History of Civilizations of Central Asia
Part One: The art and architecture of Xinjiang
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- Bu sahifa navigatsiya:
- Part Two: Uighur vernacular architecture
- Part Three: The art and architecture of Mongolia
- CHAPTER 27 Part One: Iran and Afghanistan General Bibliography
- Painting (Iran)
- Theatre (Iran)
- Cinema (Iran)
- Photography (Iran)
- Cinema (Afghanistan)
- Part Two: India and Pakistan
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Part One: The art and architecture of Xinjiang
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AKINER, S. 1983. Islamic Peoples of the Soviet Union. London. ——. (ed.). 1991. Cultural Change and Continuity in Central Asia. London. ASLANAPA, O. 1971. Turkish Art and Architecture. London. CHEN, J. 1977. The Sinkiang Story. New York. KRADER, L. 1971. Peoples of Central Asia. Bloomington, Ind. LI. 1985. Xinjiang Crafts Art. Urumqi. MACKERRAS, C. 1973. The Uighur Empire: According to T’ang Dynastic Histories. Columbia, S.C. ——. 1995. China’s Minority Cultures: Identities and Integration since 1912. New York. ROZI, R. 1991. Traditional Houses and the Communities in Kashghar. Paper read at the Third Conference on Chinese Vernacular Architecture. Guilin. ——. 1992a. The National Style in Built Environment. Journal of Northwestern Institute of Archi-
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Contents ISBN 92-3-103985-7 BIBLIOGRAPHY AND REFERENCES ANDREWS, P. A. 1999. Felt Tents and Pavilions: The Nomadic Tradition and Its Interaction with
. London. 2 vols. BARTHOLOMEW, T. T. 1995. An Introduction to the Art of Mongolia. In: P. Berger and T. T. Bartholomew (eds.), Mongolia: The Legacy of Chinggis Khan, pp. 76–87. San Francisco, Calif. BATYREVA, S. G. 1991. Starokalmytskoe iskusstvo [Old Kalmuk Art]. Elista. BERGER, P. 1995. Zanabazar (1635–1723). In: P. Berger and T. T. Bartholomew (eds.), Mongolia: The Legacy of Chinggis Khan , pp. 261–304. San Francisco, Calif. BERGER, P.; BARTHOLOMEW, T. T. 1995. Mongolia: The Legacy of Chinggis Khan. San Francisco, Calif. BORISENKO, I. 1994. Khramy Kalmykii [Temples of Kalmykia]. Elista. CHARLEUX, I. 1999. La peinture des donateurs du temple de Maitreya en Mongolie méridionale. Arts Asiatiques , Vol. 54, pp. 85–102. CHARLEUX, I.; LACAZE, G. 2004. L’intronisation du IXe Dalai lama vue par un prince mongol: un rouleau peint conservé à la bibliothèque de l’Institut des Hautes Études Chinoises. Arts Asiatiques , Vol. 59, pp. 30–57. CHOINKHOR, J. 1995. Öndör Gegeen Zanabazar/Undur Geghen Zanabazar. (In Mongolian.) Ulaanbaatar. DARIIMAA, G. 2003. Dursagdakhyn buyantai burkhan zuraach [A Buddhist Iconographic Painter Worthy of Memory]. (In Mongolian.) Ulaanbaatar. DASHNYAM, L.; OCHIR, A.; URTNASAN, N.; TSEWEENDORJ, D. 1999. Mongol nutag dakhi
[Historical and Cultural Monuments on the Terri- tory of Mongolia: A Classified Reference]. (In Mongolian.) Ulaanbaatar. ELVERSKOG, J. 2003. The Jewel Translucent Sütra: Altan Khan and the Mongols in the Sixteenth Century . Leiden. ERDENITOTAQU. 1958/1981. Orcin üy-e-yin Monggol-un aldartu uran jokiyalcid [Famous Mon- gol Authors of the Recent Period]. 1958. Repr. (In Mongolian.) Ulaanbaatar. GAUBATZ, P. R. 1996. Beyond the Great Wall: Urban Form and Transformation on the Chinese
. Stanford, Calif. JACKSON, D. P.; JACKSON, J. A. 1984. Tibetan Thangka Painting: Methods and Materials. New York. LANG, M.-K.; KRIST, S. 2003. Surharban Depicted: An Analytic Double View. In: A. Sárközi and A. Rákos (eds.), Altaica Budapestinensia MMII, pp. 199–210. Budapest. LIU WENYAN; LAI BINGWEN. 1988. Yinzhannaxi zhuan [Biography of Injannashi]. Shenyang. LOMAKINA, I. I. 1974. Marzan Sharav. Moscow. MAIDAR, D. 1988. Grafika Mongolii. Moscow. MINERT, L. K. 1983. Pamiatniki arkhitektury Buriatii [Monuments of the Architecture of Buriatia]. Novosibirsk. NEI MENGGU BOWUGUAN. 1987. Nei Menggu minzu wenwu [Inner Mongolian Ethnic Artefacts]. Beijing. ÖLZII, J. 1992. Mongolyn dursgalt uran barilgyn tüükhees [From the History of Mongolian Monumental Architecture]. (In Mongolian.) Ulaanbaatar. PUPYSHEV, V. N. 1995. Budiyskaya zhivopis’ Buriatii iz fondov Muzeia Istorii Buriatii im. M. N. Khangalova [Buddhist Art of Buriatia from the Collections of the M. N. Khangalov Museum of the History of Buriatia]. Ulan-Ude. RHIE, M. M.; THURMAN, R. A. F. 1991. Wisdom and Compassion: The Sacred Art of Tibet. New York. 962
Contents Copyrights ISBN 92-3-103985-7 BIBLIOGRAPHY AND REFERENCES SÉLHÉJAB; OYUNBILIG, L. 1991. Badgar Süm-e. (In Mongolian.) Chifeng. SHCHEPETIL’NIKOV, N. M. 1960. Arkhitektura Mongolii [Architecture of Mongolia]. Moscow. SONOMTSEREN, L. 1971. Orchin üyeiin Mongolyn dürslekh urlag [Modern Mongolian Fine Arts]. (In Mongolian.) Ulaanbaatar/Leningrad. SONOMTSEREN, L.; BATCHULUUN, L. 1989. Mongolyn dürslekh urlagiin towch tüükh [A Brief History of Mongolian Fine Arts]. (In Mongolian.) Ulaanbaatar. STODDARD, H. 1995. The Tibetan Pantheon: Its Mongolian Form. In: P. Berger and T. T. Bartholomew (eds.), Mongolia: The Legacy of Chinggis Khan, pp. 206–60. San Francisco, Calif. TSEND, Sh.; JADAMBAA, T.; B. GARMAA, B., et al. (eds.). 1974. Ulaanbaatar. Ulaanbaatar. TSERENDULAM, Z. 1982. Uran zuraach D. Choidog [The Painter D. Choidog]. (In Mongolian.) Ulaanbaatar. TSULTEM, N.-O. 1982. Vydayushchiysya mongol’skiy skul’ptor G. Dzanabadzar [The Eminent Sculptor G. Zanabazar]. Ulaanbaatar. ——. 1986a. Iskusstvo Mongolii s drevneyshikh vremen do nachala XX veka [Art of Mongolia from Ancient Times to the Beginning of the Twentieth Century]. Moscow. ——. 1986b. Mongol’skaya natsional’naya zhivopis’ ‘Mongol zurag’ [Development of the Mongolian National-Style Painting ‘Mongol Zurag’]. Ulaanbaatar. ——. 1988. Arkhitektura Mongolii [Mongolian Architecture]. Ulaanbaatar. ——. 1989. Skul’ptura Mongolii [Mongolian Sculpture]. Ulaanbaatar. UNION OF MONGOLIAN ARTISTS. 2002–2004. Website: http://www.uma.mn/index.html. VINKOVICS, J. 2003. Three Inner Mongolian Painted Scrolls in the Exhibition ‘Collecting Ori- ental Art in Hungary’. In: A. Sárközi and A. Rákos (eds.), Altaica Budapestinensia MMII, pp. 384–8. Budapest. CHAPTER 27 Part One: Iran and Afghanistan General Bibliography ADLE, C. 2001. Acquaintance with Cinema and the First Steps of Filming and Filmmaking in Iran, 1899 to ca. 1907 A.D./1277 to ca. 1285 A.S. Tavoos, Vol. 2, Nos. 5 and 6 (autumn 2000 and winter 2001). English text, pp. 180–215; Persian text, pp. 58–90. 2nd ed. Tehran. ADLE, C.; ZOKA, Y. 1983. Notes et documents sur la photographie iranienne et son histoire; I: Les premiers daguerréotypistes, c. 1844–1845/1260–1270. Studia Iranica, Vol. 12, fasc. 2, pp. 249–280. Leiden. AFSHAR, I. 1371/1992. A Treasure of Early Iranian Photographs. Tehran. ALEXANDER, C. 1932. A Modern Wayfarer in Persia. London. BLÜCHER, Von, W. 1949. Zeitwende in Iran: Erlebnisse und Beobachtungen. Biberach an der Riss. BYRON, R. 1937. The Road to Oxiana. London. EMANUEL, W. V. 1939. The Wild Asses, a Journey through Persia. London. E‘TEMAD AL-SALTANEH, M. H. K. 1306/1884. Ket¯ab al-Ath¯ar va’l-Ma’¯ather. (In Persian.) Tehran. JAVADI, H. 1988. Satire in Persian Literature. Cranbury. MAGHSOUDLOU, B. 1987. Iranian Cinema. New York. MERRIT-HAWKES, O. A. 1935. Persia. Romance and Reality. London. MILLER, J. 1934. Camel-Bells of Baghdad. Boston, Mass./New York. 963
Contents Copyrights ISBN 92-3-103985-7 BIBLIOGRAPHY AND REFERENCES NAFICY, H. 1981. Cinema as a Political Instrument. In: M. E. Bonine and N. Keddie (eds.), Mod-
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. Tehran. Painting (Iran) BALAGHI, S.; GUMPERT, L. (eds.). 2002. Picturing Iran. Art, Society and Revolution. London/New York.
[Dah s¯al b¯a tarr¯ah¯an-egrafik-e enghel¯ab-e esl¯ami, 1979–1989 ]. 1989. Comp. A. Aliy. Tehran. A Decade with Painters of the Islamic Revolution, 1979–1989 [Dah s¯al b¯a naqq¯ash¯an-e enghel¯ab-e esl¯ami, 1979–1989 ]. 1989. Comp. M. Gudarzi. Tehran. EMAMI, K. 1977. Modern Persian Artists. In: E. Yarshater (ed.), Iran Faces the Seventies. New York/Washington, D.C./London. ——. 1987. Art in Iran: xi. Post-Qajar (Painting). In: EIr, Vol. 2, pp. 640–6. ETTINGHAUSEN, R. 1977. An Introduction to Modern Persian Painting. In: E. Yarshater (ed.), Iran Faces the Seventies . New York/Washington, D.C./London. FLOOR, W. 1999. Art (Naqqashi) and Artists (Naqqashan) in Qajar Persia. Muqarnas, Vol. 16. Cambridge, Mass. GALLOWAY, D. (ed.). 2000. Parviz Tanavoli: Sculptor, Writer and Collector. Tehran. GOLESTAN, L. (ed.). 1359/1980. Sohrab Sepehri: sh¯a‘er, naqq¯ash, 1307–1359. (Offset.) Tehran. PAKBAZ, R. 1974. Contemporary Iranian Painting and Sculpture. Tehran. PAKBAZ, R.; EMDADIYAN, Y. 1379/2001. Pioneers of Iranian Modern Painting. Tehran. Les peintures populaires de la légende persane . 1979. Catalogue of an exhibition held at Maison de l’Iran in Paris in 1979 by Groupe 7/Animation. Texts in French and English. Paris.
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[Gozideh-i az ¯as¯ar-e avvalin nem¯ayeshg¯ah-e do s¯al¯aneh-e naqq¯ash¯an-e Iran ]. 1991. Tehran. Tavoos [magazine in both English and Persian; contains many articles on modern art]. Tehran. Theatre (Iran) BEYZA’I, B. 1345/1966. Nam¯ayesh dar Ir¯an. (In Persian.) Tehran. FLOOR, W. In press. The History of Theater in Iran. Washington, D.C. MALEKPUR, J. 1363/1984. Adabiy¯at-e Nam¯ayeshi dar Ir¯an. (In Persian.) Tehran. 2 vols. REZVANI, M. 1962. Le théâtre et la danse en Iran. Paris.
ADLE, C. 2001. Acquaintance with Cinema and the First Steps of Filming and Filmmaking in Iran, 1899 to ca. 1907 A.D./1277 to ca. 1285 A.S. Tavoos, Vol. 2, Nos. 5 and 6 (autumn 2000 and winter 2001). English text, pp. 180–215; Persian text, pp. 58–90. 2nd ed. Tehran. DABASHI, H. 2001. Close Up: Iranian Cinema, Past, Present, and Future. New York. ELENA, A. 2005. The Cinema of Abbas Kiarostami. London. HAGHIGHAT, M. 1999. Histoire du cinema Iranien: 1900–1999. Paris. ISSA, R.; WHITAKER, S. (eds.). 1999. Life and Art. The New Iranian Cinema. London. 964 Contents
Copyrights ISBN 92-3-103985-7 BIBLIOGRAPHY AND REFERENCES KÉY, H. 1999. Le cinéma iranien. L’image d’une société en bouillonnement. Paris. MAGHSOUDLOU, B. 1987. Iranian Cinema. New York. NAFICY, H. 2001. An Accented Cinema. Exilic and Diasporic Filmmaking. Princeton, N.J. OMID, J. 1372/1993. Farhang-e filmh¯a-ye sinem¯a-ye Ir¯an 1308–1350. (In Persian.) Tehran. ——. 1377/1998. T¯arikh-e sinem¯a-ye Ir¯an, 1297–1357 [The History of Iranian Cinema, 1900–1978]. (In Persian.) 2nd ed. Tehran. Photography (Iran) ADLE, C. In press [2005]. Photography in Persia, The Daguerreotypists: c. 1842–1860. In: C. Adle and P. Luft (eds.), The Qajar Epoch, Arts and Architecture. London. ADLE, C.; ZOKA, Y. 1983. Notes et documents sur la photographie iranienne et son histoire; I: Les premiers daguerréotypistes, c. 1844–1845/1260–1270. Studia Iranica, Vol. 12, fasc. 2, pp. 249–280. Leiden. ADLE, K. 1977. Gowzari be ch¯armah¯al-e bakhtiy¯ari [A Passage through Ch¯armah¯al-e Bakhtiy¯ari]. Tehran.
AFSHAR, I. 1983. Some Remarks on the Early History of Photography in Iran. In: E. Bosworth and C. Hillenbrand (eds.), Qajar Iran, pp. 214–82. Edinburgh. BAKHTYAR, R. N. 2001. Ken¯ar-e har rudi g¯am zadam ¯an rud Z¯ayendeh-rud shod [Every River I Strolled Along Became the Zayendeh-rud]. (In Persian.) Tehran. BOHRER, F. 1999. Sevruguine and the Persian Image, Photographs of Iran, 1870–1930, Washington, D.C. FARIDANI, N. 1994. Ir¯an. (In Persian.) Tehran.
. 1983–7. Published by War Information Headquarters, Supreme Defence Council. Tehran. 5 vols. KASRA’IYAN, N. 1990. Sarzamin-e m¯a Ir¯an [Our Homeland Iran]. (In Persian.) Tehran. Nashriyeh-ye herfeh va honarmand . 1381/2002. No 3, pp. 59–79. (In Persian.) Tehran. Panj neg¯ah be kh¯ak [Five Glances at the Soil]. 1981. (Sixty-three photographs by five Iranian pho- tographers: Karim Em¯ami, Mahshid Farahmand, Yahy¯a Dehq¯anpur, Bahman Jal¯ali and Mehdi Khons¯ari.) (In Persian.) Tehran. Sevruguin’s Iran . 1999. Eds. F. Barjesteh and collaborators. Tehran. SHAFA’IYEH, H. 1981. ‘Akk¯asi. (In Persian.) Tehran. ——. 1993. Fann va honar-e ‘akk¯assi [The Technique and the Art of Photography]. (In Persian.) Tehran. TAHMASPPOUR, M. In press [2006]. Akk¯asi [Photography]. In: D¯aneshn¯ameh-ye Ir¯an. Tehran. ZOKA, Y. 1977. T¯arikh-e ‘akk¯asi va ‘akk¯as¯an-e pishg¯am [The History of Photography and Pioneer Photographers in Iran]. Tehran. ——. In press [2006]. T¯arikh-e ‘akk¯asi [The History of Photography]. Tehran.
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Contents Copyrights ISBN 92-3-103985-7 BIBLIOGRAPHY AND REFERENCES ARCHER, M.; ARCHER, W. G. 1955. Indian Painting for the British, 1770–1880. London. ARCHER, W. G. 1966. Paintings of the Sikhs. London. BHUVANENDRAN, N. 1991. Interpretation of Indian Art. New Delhi. BOURNE, S. 1975. A Fortune in Old Photographs (review article). Times of India. 20 April. BROWN, P. 1965. The Heritage of India. Indian Painting. New Delhi. CARVEN, Jr.; ROY, C. 1963. Contemporary Art in India. Roopa-Lekha, Vol. 34, Nos. 1 and 2. New Delhi. CROWTHER, B. 1979. Motion Pictures. In: M. G. Shapp (ed.), The New Book of Knowledge, Vol. 12, pp. 472–88. New York. GOETZ, H. 1959. India. In: Five Thousand Years of Indian Art. Bombay. GRIFFITHS, J. 1896. The Paintings in the Buddhist Cave-temples of Ajanta, Khandesh (India). London. 2 vols. HAVELL, E. B. 1911. The Ideals of Indian Art. London. ——. 1964. The Art Heritage of India. 2nd ed. Bombay. HUGEL, B. C. 1972. Kashmir and the Punjab. Delhi. KAUL, M. 1961. Trends in Indian Painting. New Delhi. KHAN, S. 1988. Contemporary Paintings of Bangladesh. Roopa-Lekha, Vol. 60, Nos. 1 and 2. New Delhi. MITTER, P. 1992. Status and Patronage of Arts During British Rule in India (1850–1900). In: The
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PUROHIT, V. 1988a. Arts of Transitional India, 20th Century. Delhi. 2 vols. ——. 1988b. Arts of Transitional India, 20th Century. London. 2 vols. RAGHUVANSHI, V. P. S. 1969. Indian Society in the Eighteenth Century. New Delhi. RANGOONWALA, F. 1970. Phalke Centenary Celebration Souvenir. The Phalke Centenary Celebration Committee . Poona.
RYDER, L. L. 1956. Motion Pictures. In: W. T. Couch (ed.), Collier’s Encyclopedia, Vol. 14, pp. 196b–218. New York. SMITH, V. A. 1911. A History of Fine Art in India & Ceylon. Oxford. SRIVASTAVA, R. P. 1983. Punjab Painting. Study in Art and Culture. New Delhi. SUBRAMANYAM, K. G. 1978. Moving Focus. Delhi. SUNDAR, P. 1955. Patrons and Philistines. Art and the State in British India, 1773–1947. New Delhi. SWARUP, S. 1968. 5000 Years of Arts and Crafts in India and Pakistan. Bombay. VERMA, S. P. 2002. Sikh Painting: An Appraisal. In: H. Banerjee (ed.), The Khalsa & the Punjab.
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ALEXANDROVICH, A.; KALINOVSKAYA, T. 1968. Ob istoricheski slozhivchikhsya tsentrakh gorodov Samarkanda, Bukhara i Khiva [The Historic Centres of Samarkand, Bukhara and Khiva]. In: Stroitel’stvo i arkhitektura Uzbekistana, No. 18. Tashkent. 966 Contents
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Contents Copyrights ISBN 92-3-103985-7 BIBLIOGRAPHY AND REFERENCES MENDIKULOV, M. 1959. K kharakteristike arkhitektury Kazakhstana, XIX–natchalo XX vv. [The Features of the Architecture of Kazakhstan, Nineteenth and Early Twentieth Centuries] In: Arkhitektura Kazakhstana. Alma-Ata. MERLIN, P. 1975. Urbanisme et villes nouvelles en Union Soviétique. In: Cahiers de l’IAURP
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[The Most Noteworthy Architectural Monuments of Uzbekistan]. Tashkent. SADKULOV, T. C. 1973. Samarkand vo vtoroy polovine XIX natchala XX vekov [Samarkand in the Mid-Nineteenth and Early Twentieth Centuries]. Samarkand. SHISHKIN, V. A. 1943. Goroda Uzbekistana [The Cities of Uzbekistan]. Tashkent. SPRAGUE, A. R. 1994. Modernizing Architecture, Art, and Town Plans. In: E. Allworth (ed.), Cen- tral Asia: 130 Years of Russian Dominance, a Historical Overview . 3rd ed. Durham/London. SUKHAREVA, O. A. 1958. K istorii gorodov Bukharskogo khanstva [The History of the Khanate of Bukhara]. Tashkent. ——. 1976a. Kvartal’naya obshchina pozdnefeodal’nogo Bukhary. Moscow. ——. 1976b. Ocherki po istorii sredneaziatskikh gorodov [Studies on the History of Central Asian Cities]. In: B. A. Litvinskiy (ed.), Istoriya kul’tura narodov Sredney Azii drevnost’ srednie veka. Moscow.
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