O‘zmu xabarlari Вестник нууз acta nuuz

O„zMU xabarlari Вестник НУУз ACTA NUUz
 
FILOLOGIYA 
1/6 2022 
- 276 - 
contrasting characters, circumstances, images, compositional 
elements, concepts, phenomena and signs, creating the effect 
of sharp contrast, is called juxtaposition. This technique is able 
not only to contrast concepts, but also to emphasize the 
paradoxical comparisons, the greatness of the object, 
universality, when contrasting properties are attributed to the 
object. So D.E. Rosenthal gives the following definition: 
―Juxtaposition is a stylistic figure that serves to enhance the 
expressiveness of speech by sharply contrasting concepts, 
thoughts, and images‖ [5].
When using another stylistic technique, such as 
comparison, a visual image arises when two explicitly 
expressed 
meanings 
of 
the 
characterized 
and 
the 
characterizing interact. It should be noted here that 
comparison is a less powerful means of creating a clear visual 
picture than metaphor. On the other hand, comparison is 
characterized by the presence of so-called similarity scales, 
which makes it possible to strengthen or weaken the sign of 
comparison by replacing comparative words. 
A characteristic feature of the comparison is that it 
can explicitly emphasize certain aspects, qualities, features of 
the object being characterized, for example: Richard Tarleton 
stood straight as a lance, and had been handsome as Apollo. 
The use of this technique is very common in fiction. 
Comparison is often used as a compositional technique, or 
serves as the basis for the deployment of the image [12]. 
A.I. Efimov in his work argues that comparison is a 
comparison of the described persons, characters, events, 
paintings with images with which the reader is familiar in 
most cases. As a result of this comparison, what is depicted 
seems to be concretized, becomes more obvious and 
expressive [13]. 
Another ―helper‖ of the author in creating the image 
of the hero, to some extent, is hyperbole. Hyperbole as a 
stylistic device is widespread not only in our everyday speech, 
but also in works of fiction, as a very effective linguistic 
means in terms of expressiveness. It is intended to exaggerate, 
exceed or anticipate any characteristic of a measure of quality, 
quantity, degree or mode of action, events, processes and 
states in the daily activities of native speakers. According to 
the famous philologist A.I. ―Hyperbole is a stylistic figure of 
explicit and intentional exaggeration, in order to enhance the 
expressiveness and emphasize the said thought‖[14]. 
Accordingly, writers can use this trope if they want to 
―elevate‖ their hero above others in order to highlight his 
special qualities. In such cases, hyperbole fits perfectly. 
Analyzing other stylistic techniques, we can say that 
such techniques as, for example, litota, etc., which are not 
based on the representation of one subject through another 
independently, that is, not in combination with metaphor, 
metonymy or comparison, are not able to create a figurative 
picture. 
As mentioned above, images create an opportunity 
to convey to the reader that special vision of the world that is 
contained in the text and inherent in the hero, author or his 
character and characterizes them. Therefore, images have a 
key position in the development of ideas and themes of the 
work, and when interpreting the text, they are considered as 
the most important elements in the structure of the whole. 
The artistic work differs from real life in that it 
contains information about the characters, their characters and 
thoughts, their life stories are not only invented by the author, 
but also selected and organized in such a way that they serve 
the realization of the author's idea, that is, the creation of an 
artistic image. If in real life an event occurs on a clear sunny 
day, then it is a matter of chance. If the same thing is 
described in a work of fiction, then this is already the author's 
choice. The author could not mention the weather at all if it 
does not affect the image, but could ―make‖ the sun shine to 
emphasize the bright, joyful mood of the characters. Unlike 
real life, there are no accidents in a literary text; there are only 
means of creating an image. 
Any literary work reflects the ideas, life experience 
and attitude to the events of its author, condensed into symbols 
that can convey emotions. These symbols and emotions, 
expressed using the above means, give importance to the 
characters of certain ideas and feelings of the heroes of 
literature, create the illusion that what we are reading about, or 
about whom we are reading, lives its own life and is an 
important component of a work of art.