Syntactical Expressive Means and Stylistic Devices

Parallel construction is a device which may be encountered not so much in the sentence as in the macro-structures dealt with the syntactical whole and the paragraph. Parallelism is more or less complete identity of syntactical structure in two or more sentences or parts of sentence in close succession.
e.g. So long as men can breathe or eyes can see… (Shakespeare)
P.c-s are often backed up by the lexical repetition. In this case P acquires additional semantic stylistic value. P.c-s are most frequently used in enumerations, antithesis and in climax, thus consolidating the general effect achieved by these SDs. It carries the idea of semantic equality of the parts, does the emotive function, generates rhythm.
Chiasmus (Reversed Parallel Construction) from Greek [cross arrangement] – перекрестный\ реверсированный параллелизм - is based on repetition of syntactical patterns, but it has a reversed order in one of the utterances. I.e.one of the sentences is inverted as compared to that of the second sentence: SPO-OPS.
Down dropped the breeze,
The sails dropped down. (Coleridge) e.g. The public wants a thing, therefore it is supplied with it, or if it is supplied with a thing, it wants it. (Thackeray).
Chiasmus is sometimes achieved by a sudden change from active voice to passive or vice versa. It brings in some new shade of meaning or additional emphasis on the second part.
Repetition is reiteration of the same word or phrase with the view of expressiveness. As an SD it fixes the reader’s attention on the key-word of the utterance. It can be of various types: at the beginning - anaphora; at the end – epiphora; the last word of one is repeated at the beginning of the next part – anadiplosis (linking/ reduplication) – Beauty is truth, truth beauty, - that is all ye know on earth… (Keats); at the beginning and at the end of a sentence/paragraph – framing – кольцевой повтор, рамка. It helps to promote the text categories: prospection, retrospection, presupposition, predictability, wholeness, intensifies the utterance, produces the monotony of action, makes the rhythm.
The special type of R is called distant rep-n – when the repeated word /phrase occurs not in a close succession, but in some distance from one another. The distance may be a chapter, several chapters and so on.
Suspense затягивание, задержка главной мысли - is a compositional device that consists in arranging the utterance in such a way, that the less important, descriptive parts are placed at the beginning, while the main idea is presented in the end of the utterance. The sentences of this type are called periodic. Thus the reader's interest is held up, he is kept in a state of un’certainty and expectation. This device is typical of oratoric style. Suspense and climax sometimes go together.