There are many types of music in our life. For example, rap and pop music, rock and alternative music, industrial and disco music, drum and bass and techno music and of course classical music

My favorite Kazakh writer
My favorite Kazakh writer, Mukhtar Auezov, was born in 1897. He has encyclopedic knowledge and knowledge. Mukhtar Auezov is an important person both in his life and in his creative work. He wrote more than twenty plays and many wonderful stories. The peak of his career was the epic about Abay. The first 20 years of Auezov's life resemble the childhood, youth and youth of his beloved poet and spiritual teacher Abay. Later, in his famous work, that steppe, that farm, that social environment were described.
Mukhtar Auezov raised Kazakh literature to a high level with his works. Many works of different genres belong to him.
Excellent translations of classic works of world literature confirm his high talent. He published many interesting articles, lectured, compiled textbooks, lectured at colleges and universities. His professional research became the basis for several new areas in the study of Turkish folklore, epics, history and linguistics. He was elected a professor at Moscow State University.
His main work is closely related to the image of Abay, the great son of the Kazakh people. He devoted more than 15 years of his life to writing this book. This book was the most important for him. As the writer said, the process of writing novels about Abay became the most interesting work of his whole life. This book is called the original encyclopedia of multifaceted features of Kazakh people's lifestyle. It revealed the bright diversity of the culture and history of this ancient land and showed the wealth of its customs and traditions to the whole world.
The works written by Mukhtar Auezov are still popular and are considered the original classics of Kazakh literature. His name remained forever in the memory of many.
SAKEN SEIFULLIN
Seifullin Saken is the founder of modern Kazakh literature. He was also a poet and writer, a statesman and a prominent member of the (Bolshevik) Communist Party. He was born in the village of Karashilik, present-day Shet district, Karagandi region. Nildin was educated at the Russo-Kazakh school (1905 - 1908) and the elementary church school (1908 - 1910). Saken graduated from Okmola Technical College in 1913 and Omsk Teachers' Seminary in 1916. Saken Seyfullin published his first poetry collection in Kazan in 1914 under the name "Otken kunder" ("Otken kunder"). In the past, Seyfullin worked as a Russian language teacher in the village of Sileti-Bugili, and in 1916 he wrote poems in support of the national liberation movement in Kazakhstan. After the February revolution of 1917, he moved to Akmolinsk (now Astana). , wrote poems, created the organization "Jas Kazakh" ("Young Kazakh"), took part in publishing the newspaper "Tirshilik" ("Hayat"). He wrote one of the first works about the fate of a Kazakh woman under the name of a short story. "Jubatu" ("Consolation", 1917). In December 1917, Akmola was elected a member of the Council of Deputies and was appointed the Commissioner of Education. 1917).
After the military coup in June 1918, he was arrested and thrown into the "death cart" of Ataman Annenkov. On April 3, 1919, he was sent to prison in Omsk, where he escaped. After that, he returned to his village and moved to Aulie-Ota (now the city of Taraz). In 1920, Saken Seyfullin returned to Akmolinsk, where he was appointed deputy chairman of the Executive Committee and head of the administrative department. At the first founding congress of Kazakh Soviets (October 4, 1920 in Orenburg), Seifullin was elected a member of the Presidium of the Central Executive Committee of the Kazakh Autonomous Soviet Socialist Republic. In the 1920s, Seyfullin became the editor of Yenbekshi Kazakh (Working Kazakh) newspaper and Qizil Kazakhstan (Red Kazakhstan) magazine. Maarif was also appointed to the post of Deputy People's Commissar of Education. In 1920, his play "Kizil Sungarlar" ("Red Eagles") was published. In 1922, at the III Congress of Soviets of Kazakhstan, Seifullin was elected as the chairman of the Committee of Soviet Commissars of the Kazakhstan Autonomous Soviet Socialist Republic. He also became a member of the All-Russian Central Executive Committee and the Presidium of the Central Executive Committee of Kazakhstan. In 1925, Seyfullin was appointed the chairman of the Research Center under the People's Commissariat of Education of the Kazakh Autonomous Soviet Socialist Republic.
He worked as an editor in "Adebiet Maidany" (Literary Front) magazine. He taught students at the Institute of Public Education in Kyzylorda, the Institute of Journalism in Tashkent, and the Kazakh Pedagogical Institute in Almaty. In the 1920s, Saken Seyfullin wrote a number of articles on world and Kazakh literature, which are still popular and interesting for readers. In 1922, a collection of poems entitled "Asau Tulpar" ("Smiling Horse") was published in Orenburg. Poems "Dombira" ("Dombra", 1924), "Sovetstan" (1924), "Express" (1926) were published as separate books. Saken Seyfullin was an innovator in poetry. Analyzing the poetic traditions of the Kazakh people, he updated the form and character of Kazakh poetry, introduced new themes and images to it. The poet also changed the strophe structure, rhythm, syntax and intonation of Kazakh poems. In 1927, his historical-memoir novel "Tar yol, taigak kesu" ("Prickly road") was published. In this work, Seyfullin showed the Kazakh people's struggle against tsarism, the Kazakhs' participation in the revolution, and their struggle to build a state. Soviet power in Kazakhstan. Saken Seyfullin paid great attention to collecting, analyzing, classifying and publishing monuments of Kazakh folklore throughout his creative career.
The writer made a significant contribution to the preparation of several works, including "Specimens of Kazakh literature" ("Samples of ancient Kazakh literature", 1931), the Kazakh version of the poem "Leyli and Majnun", the book "Kazakh literature" ("). . Kazakh literature», 1932) etc. The poems "Albatros" ("Albatross", 1933) and "Kizil ot" ("Red Horse", 1934) written in the 1930s showed Seyfullin's position in relation to the social events that took place. Seyfullin in his poem "Red Horse" assessed all the excesses that were done during the collectivization of agriculture in Kazakhstan in the 1930s. In the 1930s, Saken Seyfullin took part in discussions on current problems of literary life. He even gave a lecture at the First Congress of Kazakhstan Writers (1934) and the First All-Union Congress of Soviet Writers (1934). In 1935, he published the prose "Aysha" and the short story "Jemister". The writer also took part in the preparation of the Kazakh literature textbook of the school. Seyfullin played a decisive role in the education of literary figures. He supported writers such as B. Maylin, S. Mukanov, G'. Musrepov, G'. Mustafin, T. Jarokov. He helped them publish their first works. Seyfullin edited their books and wrote the foreword. M. Karataev, K. Bekhojin, J. Sain and others learned from Saken Seyfullin. Seyfullin's works have been published in many languages. He was the first Kazakh writer to be awarded the Order of the Red Banner of Labor. Unfortunately, he did not finish the novels "Our Life" and "Sol Years" which tell about the lives of his contemporaries. In 1938, Saken Seyfullin was repressed. The writer was shot dead in Almaty.
In 1958, Seyfullin was rehabilitated (posthumously). In 1985, the Saken Seyfullin Memorial Museum was opened in Tselinograd (now Astana). There are theaters, schools, libraries, and streets named after him in Kazakhstan. There is a monument created and erected in honor of the writer in Akmola (Astana). The State Agrarian University located in Astana was named after Saken Seyfullin. Many artistic works are dedicated to him, including Mukanov's play "Saken Seyfullin", Musrepov's story "Kezdespey ketken bir beyne" ("Once and a Lifetime"), poems by A. Tojiboyev, A. Toqmagambetov, K. Bekhojin . The scientific works of M. Karatayev, B. Ismoilov, S. Kirabaev, T. Kakishev, G. Serebryakova and others are dedicated to Seyfullin's life and work.