Contents introduction chapter I. General facts about Charles Dickens

Conclusion
Every time you read a novel by Charles Dickens, you read a classic. His novels have been popular for over a hundred years because the stories are so close. Although the movement took place in nineteenth-century England, it is easy to understand the struggles and moral shortcomings of the heroes. It is a pleasure to read Dickens’s novels because it is possible to find common ground with their protagonists.
The language Dickens used was very descriptive. So the heroes come to life and you feel like you are in the same room with them. His figurative language enlivens the sentences, though it lengthens the sentences a little.
“It was the best times, it was the worst times, it was the age of wisdom, it was the age of three, it was the age of faith, it was the age of insecurity, it was the age of light. It was a time of darkness, a spring of hope, a winter of despair, we had everything, there was nothing in front of us, we went straight to heaven, we all went straight to the other side - in a word, that period was so similar to the present that some of its tumultuous authorities emphasized the perception of good or evil only in high-level comparisons. Two Cities” and how Dickens used the power of the word is impressive.
Our idea of Charles Dickens as a great writer of the Victorian era angered us because it means he is serious, ”said writer and comedian Armando Lanucci.
What I liked most about Dickens was the harmony of character, nonsense, warmth, individual adventure, horror, and melodrama. I recently read an article about the movie on the internet. Lebanese director Nadine Labali's Kafarnaum, ^{described as an echo of} Charles Dickens' 19th-century novel Oliver Twist, tells the story of a childhood spent in violence, poverty and tragedy. This may be clear evidence that Dickens ’books had a major impact on public policy and are still resonating with our contemporaries.
References

1. 
   Ackroyd, Peter (1990). Dickens. London: Sinclair-Stevenson. ISBN 978-1-85619-000-8.
   
2. 
   Atkinson, Paul (1990). The Ethnographic Imagination: Textual Constructions of Reality. London: Routledge. p. 48. ISBN 978-0-415-01761-9.
   
3. 
   Bidwell, Walter Hilliard, ed. (July–December 1870). "The Eclectic Magazine: Foreign Literature". Eclectic Magazine: Foreign Literature, Science and Art. New Series (Charles Dickens Obituary). 12: 222–224.
   
4. 
   Black, Joseph Laurence (2007). "Charles Dickens". In Black, Joseph Laurence (ed.). The age of romanticism. The Victorian era. The twentieth century and beyond. The Broadview Anthology of British Literature. 2. Broadview Press. pp. 735–743. ISBN 978-1-55111-869-7.
   
5. 
   Bodenheimer, Rosemarie (2011). "London in the Victorian Novel". In Manley, Lawrence (ed.). The Cambridge Companion to the Literature of London. Cambridge University Press. pp. 142–159. ISBN 978-0-521-72231-5.
   
6. 
   Cain, Lynn (2008). Dickens, family, authorship: psychoanalytic perspectives on kinship and creativity. Ashgate Publishing. ISBN 978-0-7546-6180-1.
   
7. 
   Callow, Simon (2012). Charles Dickens and the Great Theatre of the World. Vintage. ISBN 978-0-345-80323-8.
   
8. 
   Callow, Simon (2009). Dickens's Christmas: A Victorian Celebration. Frances Lincoln Ltd. ISBN 978-0-7112-3031-6.
   
9. 
   Chesterton, G K (2005). Charles Dickens: A Critical Study. Kessinger Publishing. ISBN 978-1-4179-1996-3.
   
10. 
    Chesterton, G K (1911). Appreciations and Criticisms of the Works of Charles Dickens. J M DentForgotten Books. p. 54. ISBN 978-1-4400-9125-4.
    
11. 
    Cochrane, Robertson (1996). Wordplay: origins, meanings, and usage of the English language. University of Toronto Press. ISBN 978-0-8020-7752-3.
    
12. 
    Cohen, Jane R. (1980). Charles Dickens and His Original Illustrators. Ohio State University Press. ISBN 978-0-8142-0284-5.
    
13. 
    Colledge, Gary L (2009). God and Charles Dickens. Baker Books. ISBN 978-1-4412-3778-1.
    
14. 
    Davis, Paul (1998). Charles Dickens A to Z. Facts on File, Inc. ISBN 978-0-8160-2905-1.
    
15. 
    Hartley, Jenny (2009). Charles Dickens and The House of Fallen Women. London: Methuen. ISBN 978-0-413-77643-3.
    

16. www.wikipedia.com
17. www.britianica.com
18. www.dickens.online.com

1^ Atkinson, Paul (1990). The Ethnographic Imagination: Textual Constructions of Reality. London: Routledge. p. 48. ISBN 978-0-415-01761-9.

1^ Bidwell, Walter Hilliard, ed. (July–December 1870). "The Eclectic Magazine: Foreign Literature". Eclectic Magazine: Foreign Literature, Science and Art. New Series (Charles Dickens Obituary). 12: 222–224.

1^ Black, Joseph Laurence (2007). "Charles Dickens". In Black, Joseph Laurence. The age of romanticism. The Victorian era. The twentieth century and beyond. The Broadview Anthology of British Literature.

1^ Cain, Lynn (2008). Dickens, family, authorship: psychoanalytic perspectives on kinship and creativity. Ashgate Publishing. ISBN 978-0-7546-6180-1

1^ Callow, Simon (2012). Charles Dickens and the Great Theatre of the World. Vintage. ISBN 978-0-345-80323-8.

1^ Callow, Simon (2009). Dickens : A Victorian Celebration. Frances Lincoln Ltd.

1^ Davis, Paul (1998). Charles Dickens A to Z. Facts on File, Inc. ISBN 978-0-8160-2905-1.

1^ Hartley, Jenny (2009). Charles Dickens and The House of Fallen Women. London: Methuen. ISBN 978-0-413-77643