Aleksandr Deineka (1899-1969) : an avant-garde for the proletariat
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90. Aleksandr Deineka Illustration for Bezbozhnik u stanka [Atheist at the Factory Workbench], ca. 1928 Magazine. Lithography, 33.1 x 25.4 cm MKRKP (b), Moscow Text at top: At the Iberian Mother of God Icon in 1914 Text at bottom: Oh Lord, save thy people . . . Victory for our most orthodox emperor . . . Collection Merrill C. Berman Fundación Juan March
148 88. Aleksandr Deineka Illustration for Bezbozhnik u stanka [Atheist at the Factory Workbench] no. 3, 1927, pages 12–13. Magazine Lithography, 35.5 x 53.3 cm MKRKP (b), Moscow Text at top: At the district club Collection Merrill C. Berman Fundación Juan March 89. Aleksandr Deineka Illustration for Bezbozhnik u stanka [Atheist at the Factory Workbench] no. 9, 1927, back cover. Magazine Lithography, 35.5 x 25.4 cm MKRKP (b), Moscow Text at top: The sporting ground Text at bottom: At the finish Collection Merrill C. Berman 150 91. Aleksandr Deineka Untitled, 1927 Drawing for the book by Henri Barbusse Ogon’ [The Fire], Russian translation from the French original Le feu (1916) Ink on paper, 19.2 x 31.8 cm Akademiia, Moscow Private collection Fundación Juan March 92. Aleksandr Deineka Cover and illustrations for the book by Henri Barbusse, Ogon’ [The Fire] Russian translation of the French original Le feu (1916), 1935 Letterpress, 20 x 14 cm Akademiia, Moscow Archivo España-Rusia Fundación Juan March
152 93. Aleksandr Deineka Cover and illustrations for the book by Agniia Barto, Pervoe maia [The First of May], 1926 Book. Letterpress, 32 x 22 cm GOSIZDAT, Moscow Ville Paris, Bibliothèque l’Heure joyeuse
Cover and illustrations for the book by V. Vladimirov, Pro loshadei [About Horses], 1928 Book. Letterpress, 20 x 15 cm GOSIZDAT, Moscow Ville Paris, Bibliothèque l’Heure joyeuse Fundación Juan March 95. Aleksandr Deineka Cover and illustrations for Iskorka [Spark], no. 8, 1929, pages 10–11 Lithography, 25 x 19.7 cm Ville Paris, Bibliothèque l’Heure joyeuse Fundación Juan March 154 96. Aleksandr Deineka Cover and illustrations for the picture book V oblakakh [In the Clouds], 1930 Lithography, 22.5 x 19 cm GOSIZDAT, Moscow Collection Merrill C. Berman Fundación Juan March
Fundación Juan March 156 97. Aleksandr Deineka Cover and illustrations for the book by Nikolai Aseev Kuter’ma (Zimniaia skazka) [Commotion (A Winter Tale)], 1930 Book. Letterpress, 20.3 x 15.2 cm OGIZ-Molodaia Gvardia, Moscow Collection Merrill C. Berman Fundación Juan March
Fundación Juan March 98. Aleksandr Deineka Cover and illustrations for the book by Boris Ural’skii, Elektromonter [The Electrician], 1930 Book. Letterpress, 22.5 x 19.5 cm GOSIZDAT, Moscow Ville Paris, Bibliothèque l’Heure joyeuse 158 Fundación Juan March Fundación Juan March 160 Fundación Juan March Fundación Juan March 162 99. Aleksandr Deineka Cover for the book Parad Krasnoi Armii [The Parade of the Red Army], 1930 Book. Letterpress, 22.5 x 19.5 cm GOSIZDAT, Moscow Ville Paris, Bibliothèque l’Heure joyeuse
Cover for the book by Semen Kirsanov Vstretim tretii! [We Will Fulfill the Third (the goals of the third year of the first five-year plan)], 1930 Book. Letterpress, 22 x 14.7 cm Molodaia gvardiia, Moscow Ville Paris, Bibliothèque l’Heure joyeuse Fundación Juan March
101. Cover and illustration for the book by Aleksei Kharov, Un ami sentimental, 1930 Book. Letterpress, 21.8 x 17.5 cm OGIZ, Moscow Ville Paris, Bibliothèque l’Heure joyeuse Fundación Juan March 164 102. Aleksandr Rodchenko Cover for Novyi lef [New Left Front of the Arts], no. 4, 1927 Magazine. Letterpress, 22 x 15 cm GOSIZDAT, Moscow Collection Merrill C. Berman
Cover for Novyi lef [New Left Front of the Arts], no. 11, 1928 Magazine. Letterpress, 20.3 x 15.2 cm GOSIZDAT, Moscow Collection Merrill C. Berman
Cover for Novyi lef [New Left Front of the Arts], no. 12, 1928 Magazine. Letterpress, 20.3 x 15.2 cm GOSIZDAT, Moscow Collection Merrill C. Berman
Cover for Novyi lef [New Left Front of the Arts], no. 1, 1927 Magazine. Letterpress, 23 x 15 cm GOSIZDAT, Moscow Text: New Left. Magazine of LEF Under the editorial direction of V. V. Mayakovsky. No. 1 Moscow 1927. Gosizdat Collection Merrill C. Berman
Demonstratsiia. Risunok dlia zhurnala “Prozhektor”, no. 45 [Demonstration. Drawing for Prozhektor], 1928, page 6 India ink on paper, 38.9 x 29.9 cm Text at top: The entire world listens in these days to the heavy tread of the proletarian battalions. State Tretyakov Gallery, Moscow Inv. ArjGr-264 Fundación Juan March Fundación Juan March 166 107. Cover for Prozhektor [Searchlight], no. 8 (30), 1924 Magazine. Letterpress, 36 x 27 cm Izdatel’stvo Pravda, Moscow Archivo España-Rusia 108. John Heartfield Cover for Prozhektor [Searchlight], no. 48, 1931. Magazine. Lithography and letterpress, 33 x 25.4 cm Izdatel’stvo Pravda, Moscow Collection Merrill C. Berman
Mechislav Dobrokovskii Stroi promyslovuiu kooperatsiiu . . . [Build Producers’ Cooperatives], ca. 1925 Poster. Lithography, 72.1 x 54 cm Text: Build producers’ cooperatives for the common goal through the artel Handicraftsmen into artels Artels into unions VSEKOPROMSOIUZ, Moscow Print run: 5,000 Collection Merrill C. Berman Fundación Juan March
Fundación Juan March 168 110. Aleksandr Samokhvalov Da zdrávstvuyet komsomol! [Hail the Komsomol!], 1924 Poster. Lithography, 89.9 x 60 cm Text on banner and background: Hail to the Komsomol The young guard goes into battle to replace the old Text at bottom: For the seventh Anniversary of the October Revolution Priboi, Petrograd Collection Merrill C. Berman Fundación Juan March
Fundación Juan March 111. Aleksandr Deineka V mekhanicheskom tsekhe. Risunok dlia zhurnala “U stanka” [In the Mechanical Workshop Drawing for U stanka], 1925 Ink, watercolor and wash on paper 56.3 x 37.5 cm State Tretyakov Gallery, Moscow Inv. RS-9617 112. Aleksandr Deineka Parovoi molot na Kolomenskom zavode. Risunok dlia zhurnala “U stanka” [Steam Hammer at the Kolomenskaia Factory. Drawing for U stanka], 1925, no. 3 India ink, gouache and graphite on paper, 43.1 x 34.5 cm State Tretyakov Gallery, Moscow Inv. ArjGr-2135 114. Nikolai Troshin USSR in Construction, no. 5, 1932 Magazine. Letterpress, 42 x 30 cm Gosizdat, Moscow English version of SSSR na stroike Fundación José María Castañé Fundación Juan March 115. Aleksandr Deineka Pered spuskom v shakhtu [Before the Descent into the Mine], 1925 Oil on canvas, 248 x 210 cm State Tretyakov Gallery Moscow, Inv. 20835
Na stroike novykh tsekhov [Building New Factories], 1926 Oil on canvas, 212.8 x 201.8 cm State Tretyakov Gallery Moscow, Inv. 11977 113. Aleksandr Deineka. Udarnik, bud fizkulturnikom! [Shockworker, Be a Physical Culturist!], 1930. Design for poster India ink and tempera on paper 102.3 x 72.7 cm Kursk Deineka Picture Gallery Inv. G-2057 Fundación Juan March Fundación Juan March Fundación Juan March 113 . Aleksandr Deineka. Udarnik, bud fizkulturnikom! [Shockworker, Be a Physical Culturist!], 1930. Design for poster India ¡nkand tempera on paper 102.3 x 72.7 cm Kursk Deineka Picture Gallery Inv. G-2057 115 . Aleksandr Deineka Pered spuskom v shakhtu [Before the Descent into the Mine], 1925 Oil on canvas, 248 x 210 cm State Tretyakov Gallery Moscow, Inv. 20835 116 . Aleksandr Deineka Na stroike novykh tsekhov [Building New Factories], 1926 Oil on canvas, 212.8 x 201.8 cm State Tretyakov Gallery Moscow, Inv. 11977 Fundación Juan March Fundación Juan March Fundación Juan March 117. Aleksandr Deineka Sotsialisticheskoe sorevnovanie [Socialist Competition] Cover for Daesh’! [Let’s Produce!], no. 2, May 1929 Magazine. Lithography and letterpress 30.5 x 22.9 cm. Rabochaia Moskva, Moscow Print run: 20,000. Price: 25 kopeks Collection Merrill C. Berman Fundación Juan March 118. Aleksandr Deineka Proizvodstvo produktov pitaniia [The Production of Foodstuff s] Cover for Daesh’! [Let’s Produce!] no. 5, August 1929. Magazine Lithography, letterpress 30.5 x 22.9 cm Rabochaia Moskva, Moscow Price: 10 kopeks. Print run: 12,000 Collection Merrill C. Berman Fundación Juan March
178 119. Chistku gos-apparata [The Purge of the State Apparatus] Cover of Daesh’! [Let’s Produce!] no. 1, April 1929 Magazine. Lithography and letterpress, 30.5 x 22.9 cm Rabochaia Moskva, Moscow Collection Merrill C. Berman 119b and 119c. Illustrations for inside pages by Aleksandr Deineka Fundación Juan March
120. Piatiletku v massy [The Five-Year Plan to the Masses] Cover for Daesh’! [Let’s Produce] no. 3, June 1929 Magazine. Lithography and letterpress, 30.5 x 22.9 cm Rabochaia Moskva, Moscow Collection Merrill C. Berman 120b and 120c. Illustrations for inside pages by Aleksandr Deineka Fundación Juan March
180 121.
Daesh’! [Let’s Produce!], no. 11, 1929 Magazine. Lithography, letterpress and rotogravure, 30.5 x 22.9 cm Rabochaia Moskva, Moscow Collection Merrill C. Berman Fundación Juan March
122.
Podnimai proizvoditelnost’, snizhai brak [Raise Productivity. Reduce Waste] Cover of Daesh’! [Let’s Produce!] no. 12, 1929. Magazine. Lithography letterpress, rotogravure, 30.5 x 22.9 cm Rabochaia Moskva, Moscow Collection Merrill C. Berman
Polnyi khod [Full Speed] Cover for Daesh’! [Let’s Produce!] no. 6, 1929. Magazine. Lithography and letterpress, 30.5 x 23 cm Rabochaia Moskva, Moscow Collection Merrill C. Berman 124. Aleksandr Rodchenko Sovetskii avtomobil’ [The Soviet Automobile] Cover for Daesh’!
[Let’s Produce!], no. 14, 1929 Magazine. Lithography and letterpress, 30.5 x 23.2 cm Rabochaia Moskva, Moscow Collection Merrill C. Berman Fundación Juan March 182 Fundación Juan March 125. Aleksandr Deineka Tekstilshchitsi [Female Textile Workers], 1927 Oil on canvas, 171 x 195 cm State Russian Museum Saint Petersburg, Inv. ZHB-988 Fundación Juan March
184 Fundación Juan March 126. Nataliia Pinus Trudiashchiesia zhenshchiny-v riady aktivnykh uchastnits [Working Women into the Ranks of Active Participants] 1933. Poster. Lithography and letterpress, 96.2 x 72 cm OGIZ-IZOGIZ, Moscow-Leningrad Print run: 20,000. Price: 90 kopeks Collection Merrill C. Berman 127. Valentina Kulagina Mezhdunarodnyi den’ rabotnits [The International Day of Working Women], 1930. Poster. Lithography and letterpress, 106.7 x 71.1 cm GOSIZDAT, Moscow-Leningrad Print run: 40,000. Collection Merrill C. Berman Fundación Juan March
186 130. Znenskii zhurnal. Besplatnoe prilozhénie [Woman’s Journal. Free supplement], 1930 Magazine insert Lithography, 74 x 104 cm Patterns for various embroidery and knitting techniques Text at top: Embroidery for clothing. Work with appliqué and quick stitching Ogonek, Moscow Archivo España-Rusia Fundación Juan March
128. Nikolai Troshin URSS en construction [USSR in Construction], no. 2, February 1936 Magazine. Letterpress, 42 x 30 cm OGIZ-IZOGIZ, Moscow French edition of SSSR na stroike Collection MJM, Madrid 129. Nikolai Sidel’nikov Rabitnitsa, uluchshai kachestvo, snizhai sebestoimost’ . . . [Woman Worker, Improve Quality, Reduce Cost . . .], ca. 1930 Design for soap wrapper Collage: gouache, ink, letterpress and photography (gelatin silver, vintage copy) on board, 32.1 x 25.7 cm Text: Woman worker / Improve quality / Reduce cost / Raise labor productivity / Increase knowledge Woman worker soap / Facial soap Weight 100 grams State Trust Tezhe Moscow Private collection Fundación Juan March
188 Fundación Juan March 131. Aleksandr Deineka Oborona Petrograda [Defense of Petrograd], 1928 Oil on canvas, 209 x 247 cm Copy of the original painted by Deineka in 1928 (today in the State Museum of Armed Forces, Moscow) State Tretyakov Gallery, Moscow Inv. ZHS-621 Fundación Juan March
190 132.
SA, Sovremennaia arkhitektura [SA, Contemporary Architecture] no. 6, 1928. Magazine Letterpress, 31 x 23 cm GOSIZDAT, Moscow Archivo España-Rusia
SA, Sovremennaia arkhitektura [SA, Contemporary Architecture] no. 3, 1928. Magazine Letterpress, 31 x 23 cm GOSIZDAT, Moscow Archivo España-Rusia 134b and 134c. Interior pages with the October Group Manifesto Fundación Juan March 133.
SA, Sovremennaia arkhitektura [SA, Contemporary Architecture] no. 5–6, 1926. Magazine Letterpress, 31 x 23 cm GOSIZDAT, Moscow Archivo España-Rusia
SA, Sovremennaia arkhitektura [SA, Contemporary Architecture] no. 5, 1928. Magazine Letterpress, 31 x 23 cm GOSIZDAT, Moscow Archivo España-Rusia
SA, Sovremennaia arkhitektura [SA, Contemporary Architecture], 1928 Poster. Letterpress, 38.1 x 27.9 cm Advertising poster for subscription to SA magazine 1928 Collection Merrill C. Berman Fundación Juan March 192 137.
MAO Konkursy 1923–1926 [Moscow Architecture Society Competitions 1923–1926], 1926 Magazine. Letterpress, 32.5 x 25 cm MAO, Moscow Archivo España-Rusia 137b. Page illustrating the design for the Central Telegraph building in Moscow by Aleksandr and Viktor Vesnin (second prize)
Stroitel’stvo Moskvy [Construction of Moscow], no. 10, 1930 Magazine. Letterpress, 30 x 21.5 cm Mossovet, Moscow Special issue devoted to the Narkomfin building by the architect Moisei Ginzburg, a prototype for communal building Archivo España-Rusia 140. Piotr Galadshev Brochure for the film Battleship Potemkin, 1926 Letterpress, 15 x 11.5 cm Archivo España-Rusia Fundación Juan March 139. Anton Lavinskii Stachka [Strike], 1925 Poster for the film Strike
by Sergei Eisenstein Letterpress and lithography 106.7 x 70.8 cm GOSIZDAT, Moscow Print run: 9,500 Collection Merrill C. Berman Fundación Juan March
194 141.
Novaia obstanovka – novye zadachi khoziastvennogo stroitel’stva [A New Situation – New Tasks for Economic Construction], 1931. Poster. Lithography and letterpress, 104 x 71.1 cm. Text on image: Citation of Stalin’s speech at a meeting of industrial managers on June 23, 1931. …The new conditions of the development of industry demand work in a new manner, but some of our managers do not understand this and do not see that it is now necessary to adopt new methods of management. This is the reason why several sectors of our industry are lagging behind. What are the new conditions for the development of our industry? From where did they arise? There are at least six such new conditions. 1) . . . to recruit a labor force in an organized way, by means of agreements with collective farms, to mechanize labor. 2.) . . . to liquidate the instability of the labor force, to abandon wage leveling, to organize wages correctly, to improve the everyday life conditions of workers. 3) . . . to liquidate the lack of personal responsibility, to improve the organization of labor, to arrange labor forces properly at enterprises. 4) . . . to assure that the working class of the USSR has its own industrial- technical intelligentsia. 5) . . . to change the treatment of the engineering and technical forces of the old school, to show to them greater attention and concern, to involve them more boldly in the work. 6) . . . to implement and strengthen economic accounting, to increase intra-industry savings. IZOGIZ, Moscow. Print run: 50,000. Price: 50 kopeks. Collection Merrill C. Berman Download 4.48 Mb. Do'stlaringiz bilan baham: 
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