The Masnavi, Book One (Oxford World's Classics)


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OX F O R D WO R L D ’ S C L A S S I C S
JA L A L A L - D I N RU M I
The Masnavi
book one
Translated with an Introduction and Notes by
JAW I D M O JA D D E D I
1


3
Great Clarendon Street, Oxford 
ox2 6dp
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Oxford is a registered trade mark of Oxford University Press
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Published in the United States
by Oxford University Press Inc., New York
Editorial material © Jawid Mojaddedi 2004
The moral rights of the author have been asserted
Database right Oxford University Press (maker)
First published as an Oxford World’s Classics paperback 2004
All rights reserved. No part of this publication may be reproduced,
stored in a retrieval system, or transmitted, in any form or by any means,
without the prior permission in writing of Oxford University Press,
or as expressly permitted by law, or under terms agreed with the appropriate
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outside the scope of the above should be sent to the Rights Department,
Oxford University Press, at the address above
You must not circulate this book in any other binding or cover
and you must impose this same condition on any acquirer
British Library Cataloguing in Publication Data
Data available
ISBN 0–19–280438–3
1 3 5 7 9 10 8 6 4 2
Typeset in Ehrhardt
by Re
fineCatch Limited, Bungay, Suffolk
Printed in Great Britain by
Clays Ltd, St Ives plc


This translation is dedicated to the memory of
M R N I K TA B
(d.
12 May 2003)
and
J E R RY C L I N T O N
(d.
7 November 2003)


AC K N OW L E D G E M E N T S
I
should like to express my gratitude to all those who have helped
to make it possible for me to produce this translation of Rumi’s
Masnavi. The teachings of Dr Javad Nurbakhsh have given me
the essential background knowledge to understand and appreciate
the message of this Persian Su
fi masterpiece. Edmund Herzig, Paul
Luft, and Colin Turner taught me Persian language and literature at
the University of Manchester. The late Norman Calder taught me to
appreciate traditional verse forms and convinced me that the
Masnavi should be translated into iambic pentameters. With
remarkable sensitivity and patience, the late Jerry Clinton taught me
how to translate into verse. I received invaluable encouragement
from J. Christoph Bürgel, Dick Davis, Simin Nabavi, Alireza
Nurbakhsh, and Michael Sivori. Julie Scott Meisami o
ffered many
insightful criticisms and suggestions that have helped to improve
this work signi
ficantly, as well as to increase my own understanding
of the poetry. Andrew Rippin generously took on the lion’s share of
the responsibility for a project in which I collaborated at the same
time as producing this translation and working as a full-time editor
of

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