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THE ART OF GANCH CARVING
The art of ganch carving is one of the richest forms of art in the East, widely spread in Central Asia, Iran, Turkey, Afghanistan, Arabia and other Eastern countries. This kind of art is especially different from other countries of the East in Central Asia in its way of representation, plot content and rich artistic composition. In particular, on the architectural and historical monuments of Bukhara, Samarkand, Shahrisabz, Kokand, Margilan and other cities of Uzbekistan you can see a vivid example of the art of ganch carving. The art of ganch carving has evolved over the centuries in a peculiar way. In the III Century, the famous palaces of Tuprakkala are decorated with examples of ganch carving. The samples found during the excavations of varakhshi in Bukhara date back to 7-8 centuries. V-VI Centuries the art of carving on gachu, wood, stone developed even more than in other periods. There were complex abstract images, then there were methods and methods of applying patterns in the thread. The art of ganch carving in the viiii Century received a new round of development, this is due to the adoption of Islam. This is a vivid example of the samples found in the ruins of Afrasiab. XIV-XVIII Centuries the art of carving toadstools was reborn in the architecture of Central Asia, in addition to decorations of external facades, carving reflected in the interior of palaces and madrassas, mosques and houses. The art of ganch carving received its dawn in the late XVIII and early XIX Centuries. Outstanding representatives of that time were: osteoarthritits, CustomerID, ptoposal, ustonson, ustorage, Horizonta Ibragimov, usesave, Polonophobia, uztaila, stockroom UTO Jura and many others. Among the schools of ganch carving, the Tashkent school deserves special attention. Works of art created by the masters of this school are separated by their beauty and not ordinariness. Outstanding representatives of this school are such masters as: Ponikarov, Corporatecontrol, Mahmoud Usmanov, Anvar Pulatov, Umarahunov, Markidonov and many other masters. Samarkand is one of the most ancient and famous cities of the East and the world, the works of art of ganch carving created here are unique and not repeatable and differs from other schools of ganch carving. Prominent representatives of the Samarkand school of ganch carving are such masters as: Usto Anvar Muminov, Usto Tursunboy Ismoilov, Shamsiddin Gofurov. Coolies Stingers and others. At first glance, the work of Samarkand masters is somewhat similar to the work of Tashkent masters. When decorating the ganch carving of the building, it is necessary to take into account the architectural features and purpose of this building. The toadstool carving is applied in various ways as: Kiya-inclined way, Yassi-solid way, kirma zamini-grounded scratched way, zamini rangli, grounded color way, 171 chizma pardoz-figured decorated way, panjara-lattice way, panjara khazhm- lattice volumetric way. The most common way is the continuous way. Download 1.92 Mb. Do'stlaringiz bilan baham: |
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