The peculiarities of middle english period in literature introduction

2.3.MIDDLE ENGLISH DRAMAS
The dramatic works of the Middle English period were defined by works of religious origin, namely: Moral plays Mystery plays Wonder plays. Moral plays or Morality are allegorical dramas in which the protagonist faces the embodiment of various virtues and vices and encourages them to choose between good and evil. The best-known Middle English moral is Everyman, in which the person of Jedermann (also the play's namesake) asks for death in the face of the Last Judgment. Each finds that his friends (including friendship and possessions) will not go with them, and in the end, only good deeds (or virtue), weak due to the fact that they did not pay attention to them in life, are sent with them on their last journey after they have passed through universal recognition. was reinforced at confession. In the epilogue, the allegory is partly resolved, and the audience is again admonished in a manner characteristic of the morality of the dramatic type: These moral people may have a place in the mind. You herers take him, old and young, And leave Pryd, for in the end he deceives you; And remember Bothe, W. Wittes, Strength and Discretion, All of them eventually leave Eyeriman, Saue his Good deeds there he takes.
The mysteries are the English equivalents of mysteries. They present the biblical narratives in a dramatized form. Sometimes they were performed by traveling groups of actors on impromptu stages, but often by the city's guilds, each taking over the presentation of other scriptures. In this way, whole dramatic cycles were created, i.e. B. The 48-piece Yorke Cycle or the Wakefield Cycle. Although mystical plays have a religious theme, they were ultimately intended for entertainment, so especially emotional scenes from the Bible were favored, such as the fall of Lucifer, Cain and Abel, Abraham and Isaac, and the birth and passion of Jesus. Christ. Sometimes the performance took place in a richly decorated car, which could be used to perform the performance in different parts of the city. The Miracle Plays are similar to the Mystery Plays but are dramatic versions of episodes from the Lives of the Saints.
CONCLUSION
With the conquest of England, the language at the royal court became either French or Anglo-Norman. English was still spoken by most of the population, but the language was heavily influenced by French. This influence distinguishes Middle English from Old English, among other things. The period of Middle English, and thus Middle English literature, ended with the frühneuenglischen Vowel Shift (also Great Vowel Shift or Great Vowel Shift), which began in the 15th century. Alternative historical end dates include William Caxton's first printing press in England in 1476, the end of the Wars of the Roses in 1482, and the discovery of America in 1492. The assertion that all works of Middle English literature use Middle English creates an unwarranted impression of uniformity. In fact, Middle English is a field of controversy between the French of the Conquerors and the Old English of the Anglo-Saxons. French Influence v. a. The English vocabulary only slowly gained strength - at first, of course, in the immediate vicinity of the royal court - and Old English words and grammar are still partially found in Middle English works. Before printing made literary works available to a wider audience—and thus allowed authors to earn income—writers often appropriated their works to a benefactor from whom they could hope to be rewarded. -