Republic of uzbekistan samarkand state institute of foreign languages

CONCLUSION

So, let's sum up the results of the work done, highlight some points.

In the vocabulary, the world of emotions is displayed regardless of their carrier, time and space as an independently existing, ideally constructed world by man. As we can see, this complex world is organized by emotive nominations of various kinds: universal and individual, up to occasional, neutral and figurative, simple and complex. In this case, emotive meanings can constitute the semantic center of the word, can complicate the categorical-lexical semantics as an included semi-predicative seme, can emotionally color the entire word as a whole. Vocabulary is differentiated according to the ways of displaying emotions. Most of the emotive vocabulary consists of words adapted for the nomination of emotions and their interpretation (denotative-emotive vocabulary), a smaller part - words that specialize in expressing the speaker's emotions (interjections, emotive-connotatives). Emotive vocabulary reflects the anatomy of feelings, it splits the emotional life of a person into elementary components and gives them a designation. Particular attention in the language is given to the designation of feelings of grief, love, fear, hostility, joy. As we have already noted, the lexical ranges that include these universal emotive meanings are huge.
The language reveals certain stereotypical perspectives of depicting emotions as a state, the formation of a state, influence, external expression, characterization and quality, by which primary and secondary lexical nominations are oriented. These stereotyped perspectives constitute a model of a person's emotional mental activity.
Sentences as predicative signs fix the moments of the emotional life of a certain person - their carrier. The sentence also displays complex, multicomponent feelings, consisting of a number of elementary emotions.
Thus, while studying the display of emotions in lexical, syntactic and textual semantics, we noticed that with the complication of the nominative sign (including both the sentence and the text) - when moving from a word to a sentence and text - the ways of displaying emotions in the language become more complicated, the nominative signs expand. the possibilities of depicting various aspects of human feelings.
So, all the above signs display emotions in a twofold way: firstly, regardless of the will of the speaker, as something that actually exists (denotative semantics - in the vocabulary, emotive meanings of the structure of the character's image - in the text); secondly, as emotive intentions expressed by the speaker (connotative semantics - in the vocabulary, modal-emotive meanings - in the text). The presence of initial principles for depicting emotions in a word, sentence, and text, as well as the existence of similar semantic components in their semantic structure, is a manifestation of the semantic isomorphism of these units.