Mixture or combination


Musabbag’ – see. Tasbig’ MUSAVVIDI AVROQ


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Bog'liq
Mariya 295-330

Musabbag’ – see. Tasbig’
MUSAVVIDI AVROQ – He was bibliographic term of Arabic origin. It means “writer of pages”. It expresses place where name of the copier, calligrapher, secretary or translator and others write are replaced. Especially the name in the end of the Bukhara copy of Babur-nama has not been identified as the calligrapher wrote only words “musavvidi avraq” attaching two paged texts. There was written the date of Babur’s death, sixth day of Jumodul avval of 937 (Decenber 26 of 1530) and an ode and interpretation on this occasion, which followed with outlining of Babur’s character, nobility, mercifulness, imperialism, politics, constructing, attention to the army, his knowing Persian and Uzbek, his creating both in poetry and prose. Then there were counted Babur’s children, communicants and number of emirs.
Wording
MUSADDAS – 1) It is a poem with three syllables in every line; there are a number of ghazal s with “musaddas” metrics.
Yana ko’z uyida ma’vo qilibsen,
Ko’ngul koshonasida jo qilibsen. (ghazal from “D”)
2) It is a kind of poem with 6 kines in every stanza. (there is no any in Babur’s poetry)
A.A.
Musajja’ (inner rhyme) – It is a literary term belonging to Aruz only. It touches upon rhyme structure and considered as type of “saj”. All the poems bearing this rhyme structure (matlai mathnaviy) the second syllable of the line, in the rhymeless poem even the first syllable of line must be rhymed with each line. For instance,
Qaro zulfung firoqida parishon ro’zg’orim bor,
Yuzungning ishtiyoqida ne sabru ne qarorim bor.P51
(rhymes: ro’zg’or- qaror; musajja’: firoq-ishtiyoq)
Labing bag’rimni qon qildi, ko’zumdin qon ravonqildi.
Nega holim yamon qildi – men andin bir so’rorim bor.
(Rhyme: so’ror; musajja’: qon-ravon-yamon; qildi – saj radifi)p51
If ghazal (mathnavi, muhammas and others) rhymes in all syllables (musajja) beginning from the second the poem itself also called “musajja”(ghazal, mathnavi, muhammas and so on). It was Babur who invented to rhyme the end (matla) of ghazal. “There were less rhyme in the end of ghazals, if they do would be great” [“A”, on folio 108a] All the ghazals with “musajja” rhyming were created in this way.
Yo.I., A.A., V.R.

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