In the set design for the 1954 film Rear Window, Alfred Hitchcock used neighboring interiors to fabricate a voyeuristic ambiance. In the following essay,
Steven Jacobs analyzes the film’s spatial relationships and famous visual tension while reporting on the extensive set design work he uncovered in his search
to understand Hitchcock’s construction of a fictitious Greenwich Village block
in New York City.
10.These women were delighted to be doing what they did best for the war effort, but furious whenever anyone suggested it was glamorous, which the press did constantly.
(The Times, 20 February 2010)
We will try to define these two cohesive relations, and thus, to the possible extent, limit ... Common task of ellipsis and substitution is to avoid unnecessary repetition of ... they did best for the war effort, but furious whenever anyone suggested it was ... (The Times, 20 February 2010)
11. This is annoying, unless you’re a girl and you’re sitting on it, but there is a cure. You just speed up a bit. When you do that, the car starts to float.
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