phenomenon. “Th

  e illness exists 

somewhere in that ghost space between consciousness and chemistry,” she writes (257–58). She takes 

her Paxil “reluctantly,” observing that “there is something that seems really wrong with the fact that 

Prozac is one of the most prescribed drugs in this country” (258).

13

 

But for Danquah, in contrast to members of the psychiatric survivor movement, lack of access to 



health care, rather than involuntary imposition of it, is the most salient aspect of her interactions with 

the medical profession. Danquah sees adequate medical treatment for her depression as a necessity, to 

which poverty, racism, and gender bias have created almost insurmountable barriers. Her obstetrician 

dismisses one of her fi rst episodes of severe depression as the eff ect of “hormones” (36). Years later, she 

seeks treatment but has great diffi

  culty locating a mental health clinic she can aff ord. Danquah is able 

to pay for only one of the medications she is prescribed, Zoloft , an antidepressant. Anxiety is a side 

eff ect of Zoloft , so her doctor writes her a prescription for BuSpar, an anxiety controllant. Th

 is drug, 

however, is prohibitively expensive, so Danquah resorts to alcohol to manage the side eff ects of her 

antidepressant. Indeed, the Zoloft  seems to cause an insatiable craving for alcohol, which disappears 

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when she discontinues the medication (221). Danquah is forced to fi gure most of this out without any 

medical supervision. Most of the practitioners at the mental health clinic she goes to are therapists-in-

training, and hers leaves abruptly once she has completed her certifi cation process. Rather than being 

“reassigned” at random to another therapist, Danquah suspends psychotherapy (208).

In addition to economic obstacles, Danquah faces cultural barriers to appropriate health care. 

Her psychiatrist, Dr. Fitzgerald, is a white man who describes at length his inability to “even fathom” 

the racism with which she routinely copes (224). Experiences like this are commonplace for African 

American women seeking mental health care. Julia A. Boyd, an African American psychotherapist, 

observes that many white mental health practitioners “remain in a passive state of denial concerning 

the therapeutic needs of black women” (“Ethnic,” 232). In addition, people of color, especially African 

Americans, are less likely to be diagnosed with depression or prescribed medication when they report 

their symptoms to a doctor; even in studies controlling for income level and health insurance status, 

the disparities are great.

14

Th



  e contrast between Danquah’s experience and that of many members of the psychiatric survi-

vor movement highlights a conundrum facing people with depression or other mental illnesses. Th

 e 

enormous power that the psychiatric profession wields in modern Western societies creates a double 



bind, in which both diagnosis with a mental illness or, alternatively, the lack of such a diagnosis, 

brings with it serious negative social consequences for people experiencing emotional distress.

15

 Being 


diagnosed with a mental illness means risking social stigmatization, involuntary institutionalization, 

and treatment with dangerous medications. On the other hand, those who are not deemed truly 

mentally ill are oft en regarded as merely malingering. Depression, Danquah observes, is “not looked 

upon as a legitimate illness. Most employers really don’t give a damn if you’re depressed, and neither 

do landlords or bill collectors” (144). 

Th

  is lack of social validation and support is exacerbated by racism. Th



  e symptoms of depression, 

Boyd points out, oft en “mirror the stereotypes that have been projected onto Black women”; before she 

was diagnosed with the disorder herself, Boyd thought that “being depressed meant that you were crazy, 

lazy, unmotivated” (8; 15). Moreover, as Danquah notes, depression is “still viewed as a predominantly 

‘white’ illness”; when Black people become depressed, the symptoms and coping strategies usually 

go unrecognized (184).

16

 Pervasive social denial and lack of access to necessary medical care are the 



political realities that Danquah highlights in her account of her struggles with depression. While these 

realities are inextricable from the politics of race, I do not wish to suggest that all Black women with 

depression share Danquah’s perspective on the medicalization of emotional distress.

17

 



In addition, it is important to remember that the other aspect of the double bind I have described—

i.e., diagnosis of a mental illness as the justifi cation for involuntary confi nement and forcible “treat-

ment”—also carries additional risks for Black people. While white people are more oft en diagnosed 

with depression and prescribed antidepressants, African Americans are diagnosed with schizophrenia 

at much higher rates and are also given antipsychotic medications more frequently and in higher 

doses. Th

  ey are also more oft en institutionalized involuntarily, in part because racial stereotypes aff ect 

psychiatrists’ assessments of their “dangerousness.”

18

 Th


  e pathologization of Black people is also built 

into what Danquah terms “the oppressive nature of the existing language surrounding depression,” 

the commonplace metaphors of depression as darkness and blackness (21–22).

 19


Danquah’s critique of the politics of race and mental illness exposes and protests linguistic, social, 

cultural, and economic barriers that impede Black women with depression from accessing health 

care. In contrast to the psychiatric survivor movement, her primary focus is on this lack of access, 

rather than the eff ects of involuntary treatment. But she shares with psychiatric survivors a profound 

sense of the importance of self-determination and control over one’s own medical treatment. Dan-

quah begins to see signifi cant improvement in her depression when, as she puts it, “I took control 

of my own healing” (225). Recognizing that her own role in her treatment is more important than 

that of her psychiatrist, she realizes, “it did not make that much of a diff erence to me if Dr. Fitzgerald 

was listening or not, if he cared or not, if he understood or not. I was listening. I was hearing. I was 

understanding. I cared” (225–26).

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Disability or Impairment?: Depression and the Social Model

Danquah’s understanding of her depression as a “disease” not only adds another dimension to the 

psychiatric survivor movement’s critique of the mental health profession, but also complicates what 

has come to be known as the “social model” of disability. Th

  e social model was developed in Britain 

in the 1970s; a key moment in its emergence occurred in 1976, when the Union of the Physically 

Impaired Against Segregation (UPIAS) published its Fundamental Principles of Disability. Perhaps 

the most important of these “fundamental principles” was the crucial distinction the document made 

between “impairment” and “disability”: 

In our view it is society which disables physically impaired people. Disability is something imposed 

on top of our impairments, by the way we are unnecessarily isolated and excluded from full participa-

tion  in  society . . . (3)

UPIAS’s diff erentiation between the bodily (impairment) and the social (disability) formed the basis 

of what Mike Oliver subsequently presented as the “social model of disability.”

20

 Th


 e social model, 

like the minority group model that emerged in the United States, has enabled major transformations 

in the conceptualization of disability; rather than accepting traditional defi nitions of disability as a 

personal misfortune, this new paradigm frames disability in terms of social oppression. 

What the social model may sacrifi ce, however, is a way of thinking in political terms about the 

suff ering that some impairments cause. As Liz Crow points out, the social model sometimes has the 

eff ect of obscuring the reality that “[P]ain, fatigue, depression and chronic illness are constant facts 

of life” for many people with disabilities (58). Th

  is problem is pervasive not only in applications of 

Britain’s social model, but also in disability studies in the United States, where the “critique of the 

medical model” is a fundamental principle. Critiquing the medical model does not necessarily preclude 

recognition of chronic and terminal illnesses as disabling forms of impairment. However, in practice 

this critique oft en functions to diff erentiate people with disabilities from those who are ill.

21

 Argu-



ing for greater inclusion of people with chronic illness in the disability community, Susan Wendell 

takes issue with Eli Clare’s contention that people with disabilities should not be regarded as “sick, 

diseased, ill people” hoping to be cured (Wendell 18; Clare 105). As Wendell points out, “some people 

with disabilities are sick, diseased, and ill”; moreover, she observes, some disabled people “very much 

want” to be cured (18). Danquah expresses this wish at the end of her memoir: “I choose to believe 

that somewhere, somehow, there is a cure for depression” (257).

If the experiences of those who defi ne themselves as ill and hope to be cured are elided in much 

disability scholarship, this may be due in part to the fi eld’s emphasis on visible aspects of disability. 

Garland-Th

 omson’s defi nition of disability as a process that emerges through “a complex relation 

between seer and seen” is of great value in thinking about the “extraordinary bodies” she discusses, 

but the framing of disability in terms of outward appearance is less useful for analyzing depression 

and other invisible impairments, particularly those that involve sickness and suff ering (136). Simi-

larly, Harlan Hahn’s positing of a “correlation between the visibility of disabilities and the amount of 

discrimination which they might elicit” has little to do with Danquah’ experience.”

22

 Danquah loses 



friends and jobs precisely because her disability is not visible and therefore is not recognized as a 

“legitimate illness” (144; 30). 

Indeed, disability studies’ emphasis upon observable manifestations of impairments makes it dif-

fi cult to know how to begin thinking about a condition like depression, which is primarily a subjective 

experience. Moreover, it is an experience characterized by suff ering: “Suff ering . . . was  what  depres-

sion was all about,” Danquah refl ects (237).

23

 Th


  e issue of suff ering has been vexed within disability 

studies. As Bill Hughes and Kevin Paterson observe, “Disabled people . . . feel uncomfortable with the 

concept of suff ering because . . . it seems inextricably bound to a personal tragedy model of disability” 

(336). As Oliver states, “the social model is not about the personal experience of impairment but the 

collective experience of disablement” (“Social,” 22). However, the strategy of maintaining a focus on 

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social oppression rather than personal suff ering—or on “disability” as opposed to “impairment”—risks 

reifying a dichotomy that does not easily apply to disorders like depression. While impairments 

ranging from cerebral palsy to blindness, spinal cord injury, or autism do not always cause suff ering 

in and of themselves, it makes little sense for a person to say she is clinically depressed but does not 

suff er. And whereas it’s illuminating, when discussing the politics surrounding mobility impairments, 

to observe that disability results from inaccessible architectural structures rather than from bodily 

defi ciency, it’s diffi

  cult to use this paradigm to understand depression. It is true that, to a certain extent, 

one could apply the impairment-disability distinction to Danquah’s experience. Arguably, Danquah’s 

impairment, depression, becomes disabling because of a societal unwillingness to accommodate it: 

“I lost my job because the temp agencies where I was registered could no longer tolerate my lengthy 

absences,” she recounts (30). “I lost my friends. Most of them found it too troublesome to deal with 

my sudden moodiness and passivity” (30). Th

  ese social pressures correspond to UPIAS’s defi nition 

of “disability” as “something imposed on top of our impairments” (3). 

But an analysis of Danquah’s text that privileges “the collective experience” of disability over “the 

personal experience” of impairment would greatly distort her account of her struggles with depres-

sion (Oliver, 22). A lack of social validation or understanding, although a persistent facet of her 

experience, seems to recede into the background of the intense and prolonged suff ering in which her 

depression immerses her. Th

 roughout Willow Weep for Me, Danquah describes this suff ering in vivid 

and oft en metaphorical language, which contrasts with her matter-of-fact reports of lost friends and 

career opportunities. She writes that her life “disintegrated; fi rst, into a strange and terrifying space of 

sadness and then, into a cobweb of fatigue” (27). She describes “nails of despair . . . digging . . . deeply 

into my skin” and “a dense cloud of melancholy [that] hung over my head” (30). As her depression 

worsens, she writes, “It seemed as if the world was closing in on me, squeezing me dry” (32). She 

remembers “absolute terror” and “despair [that] cut so deeply, I thought it would slice me in half ” 

(42; 106). As such stark descriptions of suff ering make clear, relegating “impairment” to a secondary 

status within an impairment-disability binary elides the phenomenological aspects of depression as 

a state of suff ering.

Moreover, analyses that privilege disability over impairment defl ect attention from the political 

nature of impairment itself. In Danquah’s narrative, the social environment is important less for its 

imposition of an additional burden “on top of ” a pre-existing impairment than for its role in produc-

ing her depression (UPIAS, 3). When Danquah is a child, her schoolmates ostracize her, mocking her 

accent and calling her “the African Monkey” (104). She recalls that the “host of . . . horrid epithets” 

to which she was subjected “shattered any personal pride I felt and replaced it with uncertainty and 

self-hatred” (105). When her father abandons the family, Danquah begins to think of herself as “the 

ugly little girl, the ‘monkey,’ the fatherless child” (109). In junior high, she is raped by a recent high 

school graduate she has a crush on (120). When she confi des in her stepfather about the incident, he 

rapes her, too; the sexual abuse continues throughout her adolescence (124). As a young adult, un-

diagnosed postpartum depression coupled with physical abuse by the father of her child contribute to 

an episode of serious depression. A subsequent episode is triggered by the “not guilty” verdict in the 

Rodney King trial: “We, all black people, had just been told that our lives were of no value,” Danquah 

remembers (42). 

Distress or Disease?: Deconstructing the Social Model

As Danquah’s story illustrates, the oppression of disabled people is not merely “something imposed 

on top of ” a pre-existing impairment; rather, the production of some impairments is itself a politi-

cal process (UPIAS, 3). Th

 erefore, Willow Weep for Me might at fi rst seem to accord with the argu-

ments of some disability scholars who, deconstructing the impairment-disability binary, claim that 

impairment is a discursive production.

24

 Shelley Tremain argues that a Foucaultian analysis will 



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reveal “that impairment and its materiality are naturalized eff ects of disciplinary knowledge/power” 

(SI, 34). Locating the origins of modern-day categorizations of bodies as normal or impaired in the 

nineteenth-century bio-medical discourses whose genealogies Foucault traces, Tremain observes that 

impairment is neither a “‘prediscursive’ antecedent” nor a set of “essential, biological characteristics 

of a ‘real’ body” (SI, 42). 

Indeed, Tremain’s theorization of impairment is à propos to any discussion of depression, whose 

constructedness as a disease entity is easily apparent. While the term “melancholy” is as old as ancient 

Greek medicine, its defi ning features have been broad and shift ing, never corresponding to the pres-

ent-day disease category of “clinical depression.” Th

  e instability of depression as a discrete medical 

phenomenon is further evident in the extent to which those who wish to establish it as such must 

continually defi ne it by diff erentiating it from ordinary states of sadness. “Depression isn’t the same 

as ordinary sadness, it is hell,” Danquah’s friend Scott says (260). Or, as Danquah explains, “We have 

all, to some degree, experienced days of depression . . . But for some, such as myself, the depression 

doesn’t lift  at the end of the day . . . And when depression reaches clinical proportions, it is truly an 

illness” (18).

25

 

Moreover, whereas most people in our culture would not question the validity of diseases like 



diabetes, cancer, or rheumatoid arthritis, skeptics abound when it comes to depression. Eboni, one 

of several African American woman with whom Boyd engages in a dialogue about depression, says, 

“look at what our mothers and grandmothers went through in their lives and we don’t hear them 

whining about depression” (CI, 21). Eboni’s comments not only underscore the constructedness of 

depression as a clinical entity, but also raise another set of questions. While it’s relatively easy to observe 

that depression cannot be regarded as a prediscursive bodily or mental “given,” what remains unclear 

are the possible eff ects of the processes by which it is currently being consolidated as a defi nable and 

describable disease. For example, does the construction of depression as an illness enable a potentially 

emancipatory reinterpretation of behaviors traditionally regarded as moral weakness, such as the 

“whining” that Eboni dismisses? It is in part to distinguish depression from “a character fl aw” that 

Danquah insists that depression “is truly an illness” (18). But Tremain’s analysis of the constructed-

ness of impairments raises the possibility that Danquah’s self-construction as a “depressive” might 

have “insidious” eff ects (Danquah, 18; Tremain, SI, 37). Reliance on biomedicine’s constructions of 

bodily and mental diff erence, Tremain argues, may only further consolidate the pervasive power of 

disciplinary regimes (SI, 42). 

Tremain’s characterization of impairments as discursively produced is cogent and insightful. 

However, as I will argue, Willow Weep for Me demonstrates that impairment categories can be cited 

in ways that, rather than merely “meet[ing] requirements of contemporary political arrangements,” 

instead also serve to undermine them (Tremain, SI, 42; FG, 10). To elucidate this process, it will be 

helpful to refl ect upon the epistemic shift  that Foucault and other historians have documented in late 

eighteenth- and early nineteenth-century medicine. With the rise of clinical medicine in the nineteenth 

century, the physical examination and the dissection of corpses supplanted patients’ stories as the 

privileged modes of generating medical knowledge.

26

 Th



  e dominant medical epistemology became 

visual rather than narrative: the patient came to be seen as a passive body, manifesting visible signs of 

disease which could be interpreted by the doctor’s detached “gaze.”

27

 Th



  ese visible “signs,” or objective 

manifestations of disease, were privileged over “symptoms,” which referred to subjective sensations 

the patient reported (Porter, 313). Th

  e sign-symptom binary remains a centerpiece of contemporary 

medical epistemology, and its continued importance helps explain why depression has not been re-

garded as a “real” disease in the same way as illnesses such as arthritis or multiple sclerosis, which can 

be visualized on X-rays or MRIs. Whereas the careful observation of bodily changes, the dissection of 

cadavers, and eventually the emerging science of bacteriology enabled nineteenth-century physicians 

to defi ne diseases like tuberculosis as distinct clinical entities, the same cannot be said of depression. 

Indeed, the project of solidifying depression as a bona fi de medical condition is grounded in the 

expectation that it will one day be possible to identify specifi c biological markers of the disorder and 

thus to demonstrate that depression is an organic disease of the brain. 

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Because such signs remain elusive, the construction of depression as a disease is presently occur-

ring in ways that diff er signifi cantly from the discursive materialization of most of the impairments 

that receive attention in disability studies; that is, from most visible impairments.

28

 Western medicine 



has obtained signifi cant knowledge about impairments such as cataracts, colitis, and heart disease, 

all of which manifest visible signs, without much active participation on the part of the patient; but 

a depressed person, to be understood as such, must be a subject who communicates.

29

 Moreover, he 



or she must have a degree of psychological depth that a patient being examined for signs of a physi-

cal ailment need not be recognized as possessing. Instead of simply reporting a pain or displaying 

a rash, a fever, or a tremor, the depressed patient is most oft en subjectivized as such through the 

production of a narrative.

30

 It is perhaps for this reason that, as Danquah observes, our culture is so 



reluctant to recognize depression in Black women. It is “hard,” she remarks, “for black women to be 

seen  as . . . emotionally  complex”  (21). 

Yet it would certainly be a mistake to romanticize medicine’s inclusion of subjects’ accounts of 

their distress in its process of consolidating depression as a disease entity. Th

  e incorporation of pa-

tients’ stories into medical discourses on depression or other forms of “mental illness” is shaped by a 

profound power imbalance between doctors and patients. While a diagnosis of depression is rarely 

made without the participation of the patient as a speaking subject, once one is labeled “mentally 

ill,” one is oft en treated as less than a full subject, denied the right to choose a course of treatment or 

decline medical intervention altogether.

31

 Moreover, as Anne Wilson and Peter Beresford point out, 



patients defi ned as “mentally ill” have little control over the ways in which their words are presented 

and interpreted in their medical records. Wilson and Beresford, who are themselves psychiatric system 

survivors, recall that “it can feel as if everything you say or do is being taken down and recorded to be 

used in evidence against you” (148). In addition, they point out, “as medical records are ineradicable, 

they also serve to make permanent and immutable the ostensible psychopathological diff erence or 

‘disorder’ of those diagnosed ‘mentally ill’” (149). 

Th

  is power imbalance between doctors and “mentally ill” subjects exerts itself in more subtle 



ways as well. Wilson and Beresford relate that “it can be diffi

  cult even to begin to make sense of our 

experience outside of frameworks provided by ‘experts,’ whose theories and powers may extend to 

every aspect of our lives, not least our identity as ‘mentally ill’ (non-)persons” (145). Th

 is observation 

seems to illustrate Foucault’s claim that the “individual is an eff ect of power” (TL, 98). And indeed, 

Foucault’s arguments about subject formation raise questions about the relation of Danquah’s narra-

tive to dominant psychiatric discourses. Does Danquah, by defi ning herself as a “depressive,” merely 

reinscribe the dictates of psychiatric medicine (18)? According to Tremain, “a Foucauldian approach to 

disability” shows that “the category of impairment . . . in part persists in order to legitimize the disciplin-

ary regime that generated it” (FG,11; SI, 43). Tremain does not explore the possibility, however, that 

the production of specifi c impairment categories might have multiple, competing eff ects, including, 

paradoxically, the contestation of the assumptions on which these categories are based. 

Such a contestation takes shape in Danquah’s autopathography, which depends upon biomedicine’s 

construction of depression as a disease entity but at the same time resists the normalizing eff ects of 

this construction. Danquah articulates her resistance to the disciplinary uses of depression as a medi-

cal category in ways that Foucault’s concept of a “reverse discourse” can illuminate. Foucault argues 

that the nineteenth-century emergence of psychiatric and other discourses that brought into being 

“the homosexual”as a “species” had the eff ect, not only of enabling “a strong advance of social con-

trols into this area of ‘perversity,’” but also of making “possible the formation of a ‘reverse’ discourse: 

homosexuality began to speak on its own behalf, to demand that its legitimacy . . . be acknowledged, 

oft en in the same vocabulary, using the same categories by which it was medically disqualifi ed” (HS, 

101–02). Danquah’s narrative might be understood as participating in a “reverse discourse” regarding 

depression. As we have seen, it employs the categories of psychiatric medicine in order to demand 

that depression’s “legitimacy . . . be acknowledged” (HS, 101). Depression, Danquah maintains, is “a 

legitimate illness”; she is not “a fl ake or a fraud” (144).

32

 

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“When Black Women Start Going on Prozac . . .”

Additionally, at the same time that she emphasizes that depression is an authentic medical condi-

tion, Danquah also subverts some of psychiatry’s most fundamental assumptions about what it means 

to be mentally ill. If today’s “depressive” is “disqualifi ed” in ways analogous to the disqualifi cation of 

Foucault’s nineteenth-century “homosexual,” Danquah’s narrative perhaps mobilizes a reverse discourse 

that resists this disqualifi cation while nonetheless retaining the vocabulary and diagnostic categories 

that enable it. Th

  is can be seen in Danquah’s emphasis on the imbrication of her illness with political 

oppression. A common mode of discrediting people with depression eff ects a discursive separation 

of symptoms from politics: depression is said to arise from feelings, beliefs, and attitudes which are 

disproportionately “negative” in relation to the affl

  icted person’s actual circumstances.

33

 Indeed, this is 



Eboni’s critique of psychiatric constructions of depression: “I didn’t hear where any of those big-time 

researchers were lookin’ at things like racism or sexism,” she points out (21). But this, of course, is 

exactly what Danquah does look at. By showing how the convergence of racism, sexual violence, and 

poverty literally made her ill, Danquah insists upon the validity of depression as a diagnostic category 

while at the same time contesting hegemonic accounts of its etiology. 

Moreover, even as Danquah accepts the designation of her emotional distress as a “disease,” she also 

undermines one of psychiatric medicine’s most fundamental claims (18). As Wilson and Beresford 

point out, psychiatry’s justifi cation as an institution relies in large part upon “its construction of users of 

mental health services as Other—a separate and distinct group” (144). Interestingly, however, Danquah’s 

gradual process of accepting that she is ill and needs medical treatment paradoxically culminates in 

her deconstruction of the normal/mentally ill binary upon which psychiatry’s authority depends: 

I had always only thought of therapy in stark, clinical terms: an old bespectacled grey-haired white 

man with a couch in his offi

  ce listening to the confessions of crazies. . . . What if, I asked myself, those 

“crazies” are no diff erent than me? What if they are like me, ordinary people leading ordinary lives 

who woke up one day and discovered they couldn’t get out of bed, no matter how much they wanted 

to or how hard they tried? (167–68)

Danquah decides to enter psychotherapy, then, not because she comes to defi ne herself as “Other,” 

but because she is able to imagine the dissolution of what Wilson and Beresford call psychiatry’s “op-

position between ‘the mad’ and ‘the not-mad’” (154). Indeed, her sense that the depressive is not a 

distinct species, but rather a member of a community of “ordinary people,” fi nds echo in Wilson and 

Beresford’s assertion that “the world does not consist of ‘normals’ and ‘the mentally ill’; it consists of 

people” (Danquah 167–68; Beresford and Wilson, 144).

Like the arguments of critics who use Foucaultian paradigms to analyze disability, Danquah’s work 

demands a deconstruction of the impairment-disability distinction, forcing a theorization of impair-

ment as itself a social process. Yet Danquah nonetheless accepts the category of mental illness and 

makes it integral to her self-conception. For this reason, an application of Tremain’s or Wilson and 

Beresford’s analyses of the constructedness of impairment categories might seem to authorize a reading 

of Danquah’s narrative as “naïve,” unaware of how the category of impairment operates within what 

Tremain, following Foucault, calls the “insidious” production of “an ever-expanding and increasingly 

totalizing web of social control” (SI, 34; 37; FG, 6).

34

 But as we have seen, Foucault’s understanding 



of power is more fl exible than Tremain’s characterization of it here suggests.

35

 Rather than “a general 



system of domination” whose “eff ects . . . pervade the entire social body,” Foucault describes a “mul-

tiple and mobile fi eld of force relations, wherein far-reaching, but never completely stable eff ects of 

domination are produced” (HS, 92; 101–02; emphasis mine). “Discourse,” he explains, “reinforces” 

power “but also undermines and exposes it” (HS, 101). 

Foucault’s conception of discourse as reversible points to the possibility that individuals might 

invoke discursive constructions such as “depression” so as to do more than merely, as Tremain puts 

it, “identify themselves in ways that make them governable” (SI, 37; FG, 6). It is true that, as David 

Halperin remarks, Foucault is critical “of discursive reversal . . . as a political strategy” in contemporary 

Western societies (58). Nevertheless, for Foucault a “reverse discourse” can constitute “a signifi cant 

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act of political resistance”; it is by no means “one and the same as the discourse it reverses” (Halperin, 

59). Foucault explains that although reverse discourses and other forms of resistance cannot be del-

ployed “outside” of power, “this does not mean that they are only a reaction or rebound . . . doomed 

to perpetual defeat” (HS, 95; 96). 

Tremain accurately observes that the institutionalization of reverse discourses as identity politics 

movements poses signifi cant dangers.

 36

 However, I wish to challenge what seems in her argument 



to be a global suspicion of any and all processes of “iteration and reiteration of regulatory norms 

and ideals about human function and structure, competency, intelligence and ability” (SI, 42). Th

 is 

suspicion seems to derive in part from Tremain’s mapping of Judith Butler’s deconstruction of the 



sex-gender binary onto the social model’s distinction between impairment and disability (SI, 38–41). 

But the “reiteration” that Tremain regards as functioning to “sustain, and even augment, current 

social arrangements,” is precisely the process in which Butler fi nds potential for revision of cultural 

norms and identity categories (SI, 42). Butler argues that “‘sex’” is materialized “through a forcible 

reiteration” of “regulatory norms”; however, this process produces “instabilities” and “possibilities 

for rematerialization,” in which “the force of the regulatory law can be turned against itself ” (4). Th

 is 

turning of the regulatory law against itself, Butler suggests, might be achieved through what she calls 



a “citational politics,” which entails a “reworking of abjection into political agency” (21).

Butler’s discussion of “citational politics” focuses primarily upon instances in which “the public 

assertion of queerness” has the eff ect of “resignifying the abjection of homosexuality into defi ance 

and legitimacy” (21). Although Danquah does not treat race, gender, or mental illness in ways that 

correspond exactly to Butler’s description of queerness as performativity, one can nonetheless discern 

in Willow Weep for Me a “reworking of abjection into political agency” (Butler, 21).

37

 Th


 roughout her 

memoir, Danquah foregrounds abjection in the form of “weakness” (20). She observes that although 

mental illness is oft en regarded as a sign of “genius” in white men, of hysteria in white women, and 

of pathology in Black men, “when a black woman suff ers from a mental disorder, the overwhelming 

opinion is that she is weak. And weakness in black women is intolerable” (20). 

It is perhaps also unthinkable: “Clinical depression simply did not exist . . . within the realm of pos-

sibilities for any of the black women in my world,” Danquah explains (18–19). “Emotional hardship is 

supposed to be built into the structure of our lives” (19). Indeed, when Danquah tells a white woman 

she meets at a dinner party that she’s writing a book on Black women and depression, the woman 

responds sarcastically: “Black women and depression? Isn’t that kinda redundant? . . . [W]hen black 

women start going on Prozac, you know the whole world is falling apart” (19–20). Th

  e foreclosure of 

depression as a possible diagnosis for Black women, Danquah argues, derives from the “myth” of Black 

women’s “supposed birthright to strength” (19). “Black women are supposed to be strong—caretakers, 

nurturers, healers of other people—any of the twelve dozen variations of Mammy (19).

38

 



By linking the image of the strong Black woman to the stereotype of the “mammy,” Danquah points 

to the history of slavery in the United States as one of its possible origins. As Patricia Hill Collins ob-

serves, the fi gure of the “mammy,” or the “faithful, obedient domestic servant,” was invented in order 

to “justify the economic exploitation of house slaves” (71). Danquah’s contestation of the ideal of an 

inherently strong Black womanhood thus resists the social demand that Black women deny their own 

emotional and material needs in order to attend to those of others.

39

 As Evelyn C. White writes, “the 



vulnerability exposed in Willow Weep for Me . . . will do much to transform society’s image of Black 

women as sturdy bridges to everyone’s healing except their own” (Danquah NP). 

Paradoxically, while the notion that Black women are uniquely equipped to endure hardship has 

historically served as a justifi cation for their oppression, it may also have enabled their survival. “Given 

the history of black women in this country,” Danquah argues, “one can easily understand how this 

pretense of strength was at one time necessary for survival” (NP). Th

  e belief that strength is a legacy 

of slavery persists in Black communities, Danquah remarks, pointing out that it is not only white 

people who dismiss Black women’s depression. “If our people could make it through slavery, we can 

make it through anything,” Black men and women have told Danquah (21). But what this “stereotypic 

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“When Black Women Start Going on Prozac . . .”

image of strength . . .  requires” of Black women, Danquah emphasizes, “is not really strength at all. It 

is stoicism. It is denial. It is a complete negation of their pain” (NP).

40

 

Because Black women’s emotional suff ering is generally regarded as normative and unproblem-



atic—“part of the package,” as Danquah puts it—rather than symptomatic of a condition in need of 

a remedy, Danquah’s pathologization of her distress cannot be seen as merely an accession to the 

social norms upon which the category of “mental illness” depends; rather, by defi ning her suff ering 

as sickness, Danquah transgresses the expectation that when Black women suff er, they do so silently 

and stoically (19). Refusing any denial of her pain, Danquah unfl inchingly describes the shame and 

self-loathing that are both symptoms and sources of her depression. She relates that amid a severe 

episode of depression she stopped bathing and cleaning her house, leaving “a trail of undergarments 

and other articles of clothing” on the fl oor, “dishes with decaying food” on “every counter and tabletop” 

(28). She recalls feeling “truly pitiful,” “hating myself so much I wanted to die” (219; 106). “Something 

had gone wrong with me,” she realizes (29). 

Th

  is conclusion may seem at odds with one of the central messages of the disability rights move-



ment. Oliver’s critique of the medical model on the grounds that it “tends to regard disabled people 

as ‘having something wrong with them’ and hence [being] the source of the problem” is a tenet of 

disability studies (“Social,” 20). And while I certainly do not wish to reinstall hegemonic constructions 

of disability as a form of individual weakness or inferiority, I would suggest that in Danquah’s narrative 

it’s more complicated than a simple opposition between an individual and a social problem. Rather 

than imagining a wall of immunity between self and society, Danquah dramatizes the impossibility of 

ever remaining untouched by all that is wrong in the world (29). And her recognition that something 

has “gone wrong” with her is neither an indictment of herself as “the source of the problem” nor a 

cause of shame; instead, it is the impetus for her decision to make “a commitment to being alive” 

(Oliver, 20; Danquah, 230). 

Th

  is commitment requires a valuing of herself that contrasts sharply with the “stereotypic image 



of strength” with which “African American women who are battling depression must, unfortunately, 

contend” (Danquah NP). Th

  e strength that Danquah displays—and it would be impossible to come 

away from her book without feeling the magnitude of that strength—is neither endurance nor self-

sacrifi ce; rather, it is what Danquah describes as a readiness “to claim the life that I want” (266). 

Shall We Overcome?

Danquah’s memoir about depression ends on a hopeful note. “Having lived with the pain,” she writes, 

“I know now that when you pass through it, there is beauty on the other side” (266). Indeed, as her 

book’s subtitle indicates, hers is a “Black woman’s journey through depression” (emphasis mine). As 

such, Willow Weep for Me could be read as a story of overcoming. Th

  e blurb on the back cover of the 

paperback edition promises “an inspirational story of healing,” and Danquah herself employs many 

of the linguistic conventions associated with overcoming narratives. It takes “courage, devotion, and 

resilience” to “contend with depression” and to “triumph” over the illness, she writes (262). Such an 

emphasis on individual strength is at the crux of what many disability scholars critique in narratives 

of overcoming. As Simi Linton argues, “the ideas embedded in the overcoming rhetoric are of personal 

triumph over a personal condition,” rather than a collective demand for “social change” (18). Th

 ere is 


enormous value in this observation, and I wholeheartedly concur with Linton’s objections to represen-

tations of disability that make “the individual’s responsibility for her or his own success . . . paramount” 

(19). But as we have seen, the opposition between disability as personal misfortune and as social 

problem is not tenable in Danquah’s autopathography, which understands depression as inextricably 

both of these things. And if despair is both a cause and a symptom of depression, then perhaps part 

of its solution is a hope that is both personal and political.

41

 As Danquah explains, “Th



  e social and 

economic realities of women, blacks, single parents, or any combination of the three” make “my 

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chances for a life that is free of depression appear to be slim . . .While I recognize the importance of 

such information, I regard most of the data as blather and refuse to embrace it” (257). Th

  is refusal is 

not a denial of political realities; rather, it is an unwillingness to accept defeat, an assertion of personal 

strength amid overwhelming social oppression. As Danquah puts it, it is a “standing up in defi ance of 

those things which had kept me silent and suff ering to say that I, an African American woman, have 

made this journey through depression” (NP).

Notes


I would like to thank Richard Ingram, Robert McRuer, and Sue Schweik for their feedback on earlier versions of this essay.

 1.  See Garland-Th

  omson 135–37; Linton 17–19; and Mitchell and Snyder 9–11. See also note 21 below.

  2.  Lack of access to health care is tied to the politics of both race and class. Cultural, linguistic, and geographical barriers, 

as well as racist stereotypes, present specifi c impediments for African American, Latino/a, Asian American, and Na-

tive American people seeking medical treatment for depression, regardless of income level and health insurance status 

(“Mental”). Access to health care has received less attention in disability studies than in the disability rights movement, 

where it has oft en been the focus of organizing.

  3.  Born in Ghana, Danquah emigrates to the United States when she is six years old (103). Although being an immigrant 

is of great importance to Danquah’s self-defi nition, this aspect of her identity receives far less attention in her memoir 

than race, gender, class, or mental illness.

  4.  A special issue of GLQ, Desiring Disability: Queer Th

  eory Meets Disability Studies (2003), edited by Robert McRuer and 

Abby Wilkerson, is devoted to the topic of queerness and disability.

  5.  In the introduction to Th

  e Body and Physical Diff erence, David T. Mitchell and Sharon L. Snyder write that “while liter-

ary and cultural studies have resurrected social identities such as gender, sexuality, class, and race from . . . obscurity and 

neglect . . . disability has suff ered a distinctly diff erent disciplinary fate” (1–2). Barnes and Mercer draw a “sharp contrast” 

between the reception of disability studies in academia and that of “radical analyses of racism and sexism that quickly 

won favor” (IS, 4). Recently, leading disability scholars and activists have made similar comparisons between race and 

disability in their discussions of Clint Eastwood’s 2005 fi lm, Million Dollar Baby (Drake and Johnson, 1; Davis “Why,” 2;). 

And the chairman of Britain’s Disability Rights Commission, Bert Massie, recently stated that “neglect and institutional-

ized exclusion” of disabled people is “more profound” than that of Black people (“Massie,” 1).

  6.  Samuels’s suggestion is part of her extended analysis of the dynamics of “passing” and “coming out” for queer people, 

racial minorities, and people with disabilities. For critiques of the “like race” analogy in queer theory and activism, see 

Janet E. Halley and Janet R. Jakobsen. 

  7.  For critiques of additive models of racism and sexism, see Barbara Smith and Elizabeth Spelman. An example of an additive 

representation of intersectionality in disability studies is Davis’s assertion that “the most oppressed person in the world 

is a disabled female, Th

  ird World, homosexual, woman of color” (BOB, 29). Th

  is formulation, while a useful beginning, 

leaves untheorized the specifi c ways in which various forms of oppression come together in individual lives.

 8.  Th

  e Surgeon General reports that “the prevalence of mental disorders for racial and ethnic minorities in the United 



States is similar to that for whites.” Th

  ese statistics, however, apply only to those “living in the community”; people who 

are “homeless, incarcerated, or institutionalized” have higher rates of all forms of mental illness (“Mental” 1). According 

to the American Psychological Association, women are twice as likely as men to suff er from depression; the reasons for 

this discrepancy remain controversial (“New,” 1).

  9.  Information about the psychiatric survivor movement can be found at the Mind Freedom Support Coalition International 

Web site: http://www.mindfreedom.org/

 10.  Courts have long recognized that patients with physical illnesses or disabilities have the right to refuse medical treatment. 

Th

  is constitutional protection, however, has oft en been denied to people diagnosed with mental illness, who can be com-



mitted to mental institutions and treated involuntarily with toxic drugs and other potentially harmful therapies. In many 

states, involuntary outpatient treatment is also authorized by the courts. For more on this, see Jackson and Winick.

 11.  Th

  e side eff ects of ECT can be severe and permanent, as can those of neuroleptics, the medications most commonly 

prescribed for schizophrenia and other “psychotic” illnesses. Th

  e chemical eff ects of neuroleptic drugs are similar to those 

produced by lobotomies (Breggin, TP, 68–91).

 12.  Jeanine Grobe aptly compares the most common modern-day psychiatric practices to medieval treatments for “insanity”: 

“[M]ore oft en than not, [contemporary psychiatric] “medicine” is a complete atrocity—comparable only to the history 

out of which it grew: is four-point restraint—being tied down at the wrists and ankles—an improvement over being 

bound with chains? Is the cage inhumane whereas the seclusion room is not? Are the deaths that result from the use of 

neuroleptic drugs better than the deaths that resulted from bloodletting? Is the terror inspired by the passing of electric 

current through the brain an improvement over the shock of being submerged in ice water?” (103).

 13.  Th


 e back of Willow Weep for Me includes the transcript of an interview of Danquah by Dr. Freda C. Lewis-Hall, director 

of the Lilly Center for Women’s Health, which is part of Eli Lilly, the pharmaceutical company that manufactures Prozac.  

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“When Black Women Start Going on Prozac . . .”

Danquah has also given book tours in conjunction with the National Mental Health Association’s Campaign on Clinical 

Depression, which is funded by Eli Lilly (http://www.psych.org/pnews/98-05-15/nmha.html). Th

  is may raise concerns 

about bias in Danquah’s representations of the benefi ts of psychoactive medications. However, Willow Weep for Me can 

hardly be said to read like an advertisement for antidepressants.  As noted, Danquah expresses concern about their 

widespread use. In addition, she details the debilitating side eff ects she experienced from taking Zoloft . Most important, 

Danquah’s memoir certainly does not understand depression as simply a biological illness that can be cured with drug 

therapy. If, as she claims, depression “exists somewhere in that ghost space between consciousness and chemistry,” her 

interest in the former greatly exceeds her attention to the latter; describing only briefl y her experiences with various 

medications, Danquah foregrounds her personal struggles and the political contexts in which they take place. I would 

like to thank Jonathan Metzl for bringing Danquah’s relationship with Eli Lilly to my attention.

 14.  A 2001 Surgeon General’s report on these disparities indicates that “racial and ethnic minorities” in the U.S. receive “less 

care and poorer quality of care” than white people (“Mental”). And a 2000 study of the treatment of people already diag-

nosed with depression—controlled for age, gender, health insurance status, and other factors—found a striking disparity: 

44 percent of white patients and 27.8 percent of Black patients were given antidepressant medication (UT, 70).

 15.  Anne Wilson and Peter Beresford describe this double bind as an “increasing polarization of madness and distress into 

two categories—of the ‘threateningly mad’ and the ‘worried well’” (153). Refl ecting psychiatry’s distinction between 

“psychoses” and “neuroses,” these categories “serve both to dismiss and to devalue the experience and distress of those 

of us not seen as ‘ill’ enough to require public resources for support, and to reinforce assumptions about a discrete and 

separate group of mad people that constitutes a threat to the rest of society” (154; 153). 

 16.  For discussions of the misperception of depression as an illness aff ecting only white people, see Boyd (5–7) and Marano (2).

 17.  In Rhonda Collins’s documentary fi lm, We Don’t Live under Normal Conditions, people of various races and ethnicities 

discuss what it means to them to be depressed; most, but not all, see the origins of their distress as primarily social. Most 

of the depression memoirs published in the last decade in the United States are authored by white people, many of whom 

describe the benefi ts of antidepressants. See Styron, Wurtzel, Solomon, and Jamison.

 18.  See Unequal Treatment 611–21. Th

  ese discrepancies are well documented and alarming. For example, a 1993 study “found 

that 79 percent of African Americans in a public-sector hospital were diagnosed with schizophrenia, compared with 43 

percent of whites” (613). In another study, “28 percent of African Americans in a university hospital emergency room 

were given such a diagnosis, compared with 20 percent of whites.” A 1996 study found that “African American patients 

seen in an emergency room received 50 percent higher doses of antipsychotic medications than patients of other ethnic 

groups, while their doctors devoted less time to assessing them” (613). In a 1998 study, researchers asked psychiatrists to 

provide diagnoses of patients based upon written case histories. Th

  e psychiatrists each reviewed identical case histories, 

but their diagnoses varied widely, depending on what they were told the patients’ race and gender were. Th

 e diagnosis 

of “paranoid schizophrenic disorder,” which, the authors of the study note, is associated with “violence, suspiciousness, 

and dangerousness,” was applied to patients believed to be Black men at a rate of 43 percent, compared with 6 percent 

for white men, 10 percent for white women, and 12 percent for Black women (615).

 19.  An awareness of the medical profession’s pathologizing attitudes toward Black people deters many African Americans 

from seeking health care, especially for symptoms of mental illness. Psychological studies in reputable journals in the 

1950s compared average Africans to “the white mental patient,” “the lobotomized West European,” and the “traditional 

psychopath” (L.R.C. Haward and W.A. Roland, “Some inter-cultural diff erences on the Draw-A-Person Test: Part I, 

Goodenough scores,” Man 54 [1954], p. 87, qtd. in Bulhan, 83–84; J.C. Carothers, “Th

  e African mind in health and dis-

ease,” Geneva, World Health Organization, 1953, qtd. in Bulhan, 84). Th

  e 1965 Moynihan Report claimed that African 

American families were disintegrating because of their putatively “matriarchal” structure (Boyd, “Ethnic,” 230). In the 

1960s and 1970s, respected neurosurgeons and psychiatrists publishing in venues such as the Journal of the American 

Medical Association advocated psychosurgery to treat the “brain disease” they claimed caused “riots and urban violence” 

(Breggin, WA, 117). In the early 1990s, Frederick Goodwin, the chief scientist at the National Institute of Mental Health, 

proposed a “violence initiative,” which would identify among “inner-city” adolescents—whom Goodwin compared to 

monkeys in a jungle—those with a genetic predisposition to violence and then subject them to psychiatric interventions 

(Breggin, WA 8).

20.  See Barnes and Mercer (IS, 2) and Oliver (PD, 11). Although the social model’s authors intended it to serve primarily as 

a “heuristic device,” rather than a comprehensive theory of disability, its distinction between impairment and disability 

remains fundamental to disability scholarship in both the UK and the United States (Barnes and Mercer, IS, 3). 

 21.  Th


  e concluding chapter of Garland-Th

 omson’s Extraordinary Bodies calls for a shift  in understanding disability, “From 

Pathology to Identity.” Steven Taylor argues that “a Disability Studies perspective questions the medical model and 

challenges” the equation of disability with “sickness and pathology” (“Guidelines,” 4). Steven E. Brown states that “a 

person with a disability is not sick” (11). Barnes and Mercer criticize representations of people with disabilities as “sick” 

or “suff ering” (Disability, 9; 10). And Simon Brisenden urges a diff erentiation “between a disability and a disease” (25). 

Asserting that “disability is not illness,” Anita Silvers acknowledges that chronic illnesses can be disabling but insists that 

“persons with paradigmatic disabilities—paraplegia, blindness, deafness, and others” must be distinguished from “people 

suff ering from illness” (77). David Pfeiff er also emphasizes that “disability is not sickness” and claims that “for a half to 

three quarters of the disability community there is no present sickness which disables them” (6). Pfeiff er doesn’t make 

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clear, in his estimate of the statistical prevalence of illness among people with disabilities, how he defi nes the “disability 

community.” 

 22.  See Harlan Hahn, Th

  e Issue of Equality: European Perceptions of Employment Policy for Disabled Persons [New York: World 

Rehabilitation Fund, 1984], 14, qtd. in Hahn, “Advertising,” 175. 

 23.  Th


  is is not to suggest that suff ering is the most important aspect of depression for everyone who experiences it. Jane 

Phillips describes her depression as a “dark and dangerous illness,” but also as an experience that “seemed to serve a 

function,” facilitating her emergence “into an utterly new spring” (140–41). I am grateful to Richard Ingram for bringing 

this passage to my attention.

 24.  Deconstructions of the social model share similarities with “universalizing” approaches to disability in the United States, 

which, rather than conceiving of people with disabilities as members of a distinct minority group, instead highlight the 

fl uidity of disability as an identity category and describe bodily diff erence as existing on a continuum of human varia-

tion.


 25.  Danquah’s assertion is tautological (illnesses, by defi nition, are conditions that “reach clinical proportions”); however, I 

am concerned here, not with establishing the “truth” or “falsity” of the claim that depression is an illness, but rather with 

delineating the tactical and strategic uses to which its construction as such is put. I would like to thank Richard Ingram 

for pointing out to me the tautological nature of Danquah’s statement.

 26.  In the eighteenth century the physical examination was regarded as so unimportant that doctors oft en practiced medicine 

by mail, relying on patients’ lengthy narratives to make diagnoses (Reiser, 5–6). 

 27.  For detailed accounts of the history of clinical medicine, see Foucault (BC), Ackernecht, and Jewson.

 28.  Th


  ere are exceptions to this trend, most of which are also invisible disabilities: “mental illnesses”; some cognitive dis-

abilities; and physical conditions such as chronic fatigue syndrome, repetitive strain injury, Environmental Illness, and 

fi bromyalgia, which don’t produce objectively observable bodily changes. But most of these conditions, like depression, 

are “controversial”; they will be defi ned as “syndromes” rather than actual “diseases” until they can be correlated with 

measurable physiological abnormalities.

 29.  Disorders such as these illustrate the impossibility of any absolute binary between “visible” and “invisible” disabilities. Th

 ese 

conditions may oft en be invisible to the casual observer, but their signs can be seen on medical tests. Notwithstanding 



medical technologies that rely on senses other than sight, the visual bias of modern medical epistemology is pronounced; 

it can be discerned even the word “stethoscope,” which combines the Greek words for “chest” and “I view” (Reiser, 25). 

 30.  Nonverbal people with disabilities can also be diagnosed with depression, but the formation of depression as an impair-

ment category has depended in large part upon patients’ verbal articulations of their distress.

 31.  I would like to thank Richard Ingram for pointing this out to me.

 32.  My comparison between Danquah’s political strategy and that of the nineteenth-century “homosexual” Foucault describes 

illustrates the limits of analogies between diff erent subject positions. Despite the similarities I will discuss, Danquah’s 

desire to be cured contrasts with the nineteenth-century “homosexual”’s demands to be accepted as such. I would like to 

thank Sue Schweik for pointing this diff erence out to me.

 33.  For example, see “Cognitive” (3).

 34.  While I share Tremain’s sense that it is “politically naïve to suggest that the term ‘impairment’ is value-neutral,” I none-

theless hope to show that it is possible to cite impairment categories without merely reinforcing normalizing discourses 

(SI, 34).

 35.  Th


  is characterization is consistent with the overall thrust of Tremain’s argument. In “On the Subject of Impairment” 

(2002), Tremain touches briefl y on Foucault’s concept of discursive reversibility, noting that the “disciplinary apparatus 

of the state . . . brings into discourse the very conditions for subverting that apparatus” (44). She maintains, however, that 

by “articulating our lived experiences” in ways that “continue to animate the regulatory fi ctions of ‘impairment,’” disabled 

people risk merely augmenting normalizing and homogenizing social processes (44; 45). Similarly, in one paragraph of 

her introduction to Foucault and the Government of Disability (2005), Tremain notes Foucault’s interest in the “strategic 

reversibility” engendered by hegemonic discourses but nonetheless reiterates the central claims of her earlier essay.

 36.  I strongly concur with Tremain’s argument for a disability theory that will “expose the disciplinary character of . . . identity,” 

rather than “ground[ing] its claims to entitlement in that identity” (SI, 44; FG, 10). In fact, Tremain’s criticisms of identity-

based movements parallel arguments I make in my essay, “Disability Studies and Identity Politics: A Critique of Recent 

Th

  eory.” I share Tremain’s view that identity politics risks reifying identity categories that might better be contested, is 



almost inevitably exclusionary and productive of hierarchies, and impedes alliances with other political minorities. Indeed, 

I am trying to make these problems apparent in my discussion of the ways in which entrenched ideas within disability 

studies exclude experiences such as Danquah describes in her memoir. But I am also attempting to demonstrate that 

Danquah utilizes her self-defi nition as a “depressive” in ways that do not replicate these dynamics of identity politics 

movements (18).

 37.  Th


  is discrepancy again exemplifi es the limitations of analogies between diff erent forms of oppression. Butler asks, “When 

and how does a term like ‘queer’ become subject to an affi

  rmative resignifi cation for some when a term like ‘nigger,’ despite 

some recent eff orts at reclamation, appears capable of only reinscribing its pain?” (223). For Danquah, such reinscription 

is also the inevitable eff ect of hearing this word repeated. She remembers the fi rst time she was called a ‘nigger’ to her 

face, by a high school boy she had asked to dance: “Even now when I hear that word—nigger—whether it is spoken by a 

black person or a white person, it is the simple tone and disgust of that boy’s voice that I hear” (43).

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“When Black Women Start Going on Prozac . . .”

 38.  Boyd also observes that it can be diffi

  cult to reconcile “beliefs about being strong Black women” with “having an illness 

that we’ve long associated with weakness of the lowest kind” (CI, 5). Similarly, Angela Mitchell observes that “one reason 

Black women don’t get treated for depression is that we oft en expect to feel sad, tired, and unable to think straight” (47). 

She reminds her readers that “Black women do not have to be depressed. It is not our lot in life” (47). Th

 e perception 

that depression is a form of weakness that Black women cannot “aff ord” is addressed on numerous web sites about Black 

women and depression (Marano, 2). See Rouse, 6.

 39.  Mitchell also connects the “mammy stereotype,” which is “rooted in the history of slavery,” to Black women’s depression, 

arguing that this stereotype creates an imperative for Black women to prioritize other others’ needs over their own (53; 56).

40.  Similarly, bell hooks has asserted that “to be strong in the face of oppression is not the same as overcoming oppres-

sion . . . endurance is not be confused with transformation” (qtd. in Mitchell, 69). Mitchell makes this point as well: Black 

women’s endurance of “suff ering and hardship,” she argues, should not be confused with “strength” (69). 

 41.  Wilson and Beresford describe the damaging repercussions of constructions of mental illness that “leave the holder of 

the diagnosis feeling utterly hopeless” and create a social expectation that those who have been diagnosed with mental 

illness “can never fully recover” (150). In addition, numerous African American feminists, activists, and critical race 

theorists have argued for the importance of hope and optimism, on both an individual and a collective level. Alex Mer-

cedes, an African American woman who is a subject of Collins’s documentary, argues that “it’s important to focus on 

the individual . . .  because the revolution will not happen overnight . . . so in the meantime, I, as an individual, must walk 

through this sexist, patriarchal hell.” Harris criticizes white feminism for its focus on “victimization and misery” and 

insists upon women’s ability to “shape their own lives” (613). Warning against the danger of a “capitulation to a sense of 

inevitable doom,” Patricia Williams expresses an “optimistic conviction” of the possibility of both “institutional power 

to make change” and “the individual will to change” (64; 65; 68). And in the introduction to Th

  e Black Women’s Health 

Book, White is hopeful about Black women’s power to “address and overcome the numerous issues that have damaged” 

their health, in part through individual “resilience and stalwart determination” (xiv; xvi). 

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