present a problem and discuss it thoroughly.
His most important plays are:, “Widowers’ Houses” (1893),
“Philanderer”, “Mrs. Warren’s Profession” (1898) - that form a
group of
“Plays Unpleasant” ;
“Candida” (1898), “Arms and the
Man”, “The Man of Destiny”, “You Never Can Tell” - a group of
“Plays Pleasant”;
“The Devil’s Disciple” (1901), “Caesar and
Cleopatra” (1901), “Captain Brassbound \s Conversion” - a group
“Three Plays for Puritans”.
“Man and Superman” (1903), “John
Bull’s Other Island” 1906), “Major Barbara”( 1907), “Heartbreak
House” (1917), “Pygmalion” (1919), “Saint Joan”(l 923), “Back
to Methuselah” (1921), “The Apple Cart” (1930), “Too Good to
Be True” (1932), “On the Rocks” (1933) are other popular plays
written by Shaw. In these plays the author criticizes the vices of
the existing society. They also reveal human psychology as a prod
uct of this society.
Shaw was convinced that modem plays should contain, along
with the traditional plot conflict and its resolution, what he called
“the discussion”, a consideration of important problems and sug
gestions for their resolution.
“Pygmalion”
One of Shaw’s best comedies is “Pygmalion”, written in 1912
and first produced in England in 1914. lit was adapted into the
musical “My Fair Lady” by Hollywood, in 1956. The title
“Pygmalion” comes from a Greek myth. Pygmalion, a sculptor,
carved a statue out o f ivory. It was the statue of a beautiful young
woman whom he called Galatea. He fell in love with his own
handiwork, so the goddess o f love Aphrodite breathed life into
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