O‘zmu xabarlari вестник нууз acta nuuz

participants in the communicative situation, carries out the 
attitude of the speaker to the objects and participants in the 
situation, that is, evaluates the various components of the 
pragmatic situation as true or false, serious or comical, causing 
approval or censure, contempt or respect, curiosity or 
boredom, joy or fear. The use of terminological vocabulary in 
the stylistic function of evaluation, as a rule, is associated with 
the implementation of the characterological function; 
terminological vocabulary either serves as a marker of the 
professional language of the subject of speech, or forms of 
speech behavior common to the subject, associated with his 
social status or education. The specific function of the 
evaluative use of terminological vocabulary in the creation of 
a rating scale ... "[3]. 
Scientists note that in a work of art, where the 
communicative function of the language is complicated by the 
artistic and visual function, special explanations of terms are 
extremely undesirable, as they contribute to the destruction of 
the artistic fabric of the narrative. In the general literary 
language, in particular in the language of fiction, the lexico-
phraseological connections of the term expand and deepen, 
emotionally expressive coloring is superimposed on the 
conceptual content of the terms, as a result of which the 
phenomenon of partial or complete determinology arises, new 
meanings develop and new meanings appear. At the same 
time, the term loses its main features: consistency, 
unambiguity, 
emotionally 
expressive 
neutrality. 
This 
phenomenon is typical for terms that denote objects and 
phenomena relevant to native speakers. Along with such 
“losses”, the terms in a literary text also have “acquisitions”: 
in this case, the terms can perform not only their main 
nominative function, but also serve as a means of creating 
imagery, evaluativeness, creating portrait and speech 
characteristics. The concept in literature most often refers to 
the individual consciousness of the author of the work, 
contains his individual perception of things and phenomena of 
the surrounding world. One of the most authoritative linguists 
of our time, Yu.S. Stepanov, in a broad sense, refers the notion 
of concept, along with culture, to two main meta-concepts. He 
claims that “the concept is like a clot of culture in the mind of 
a person; that in the form of which culture enters the mental 
world of man. And, on the other hand, the concept is 
something through which a person - an ordinary, ordinary 
person, not a "creator of cultural values" - enters culture 
himself, and in some cases influences it" [1]. 
When studying concepts, scientists are faced with 
certain difficulties, in particular, with the problem of the 
semantic complication of a literary word. The Soviet literary 
critic M.M. Girshman gives the following definition of the 
literary language: “this is the maximum manifestation of the 
national language, covering all its implementations in terms of 
the creative potential contained in them. The artistic word 
does not lose its significance, regardless of whether it is used 
in its literal sense or contains several semantic layers. Lexical 
units are directly influenced by the system of the writer's 
artistic thinking, and the concepts behind them are fragments 
of a holistic individual artistic picture of the world" [2: 65]. 
The system of information about the world is a 
conceptual system, i.e. a system of certain concepts, a person's 
ideas about the world - a system constructed by a person as a 
member of a certain cognitive and cultural community. In the 
construction of such systems, natural language plays an 
essential, though not exclusive, role. The correlation of 
language and the surrounding reality, carried out by the 
conceptual system, is, in fact, the coding of certain fragments 
of the conceptual system by linguistic means. At the same 
time, “this trend extends to the field of discourse” [3: 202]. 
“The attachment of language expressions as a sign system, 
code to certain fragments of the conceptual system allows you 
to operate with the information contained in it, which leads to 
the construction and adaptation of such information by the 
system that cannot be constructed without a language and 
which makes it possible to go beyond the direct experience of 

---