Стилистика тилшуносликнинг ажралмас қисми бўлиб, у бадиий нутқнинг ифодаланиш услублари, уларнинг таъсирчанлиги ва умуман инсон нутқини ўрганадиган фандир

Exercises:
I. Questions for discussion:
1. What is polysyndeton? 2. What does polysyndeton stress in the text? 3. With what SDs is polysyndeton used? Give the illustrations.
II. Speak about the linguistic nature of polysyndeton and enumeration:
I. I. Harris, however, revels in tombs, and graves, and epitaphs, and monumental inscriptions, and the thought of not seeing Mrs. Thomas's grave made him crazy. 2. It (the barometer) evidently wanted to go on, and prognosticate drought, and water famine, and sunstroke, and simoons, and such things ... 3. From Wallingford up to Dorchesterthe neighborhood of the river grows more hilly, varied and picturesque.4. The man who be able to live comfortably under one roof, with his wife, his mother-in-law, his eldest sister, and the old servant who was in the family ... 5. Be dull and soulless, like a beast of the field — brainless animal with listless eye, unlit by any ray of fancy, or hope, or fear, or life. 6. George said that in that case we must take a rug, each, a lamp, some soup, a brush and comb, a tooth-brush (each), a basin, some tooth-powder, some shaving tackle, a couple of big towels for bathing.7. We wanted to hear no more, we caught up the hamper and the bags, and the coats and rugs, and parcels, and ran. 8. If little Hans came up here and saw our warm fire, and our good supper, and our great cask of red whine he might get envious.
2. 1. Онангиз сизникийикнинг қараб туққанларми,дейман. Отингизҳамжайрона, кўзларингиз ҳам, қоматингизҳам, юришларингиз ҳамжайроннинг ўзи. 2. Бу ерларга унинг қони ҳам, кўз ёши ҳам, пешона тери ҳам тўкилган.3. Сен хаёлсан, уйқусан, куйсан, Сен эзгу ҳис, энг ширин ўйсан.


Suspense is a deliberate delay in the completion of the idea. It is such an SD where the main idea of the sentence, syntactical whole or paragraph is kept till the end. The less important parts are placed at the beginning of the utterance. In this way the reader's interest is kept up: Well, you don't look for much of a voice in a comic song. You don't expect correct phrasing or vocalization. You don't mind if a man does find out, when in the middle of a note, that he is too high, and comes down with a jerk. You don't bother about time. You don't mind a man being two bars in front of the accompaniment and easing up in the middle of a line to argue it out with the pianist, and then starting the verse afresh.But you do expect the words.
We must not neglect the role of intonation in suspense. It creates the desired atmosphere of expectation and emotional tension.
It is necessary to remember that suspense is usually framed in one sentence, because of intonation but the sentence may have different clauses expressing condition, supposition, time, and the like. All these clauses hold back the conclusion of the utterance. Here is an example of suspense in Keat's "Sonnet":
When I have fears that I may cease to be
Before my pen has glean'd my teeming brain
Before high-piled books, in charactery
Hold like rich garners the fall ripen'd grain
When I behold, upon the night's starr'd face
Huge cloudy symbols of a high romance,
And think that I may never live to trace
Their shadows, with the magic hand of chance,
And when I feel, fair creature of an hour,
That I shall never look upon thee more
Never have relish in the feary power
Of unreflecting love! — thenon the shore
Of the wide world I stand alone, and think
Till Love and Fame to nothingness do sink.
Sometimes the conclusion of the suspended utterance goes contrary to the expectation and then this SD is used for humorous effect: But, when I had paid for about a dozen chickens that he (the dog) had killed; and had dragged him, growling on and kicking, by the scruff of his neck, out of a hundred and fourteen street fights; and had a dead cat brought round for my inspection by an irate female who called me a murderer, and had been summoned by the man next door but one for having a ferocious dog al large, that had kept him pinned up in his own tool-shed, afraid to venture his nose outside the door for over twohours on a cold night; and had learned that the gardener, unknown to myself, had won thirtyshillings by backing him to kill rats against time, then I began to think that may be they'd let him remain on earth for a bit longer after all.