Pokonferencyjna

Использованная литература:
1.  Rasulov A. Badiiylik  – bezavol yangi-
lik. –T.:Sharq, 2007.
2.  Ulug‘ov A.Adabiyotshunoslik nazariya-
si. –T.: G‘.G‘ulom, 2018.
3.  Quronov D., Mamajonov Z., Sheraliyeva 
M., Adabiyotshunoslik lug‘ati.–T.: 
Akademnashr, 2013.
4.  Otauli. Bilga xoqon dostoni.  –T.: 
O‘zbekiston, 2015.
5.  O‘ljaboyev U. Hikoyachilikda davr nafasi.–
T.: Turon zamin ziyo, 2016.

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  85 
PHILOLOGY,  SOCIOLOGY AND CULTUROLOGY №14
“A language is not just words. It’s a 
culture, tradition, a unification of a com-
munity, a whole history that creates what 
the community is. It’s all embodied in a 
language” as famous linguist Noam 
Chomsky claimed. Language as a social 
phenomenon creates real image of the 
community where certain language is 
spoken, it determines their mentality, way 
of life, thoughts and perception of real 
world. In one word language is a mirror in 
which entire ethnos with all its cultural 
identities is reflected. The national cul-
ture, social changes and personal behav-
iors are reflected through language, as a 
language is spiritual and social aspect of 
people, and reflection of the ethnic origin. 
Thus, a person who is a user of language 
is a part of national culture which in-
cludes national traditions, language, his-
tory and literature.
Clothing as a pivotal item of human 
routine cannot be studied separately from 
culture as it identifies historical trends, 
beliefs, traditions, nature and thoughts of 
a nation. Therefore, lexicon that describe 
a clothing piece entails cultural colorit 
which is unique and alien in other lan-
guages. Overall, national clothes and oth-
er accessories has always been the differ-
ential characteristic of every nation. Such 
borrowings as Japanese kimono (Proshi-
na, 2004), Vietnamese ao dai (Oxford 
English Dictionary, 2000) and Chinese 
cheongsam (Proshina, 2004) give us a 
vivid image of the men and women styles 
in clothes at different periods. Naturally, 
that is true for Uzbek clothing items. 
Cloth, what makes Uzbek garment so sole 
and majestic. Atlas, adras are types of 
cloth that contribute “house of soul” of 
Uzbek people and their beliefs, percep-
tion of world and dreams. Each variation 
of national cloth whispers about its story 
by its patterns that cannot be translated 
into another language. In some cases this 
lines unify hope and hopelessness, death 
and life, birth, but consequently triumph 
of goodness in this dialectics of nature. 
Thus, these elements of national identity