The 50th Law (with 50 Cent)
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The Laws of Human Nature
Keep adapting.
It was in your youth that your generation forged its particular spirit, a period of emotional intensity that we often remember fondly. The problem that you face is that as you get older, you tend to remain locked in the values, ideas, and styles that marked this period. You become a kind of caricature of the past to those who are younger. You stop evolving with your thinking. The times leave you behind, which only makes you hold on more tightly to the past as your only anchor. And as you age, and more and more young people occupy the public stage, you narrow your audience. It is not that you should abandon the spirit that marked you, a rather impossible task anyway. Trying to ape the styles of the younger generation will only make you seem ludicrous and inauthentic. What you want is to modernize your spirit, to possibly adopt some of the values and ideas of the younger generation that appeal to you, gaining a new and wider audience by blending your experience and perspective with the changes going on, making yourself into an unusual and appealing hybrid. For the film director Alfred Hitchcock, the decade that shaped him and his work was the 1920s, when he entered the industry and became a director. What mattered most in these silent films was perfecting a visual language for telling a story. Hitchcock mastered the art of using camera angles and movement to make the audience feel as if it were in the middle of the story. He never abandoned this obsession with visual language throughout the six decades he worked as a director, but he continually adapted his style—to the color spectacles so much in vogue in the 1950s and to the popular thrillers and horror films of the sixties and seventies. Unlike other aging film directors, who either fell completely out of fashion or simply tried to mimic the current style, Hitchcock created a hybrid of the past and the present. This gave his later films tremendous depth, as he had incorporated all of the adaptations from earlier in his career. His films could have mass appeal, but they were made unique by these layers of innovations embedded in the film. Such depth will always have an uncanny effect on any audience, as your work seems beyond time itself. |
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