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particular Uzbekistan. Masters of this type of
applied art of Bukhara and
Tashkent work fruitfully, sow a day.
Previously, the walls were decorated with carved panels, patterns were carved
on the edges of tahmons (tachmon - the front and side of the ceiling cornices).
Tokcha (Tokcha is a
beggar in the walls of a room, in one room such beggars
could reach up to a dozen or more) was carved and
painted in multi-colored
tones, and they were combined into a single composition of the room’s interior
to allow natural color and fresh air to enter the room above windows and doors
were left with tuynuki (tuynuk is a hole in the form of beggars) and lattices and
a gancha or a tree were installed. Now Navo (navo is the vaults under the ceiling
of the room, specially designated for the frame
for writing surahs from the
Koran), shift (cipher is a specially designated place under the arch of the room
or a beggar in the form of an arch), kandil (kandil is a special place on the
ceiling of the room for chandeliers and hooks) were made of ganch. And also
ganch is widely used to decorate
the palaces of culture, both in the internal
arches and walls, and on the facades of buildings.
Fine examples of ganch carving can be found
in Bukhara at the summer
residence of the Bukhara rulers in the SitoraiMokhiHosa Palace, in Tashkent the
building of the Alisher Navai Opera and Ballet Theater. Bright representatives
of this art are Usto Shirin Murodov (Bukhara), Toshpulat Arlsonov, A. Pulotov,
A. Samadov (Tashkent), H. Zhalilov (Samarkand).
The creations created by
these masters still amaze humanity.
WOOD CARVING
Wood carving is one of the oldest types of applied
art in Uzbekistan and has
strong traditions.
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