Clients‟ experience of counselling within a narrative framework
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Beauty and the Beast ( PDFDrive )
CHAPTER ONE
THE VOICE OF THE PRESENT “the creative process would seem to require a complex coordination between both conscious and unconscious forms of thinking and feeling to create a new identity that moves beyond both.” (Maltby 200; 66) 1.1. Introduction This chapter intends to introduce the story of a personal journey and the research journey that followed. Long before this research journey began I was a teacher and youth group leader who used poetry and poetic writing as a way of helping young people describe experience. When I eventually left teaching and trained to be a psychodynamic counsellor I learnt how trauma may impact on the present and even the future. Then I had a family trauma of my own to work through. Living through trauma impacted on all areas of my life, changed my thinking, my perceptions, my voice and created change in all areas of my life. The significance of these changes is that they gave me the confidence to create and discover my voice of the present. For example the use I made of writing poetry though trauma enabled me to see the possibility of participants writing narratives in a poetic style. The influence on my original thinking of the fairy tale, Beauty and the Beast, demonstrates how the concepts of containment and freedom were fashioned within my internal world. Like myths, the symbolic content of the fairy tale has the potential to offer many possible arrangements (Gee 1991) which provide meaning. The personal story and experiences that led to the conception of this research provide context and an understanding of my passion for such theoretical concepts. The main aim of the research question will also be outlined in this chapter and will be followed by the objectives that helped 11 me to achieve that aim. The learning and processes of my story, like opposition, reflexivity, the search for meaning and creative writing all intertwine creating a many layered text where each part interacts with others. This multi-layered (Bond 2002) quality is mirrored throughout the thesis demonstrating the challenges and depths of narrative research. 1.2.The pre-conception of the concepts The presumption that the conception of an idea is the genesis of that idea is all too easy to fall into. Prior to conception some meeting between thoughts, experiences, feelings or even individuals has probably taken place. Ideas may appear to pop out of the blue but in reality something has happened to create that moment of conception. Before this journey began I was already interested in containment as a process within counselling, perceived by Bion (1962; 1970) as a function of maternal reverie within the counsellor. As a counsellor, the concept of containing the client and enabling a process of “transformation of the self” (Solomon 1998; 225) was intriguing. From the perspective of the client I had experienced being contained by my counsellor and was aware of the value of such a process. However, after living through the trauma of murder within my family of origin my experience as a client was dramatically changed. I struggled to find a way to go on living with murder as part of my life experience. The violence of feelings which were brought into awareness felt uncontainable. Even if my counsellor could contain all I took to a session, I did not want to. I wanted to get rid of murder and all that followed in its wake. Within the process of being a client I felt bombarded by opposing feelings, thoughts and experiences; such conflicts within my internal world felt overpowering. Jung suggests (1969) that: 12 “The most intense conflicts, if overcome, leave behind a sense of security, and calm which is not easily disturbed, or else a brokenness that can hardly be healed. Conversely it is just these intense conflicts and their conflagration which are needed in order to produce valuable and lasting results” (26). Working through such conflict created a security that has become a crucial part of my internal world which appears to confirm Jung‟s sense of „lasting results‟. It is a security that enables me to trust who I am, with a confidence not present before trauma. By working with the processes that followed murder, the counsellor within me became interested in what I contained and what I wanted freedom from containing. Somewhere within the chaos, as thoughts, feelings and experiences clashed together, a meeting between the concepts of containment and freedom (contained in the metaphor of Beauty and the Beast) began to take place, and an unformed idea started its journey towards the birth of this thesis. 1.3. My story One beautiful summer‟s day, over a decade ago, my youngest sister was murdered by her husband. The shock of such an horrific reality could not be taken into my internal world. My strongest feeling at the time was that everything changed. My internal world and the external world were suddenly so alien that an immense sense of isolation (Storr 1988; Fromm1942) invaded me. It charged the therapeutic relationship I was in as a client into a stormy commitment (Parkes 1972) of close engagement. Internal containment of physical, emotional and cognitive reactions was fought against as none of these experiences were wanted within my known self. Yet the internal freedom to feel the affect of such an experience was a primitive (Garland 1998) 13 response unable to be quietened in the transformed self who began to emerge. Without knowing, I made myself the primary data (Jackson 1989) of a personal story. In coming to understand my story there was also a desire to give voice to an experience that is often shrouded in secrecy (Ellis and Bochner 1992). Within this secret world opposition filled thoughts, perceptions and feelings as the unknown fought with what was known. The difficulty of accepting murder as a reality in my life led to the questions „how do I contain murder?‟ and „how do I free myself from murder?‟ In this way containment and freedom became aspects of me that I wanted to understand as well as opposites that fought for a place within me. Download 1.47 Mb. Do'stlaringiz bilan baham: |
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