Action as a part of a dramatic work

1. 
   Action as a part of a dramatic work.
   

Dramatic action - the actions of a person in their relationship, which make up the most important side in the drama of the plot. It can be traced either from the junction to the junction, capturing large intervals of action, or it is shown at its climax, in time close to the junction. The action of the drama develops sequentially in front of the viewer, and they can follow the internal logic of the development of the action.
The action in the drama unfolds in the present tense, it is active, continuous, compacted, and strives for its goal - denouement.
The action performed by the characters is reproduced, not described. The action is shown through conflict - through the confrontation of the characters of the main characters, their different understanding of the same situation, the expression of their feelings, thoughts and desires that do not coincide with each other. The conflict of a dramatic work is a clash of characters, their positions, and views. The simplest definition of conflict is the struggle between good and evil, truth and falsehood, unselfishness and self - interest. The conflict lies at the center of the dramatic work. The whole composition of the play serves to reveal it.
Units of action are utterances, movements, gestures, and facial acts of characters that Express their emotions, desires, and intentions.

2. 
   Speech in a dramatic work.
   

It is divided into two types - the speech of the author and the speech of the characters. The first takes up much less space in the text than the second, but it is very important, because it determines how and where the action takes place. The author is practically deprived of the opportunity to narrate. The author's comments include remarks, title, proper names, playbill, program text, and any announcement about the performance. In drama, the author's position is expressed implicitly.
The poster refers to advertising. It should inform the potential audience about the performance and attract them to the theater. The text on the poster should be short, memorable, and informative. On the poster, the troupe's co-stars, photos and pictures are placed.
Remarks, otherwise stage directions, are the most vivid and obvious manifestation of the author's speech in the drama. This is a different voice "behind the scenes", expressing the author's point of view and influencing the reader, Director, and actors. The viewer sees the implementation of the remarks in action.

3. 
   The system of epic genres construction.
   

The system of epic genres was formed in different ways. The system is based on a myth. The rites and rituals required-get verbal expressions: there lyapidevskii and epic songs. Life outside of ritual gave rise to a prosaic fairy tale, in which the myth is also reflected. The need to preserve the memory of the past and pass it on to descendants gave rise to historical traditions, which first existed in oral form, then were recorded. There was a folk heroic epic, epic poems. Since epic poems retain memories of the past, the narrator-poet feels and conveys in his works an epic distance from what is happening (he remembers, but does not participate in any way). Already in antiquity, the distance between the narrator and the actors is reduced. The novel, an epic genre, was first poetic (chivalrous romances of the Middle ages), and from the XVIII century to the present time it has become prose ("Eugene Onegin"-a novel in verse, especially noted). In addition to the novel, the story and the story are also developing at the same time. The works of these genres are dominated by "personal, demonstrative-subjective narration

4. 
   Role of dialogue and monologue in drama.
   

The characters ' speech is divided into dialogue and monologue. Listening to the characters, the viewer gets an idea about their external and internal life, about the events in which they are participants, and about their views, moods, and feelings. A person can exchange remarks with other people in a dialogue, or address himself or the audience in a monologue. Both forms of dramatic speech reveal the characters ' character.
The monologue, in contrast to the dialogue, is more expressive. The hero speaks to himself or to the audience. Often a monologue is an indicator of a sharp change in the plot, the beginning of a new event, or a change in the balance of power. Monologue is more automatic than dialogue. It consists of several speech themes, sometimes containing a narrative.

5. 
   Style.
   

the external side of the work. It includes the genre's intra-literary criteria: volume, size, set of artistic means, thematic content, style, and compositional structure.
There are also non-literary criteria for the genre: for example, poetic advertising.
Example of a specific group's style with text:
"LIGHT POETRY" is an expression that originated in France in the 17th century and lasted until the beginning of the 19th century, when the texts that it defined were created. For light poetry, the following features are characteristic:
• themes-friendship and a friendly feast, love, praise of female beauty; "high" themes in an unexpected interpretation: witty expression of philosophical motives;
• a stable set of motives: feasting speeches, friendly feasts, cups of wine.
The distinctive features of "Light poetry" are a trusting tone, a tendency to reproduce secular "nonsense", colloquial intonation, unexpected turns of thought, unusual images, and a tendency to indirect, peri - phrastic naming of the mentioned objects. STYLE - "the aesthetic community of all sides and elements of the work, which has a certain originality»1. being a property of the art form, style permeates the entire structure of the form. Therefore, you can find style attributes in each text fragment.

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